THE BIRTHPLACE OF TIM BOBBIN.
____________
CHAPTER I.
A merrier man,
Within the limits of becoming mirth,
I never spent an hour's talk withal.
LOVE'S
LABOUR LOST. |
THERE is a quiet
tract of country on the eastern border of Lancashire, lying in a
corner, formed by the junction of the rivers Mersey and Irwell, and
having but little intercourse with those great towns of the county
which boil with the industry of these days, to the north and
eastward. It is the green selvedge of our toilful district, in that
direction; and the winding waters of the Mersey lace its meadows,
lengthwise, until that river joins the more soiled and sullen
Irwell, on the northern boundary of the parish. In all the landscape
there are no hills to break the view; and, considering the extent
of land, trees are but sparely scattered over it. It is singular,
also, that the oak will not flourish in this particular spot;
although there are fine specimens of other trees common to the
English soil. But the country is fertile, and prettily undulated in
some places; and it is a pleasant scene in hay-time, "when leaves
are large and long," and birds are singing with full-throated
gladness in the green shade, whilst the dewy swathe is falling to
the mower's stroke, in the sunlight of a June morning. Looking
eastward, across the Mersey, the park-like plains and rustling woods
of Cheshire stretch away in unbroken beauty, as far as the eye can
see. Indeed, the whole of this secluded tract, upon the
Lancashire side of the river, may be naturally reckoned part of that
fruitful Cheshire district which has, not inappropriately, been
called the "market-garden of Manchester." The parish of
Flixton occupies nearly the whole of this border nook of Lancashire;
and the scattered hamlet of Urmston, in the same parish, lays claim
to the honour of being the birthplace of our first native humourist,
the celebrated John Collier, better known by his self-chosen name of
"Tim Bobbin,"—
A lad whose fame did resound
Through every village and town around,
For fun, for frolic, and for whim. |
And, certainly, the hamlet of Urmston is a spot quite in
keeping with all we know of the general character, and all we can
imagine of the early training of a man who owed so much to nature,
and who described the manners of the country-folk of his day with
such living truth, enriched with the quaint tinge of a humorous
genius, which was his, and his only. Fortune, and his own
liking, seem to have made him a constant dweller in the country.
He was, by fits, fond of social company, and business led him into
towns occasionally; but, whenever he visited towns, he seems to have
always turned again towards the chimney-corner of his country-home
with an undying love, which fairly glows in every allusion he makes
to his dwelling-place in the village of Milnrow, and even to the
honest uncouth hinds, who were his neighbours there, whose portraits
he has drawn for us, so quaintly, in his celebrated story of "Tummus
and Mary." He was "a fellow of infinite jest; of most
excellent fancy."
Here, then, in green Urmston, John Collier is said to have
been born; and the almost unrecorded days of his childhood were
passed here. Even now, the scattered inhabitants are mostly
employed in agriculture, and their language and customs savour more
of three centuries ago than those which we are used to in
manufacturing towns. From the cottage homes, and
old-established farmhouses, which are dropped over the landscape,
like birds' nests, "each in its nook of leaves," generation after
generation has come forth to wander through the same grass-grown
byways and brambly old lanes; to weave the same checkered web of
simple joys and sorrows, and cares and toils; and to lie down at
last in the same old churchyard, where the "rude forefathers of the
hamlet" are sleeping together so quietly. It is a country well
worth visiting by any lover of nature, for its own sake. Its
natural features, however, are those common to English rural scenery
in districts where there are no great elevations, nor anything like
thick woodlands; and though such scenery is always pleasing to my
mind, it was not on account of its natural charms; nor to see its
ancient halls, with the interesting associations of past generations
playing about them; nor the ivied porches of its picturesque
farmhouses; nor to peep through the flower-shaded lattices of its
cottage nests; nor even to scrape acquaintance with the
old-fashioned people who live in them, that I first wandered out to
Flixton; though there is more than one quaint soul down there
that I would gladly spend an hour with, particularly "Owd Rondle,"
the market-gardener, who used to tell me curious country tales.
He had a dog, which "wur never quiet but when it wur feightin."
He was a man of cheerful temper and clear judgment, mingled with a
genial undercurrent of humour, which thawed cold manners in an
instant. The last time I saw him, a friend of his was
complaining of the gloom of the times, and saying that he thought
England's sun had set. "Set!" said Rondle. "Not it!
But if it wur set, we'd get a devilish good moon up! Dunnot be
so ready to mout yor fithers afore th' time. Owd Englan's yung
yet, for oather peace or war, though quietness is th' best, an' th'
chepest: if they'n let us be quiet on a daicent fuuting. So,
keep yor heart up; for th' shell shall be brokken; an' th' chicken
shall come forth; an' it shall be a cock-chicken; an' a feighter,
with a single kom!" But old Rondal was not always in this
humour. He could doff his cap and bells at will; and liked
what he called "sarviceable talk," when any serious matter was
afoot. Yet, it was not to see curious "Owd Rondle" that I
first went down to Flixton. The district is so far out of the
common "trod," as Lancashire people say, that I doubt whether I
should ever have rambled far in that direction if it had not been
for the oft-repeated assertion that Urmston, in Flixton, was the
birthplace of John Collier. And it was a desire to see the
reputed place of his nativity, and to verify the fact, as far as I
could, on the spot, that first led me out there.
In my next chapter, gentle reader, if thou art so minded, we
will ramble down that way together; and I doubt not that in the
course of our journey thou wilt hear or see something or other which
may repay thee for the trouble of going so far out of thy way with
me.
――――♦――――
CHAPTER II.
By the crackling fire,
We'll hold our little snug, domestic court,
Plying the work with song and tale between. |
IT was on a cold
forenoon, early in the month of April, 1857, that I set off to see
Urmston, in Flixton. The sky was gloomy, and the air chill;
but the cold was bracing, and the time convenient, so I went towards
Oxford Road Station in a cheerful temper. Stretford is the
nearest point on the line, and I took my ticket to that village.
We left the huge manufactories, and the miserable chimney tops of
"Little Ireland" down by the dirty Medlock; we ran over a web of
dingy streets swarming with dingy people; we flitted by the end of
Deansgate and over the top of Knot Mill, the site of the Roman
Station,—now covered with warehouses connected with the Bridgewater
Trust; we left the black stagnant canal, coiled in the hollow, and
stretching its dark length into the distance, like a slimy snake we
cleared the cotton mills and dyeworks and chemical manufactories of
Cornbrook, Pomona Gardens, too, we left behind, with the carpentry
of its great picture sticking up raggedly in the air, like the
charred relics of a burnt wood-yard. These all passed in swift
panorama, and the train stopped at Old Trafford, which takes its
name from the Trafford family, or rather, I believe, gives its name
to that family, whose ancient dwelling, Old Trafford Hall, stands in
part of its once extensive gardens, near the railway. Baines
says of this family, "The Traffords were settled here (at Trafford)
at a period anterior to the Norman conquest, and ancient documents
in possession of the family show that their property has descended
to the present representative not only by an uninterrupted line of
male heirs, but without alienation, during the mutations in national
faith, and the violence of civil war. Henry, the
great-grandson of Ranulphus de Trafford, who resided at Trafford in
the reign of Canute and Edward the Confessor, received lands from
Helius de Pendlebury; in Chorlton, from Gospatrick de Chorlton; and
in Stretford, from Hamo, the third baron of that name, of Dunham
Massie; and from Pain of Ecborn (Ashburn) he had the whole of the
lordship of Stretford." The whole of Stretford belongs to the
Traffords still. "In the reign of Henry VI. Sir Edmund
Trafford, of Trafford, assisted at the coronation of the king, and
received the honour of Knight of the Bath on that occasion." A
certain poet says truly—
Though much the centuries take, and much
bestow,
Most through them all immutable remains; |
but the mind sets out upon a curious journey when it starts from
modern Manchester, with its industrialism and its political unions,
its hard workers and its wealthy traders, its charities and its
poverties, its mechanics' institutions and its ignorance, its
religions and its sins, and travels through the successive growths
of change which have come over the life of man since the days of
Canute (when Manchester must have been a rude little woodland town),
speculating as it goes as to what is virtually changed, and what
remains the same through the long lapse of time, linking the "then"
and "there" with "now" and "here." But we are now fairly in
the country, and the early grass is peeping out of the ground,
making all the landscape look freshly green. In a few minutes
the whole distance had been run, and I heard the cry "Out here for
Stretford!" Leaving the station, I went to the top of the
railway bridge, which carries the high-road over the line.
From that elevation I looked about me. It commands a good view
of the village, and of the country for miles around. This
great tract of meadows, gardens, and pasture-land, was once a thick
woodland, famous, in the Withington district, for its fine oak
trees. In Flixton the oak was never found, except of stunted
growth. A few miles to westward, the parks of Dunham and
Tatton show how grand the growth of native trees must have been on
the Cheshire border; and in the north-east, the Woods of Trafford
make a dark shadow on the scene. And here at hand is the old
village of Stretford, the property of the Traffords of Trafford,
whose arms give name to the principal inn of the village, as well as
one or two others on the road from Manchester. The man in
motley, with a flail in his hand, and the mottoes, "Now, thus;"
"Gripe Griffin; hold fast!" greet the traveller with a kind of grim
historic salutation as he goes by. These are household phrases
with the inhabitants, many of whom are descendants of the old
tenantry of the family. Quiet Stretford; close to the Cheshire
border; the first rural village after leaving that great
machine-shop called Manchester. Depart from that city in
almost any other direction, and you come upon a quick succession of
the same manufacturing features you have left behind,—divided, of
course, by many a beautiful nook of country green. But,
somehow, though a man may feel proud of these industrial triumphs,
yet, if he has a natural love of the country, he breathes all the
more freely when he comes out in this direction, from the knowledge
that he is entering upon a country of unmixed rural quietness, and
that the tremendous bustle of manufacture is behind him for the
time. Stretford is an agricultural village, but there is a
kind of manufacture which it excels in. Ormskirk is famous for
its gingerbread; Bury for its "simblins," or simnels; Eccles for
those spicy cakes, which "Owd Chum,"—the delight of every country
fair in these parts,—used to sell at the "Rushbearings" of
Lancashire; but the mission of Stretford is black-puddings.
And, certainly, a Stretford black-pudding would not be despised even
by a famishing Israelite, if he happened to value a dinner more than
the ancient faith of his fathers. Fruit, flowers, green
market-stuff, black-puddings, and swine's flesh in general,—these
are the pride of the village. Roast pork, stuffed in a certain
savoury way, is a favourite dish here. The village folks call
it the "Stretford Goose;" and it is not a bad substitute for that
pleasant bird, as I found. Stretford is nearly all in one
street, by the side of the highway. It has grown very much of
late years, but enow of its old features remain to give it a quaint
tone, and to show what it was fifty years ago, before Manchester
merchants began to build mansions in the neighbourhood, and
Manchester tradesmen began to go out there to lodge. There was
once an old church in Stretford, of very simple architecture, built
and endowed by the Trafford family. Nothing of it now remains
but the graveyard, which is carefully enclosed. I looked
through the rails into this weedy sanctuary of human decay. It
had a still, neglected look. "The poor inhabitants below" had
been gathering there a long while, and their memories now floating
down the stream of time, far away from the sympathies of the living,
except in that honourable reverence for the dead which had here
enclosed their dust from unfeeling intrusion. It was useless
for me to wonder who they were that lay there; how long they had
been mouldering in company; or what manner of life they had led.
Their simple annals had faded or were fading away. The wind
was playing with the grave-grass. The village life of
Stretford was going on as blithe as ever round this quiet enclosure,
and I walked forward. Even such is Time,—
Who in the dark and silent grave,
When we have wandered all our ways,
Shuts up the story of our days. |
The "curfew" has " tolled the knell of parting day" over the woods
and fields around this village ever since the time of William the
Conqueror. I had agreed to call upon a friend of mine here
before going down to Flixton, so I walked a little way farther down
the village, and then turning through a certain orchard, as
directed, I came into a green lane beyond. There stood the
house, on the opposite side of the lane, at the top of a gentle
slope of garden, shaded with evergreens, among which rose up one
remarkably fine holly. The hedgerows were trim, and the
cottage on the knoll, with its bright windows "winking through their
screen of leaves," looked very sweet, still, and nest-like.
And then the little garden—
A garden faire, and in the corner set
Ane harbour grene, with wandis long and small
Railit about, and so with treis set
Was all the place, and hawthorn hegeis knet,
That lyf was non walking there forbye,
That might within scarce ony wight aspye. |
I stood still a minute, for the place was pleasant to look upon, and
then opening the gate, and starting the birds from every bush, went
up through the little garden. I met with a hearty welcome, and
mine host and myself soon had the snug tree-shaded parlour to
ourselves. I was at home in a minute; but, as we chatted about
the books on the shelves and the pictures on the walls, there came
from somewhere in the house an aroma that "made my teeth shoot
water." I was talking of books, but in my mind I was wondering
what it was that sent forth such a goodly smell; for I was hungry.
My friend either divined my thoughts, or else he was secretly
affected in the same way, for he said, "We are going to have a
'Stretford Goose' to-day." Now, I was curious, and the smell
was fine, and my appetite keen, and I was fain when the goose and
its trimmings came in. When we fell to, I certainly was the
hero of the attack, and the goose came down before our combined
forces like a waste-warehouse in flames. It was a wholesome,
bountiful, English meal, "wi' no fancy wark abeawt it;" and since
that April noontide I have always felt an inward respect for a
"Stretford Goose."
When dinner was fairly over, I lost no time in starting for
Flixton, which was only three miles off, with what some people call
"a good road" to it. And it certainly is better than those
terrible old roads of North Lancashire, of which Arthur Young writes
with such graphic ferocity: "Reader," says he, "didst thou ever go
from Wigan to Preston? If not, don't. Go to the devil,
rather; for nothing can be so infernal as that road is." The
hedges by the wayside were covered with little buds. The murky
clouds had left the sky, and the day was fine. There was a
wintry nip in the air, which was pleasant enough to me; but it gave
the young grass and the thorn-buds a shrinking look, as if they had
come out too soon to be comfortable. The ground was soft under
foot, and I had to pick my way through the "slutch." There had
been long and heavy rains, and I could see gleaming sheets of water
left on the low-lying meadow-lands on the Cheshire side of the
river. But I was in no humour for grumbling, for the country
was new to me, and I looked around with pleasure, though the land
was rather bare and shrivelled,—like a fowl in the moult,—for it had
hardly got rid of winter's bleakness, and had not fairly donned the
new suit of spring green. But the birds seemed satisfied, for
they chirruped blithely among the shivering thorns, and hopped and
played from bough to bough in the scant-leaved trees. If these
feathered tremblers had weathered the hard winter, by the kindness
of Providence, and amidst this lingering chill could hail the
drawing near of spring with such glad content, why should I repine?
By the way, that phrase, "the drawing near of spring," reminds me of
the burden of an ancient May song, peculiar to the people of this
district. In the villages hereabouts they have an old custom
of singing-in the month of May; and companies of musicians and
"May-singers" go from house to house among their neighbours, on
April nights, to sing under their chamber windows this old song
about "the drawing near unto the merry month of May." An old
man, known in Stretford as a "May-singer," an "herb-gatherer," and a
"Yule-singer," who gets a scanty living out of the customs of each
season of the year as it comes, furnished me with a rough copy of
the words and music of this old May song. In one verse of the
song, each member of the sleeping family is addressed by name in
succession,—
Then rise up, Sarah Brundrit, all in your gown of
green.
After my visit I was enabled, through the kindness of John Harland,
Esq., F.S.A., to give this old May song in complete shape, as it
appeared in his first volume of "Lancashire Ballads:"—
All in this pleasant evening together
come are we,
For the summer springs so fresh, green, and gay;
We'll tell you of a blossom that buds on every tree,
Drawing near to the merry month of May.
Rise up the master of this house, put on your chain of
gold,
For the summer springs so fresh, green, and gay;
We hope you're not offended, (with) your house we make
so bold,
Drawing near to the merry month of May.
Rise up the mistress of this house, with gold along
(upon) your breast,
For the summer springs so fresh, green, and gay;
And if your body be asleep, I hope your soul's at rest,
Drawing near to the merry month of May.
Rise up the children of this house, all in your rich
attire,
For the summer springs so fresh, green, and gay;
For every hair upon your head shines like the silver
wire,
Drawing near to the merry month of May.
God bless this house and harbour, your riches and your
store,
For the summer springs so fresh, green, and gay;
We hope the Lord will prosper you, both now and
evermore,
Drawing near to the merry month of May.
So now we're going to leave you in peace and plenty
here,
For the summer springs so fresh, green, and gay;
We shall not sing you May again until another year,—
For to draw you the cold winter away. |
About a mile on the road, I came to a green dingle, called
"Gamershaw." A large brick dwelling-house now occupies the
spot, which was formerly shaded by spreading trees,—a flaysome nook,
of which the country-folk were afraid at night-time, as the haunt of
a goblin called "Gamershaw Boggart." Every rustle of the trees
at Gamershaw was big with terror to them half a century ago.
Even now, when Gamershaw Boggart has hardly a leaf to shelter its
old haunt, the place is fearful, after dark, to the superstitious
people of Flixton parish. And yet there seems to be some
change working in this respect, for when I asked a villager whether
Gamershaw Boggart was ever seen now, he said, "Naw; we never see'n
no boggarts neaw; nobbut when th' brade-fleigh's (bread-rack)
empty!"
――――♦――――
CHAPTER III.
I there wi' something did forgather,
That put me in an eerie swither.
BURNS. |
LEAVING
Gamershaw, I "sceawrt eendway," as Collier says. Here I had
the advantage of an intelligent companion, with a rich store of
local anecdote in him. He was not a man inclined to
superstition; but he said he once had an adventure at this spot
which startled him. Walking by Gamershaw on a pitch-dark
night, and thinking of anything but boggarts, he heard something in
the black gloom behind, following his footsteps with a soft
unearthly trot, accompanied by an unmistakable rattle of chains.
He stopped. It stopped. He went on; and the fearful
sounds dogged him again, with malignant regularity. "Gamershaw
Boggart, after all, and no mistake," thought he; and in spite of all
reason a cold sweat began to come over him. Just then the
goblin made a dash by, and went helter-skelter down the middle of
the road, trailing the horrible clang of chains behind it with
infernal glee, and then diving into the midnight beyond. To
his relief, however, he bethought him that it was a large dog
belonging to a farmer in the neighbourhood. The dog had got
loose and was thus making night hideous by unconsciously
personifying Gamershaw Boggart.
And now my companion and I whiled away the time from
Gamershaw with a pleasant interchange of country anecdote. I
have just room for one, which I remember hearing in some of my
rambles among the moorland folk of my native district. It is a
story of a poor hand-loom weaver, called "Thrum," trying to sell his
dog "Snap" to a moorland farmer. I have put it in the form of
a dialogue, that it may be the more understandable to the general
reader. It runs thus:—
Thrum. Maister, dun yo want a nice bull-an-tarrier?
Farmer. A what?
Thrum. A bull-an-tarrier dog, wi' feet as white as
snow! Brass wouldn't ha' parted me an' that dog, iv there
hadn't bin sich ill deed for weyvers just neaw,—it wouldn't, for
sure. For aw'd taen to th' dog, an' the dog had taen to me,
ver mich, for o' at it had nobbut thin pikein' sometimes. But
poverty parts good friends neaw and then, maister.
Farmer. A bull-an-tarrier, saysto?
Thrum. Ay an' th' smartest o'th breed at ever ran at a
mon's heels! It's brother to that dog o' Lolloper's, that
stoole a shoolder o' mutton, and ran up a soof with it.
Farmer. Ay; is it one o' that family?
Thrum. It is, for sure. They're prime steylers,
o' on em.
Farmer. Has it a nick under it nose?
Thrum. A nick,—nawe it hasn't. . . . Houd; what mak ov
a nick dun yu meeon?
Farmer. Has it a meawth?
Thrum. Ay; it's a grand meawth; an' a set o'th
prattiest teeth at ever were pegged into a pair o' choles! A
sharper, seawnder set o' dog-teeth never snapt at a ratton!
Then, look at it een; they're as breet as th' north star on a frosty
neet! An' feel at it nose; it's as cowd as icicles! That
dog's i' good tune, maister.
Farmer. Aw'll tell tho what,—it looks hungry.
Thrum. Hungry! It's olez hungry! An' it'll
heyt aught i'th world, fro a collop to a dur latch. . . . Oh, ay;
it's reet enough for that.
Farmer. Well, owd lad; aw've nought again thi dog, but
that nick under it nose. To tell tho truth, we maken meawths
here faster nor we maken mehyt. Look at yon woman! Aw
would e'en ha' tho to tak thi dog wheer they're noan as thick upo'
th' clod as they are here.
Thrum. Oh, aw see. . . . Well, eawr Matty's just the
very same; nobbut her nose has rayther a sharper poynt to't than yor
wife's. . . . Yo see'n aw thought it wur time to sell th' dog when
aw had to ax owd Thunge to lend me a bite of his moufin till aw'd
deawn't my piece. But aw'll go fur on. So good day to yo!
. . . Come, Snap, owd lad; aw'll find thee a shop, or else aw'll
sweat!
Chatting about such things as these, we came up to a plain
whitewashed hall-house, standing a little off the road, called
"Newcroft." This was pointed out to me as the residence of a
gentleman related to the famous "Whitworth doctors." The place
looked neat and homely, and had orderly grounds and gardens about
it, but there was nothing else in its general appearance which would
have stopped me, but for the interesting fact just mentioned.
It brought to my mind many a racy story connected with that quaint
old family of country doctors, and their independent way of life in
the little moorland village of Whitworth, near "Fairies' Chapel,"
the scene of one of those "Lancashire Traditions" which Mr. Roby
wrote about. I found afterwards that this Newcroft was, in
that time, the homestead of the Cheshire family of Warburton, of
which family R. E. E. Warburton, Esq., of Arley Hall, is the present
representative. I understand that the foundations of the old
hall are incorporated with the present building. There are
very few trees about the place now; and these afford neither shade
to the house nor much ornament to the scene. The name of
Warburton is still common about here, both among the living, and on
the gravestones of Flixton churchyard. The saying, "Aw'll tear
tho limb fro Warbu'ton," is common all over Lancashire as well as
Cheshire. One side of its meaning is evident enough, but its
allusions used to puzzle me. I find that it has its origin in
the curiously-involved relations of the two Cheshire rectories of
Lymn and Warburton, and in some futile effort which was once made to
separate them. Written this way, "I'll tear tho limb (Lymm)
fro Warbu'ton (Warburton)," the saying explains itself better.
There is a ballad in Dr. Latham's work on "The English Language," in
which the present "Squoir ov Arley Haw" is mentioned in a
characteristic way. It is given in that work as a specimen of
the Cheshire dialect. It certainly is the raciest modern
ballad of its kind that I know of. The breeze of nature played
lovingly in the heart of the "Squoir of Arley Haw" when he penned
this spirited lyric. Its allusions and language have so much
affinity with the Lancashire side of the water, that the reader will
forgive me for introducing it, that he may judge for himself.
The title is "Farmer Dobbin; or, a Day wi' the Cheshire Fox Dogs."
Here it is; and I fancy that a man with any blood in his body will
hunt as he reads it:—
"Theer's slutch upo thi coat, mon,
theer's blood upo thi chin!
It's welly toim for milkin, now, where ever 'ast ee bin?"
"Oiv bin to see the gentlefolks o' Cheshire roid a run!
Owd wench! oiv bin a-huntin, an oiv seen some rattling fun!
"Th' owd mare was in the smithy when the huntsman he
trots through,
Black Bill agate o' 'ammerin the last nail in her shoe:
The cuvver laid so wheam like, and so jovial fine the day,
Says I, 'Owd mare, we'll tak a fling, an' see 'em go away.'
"When up, and oid got shut ov aw the hackney pads an'
traps,
Orse dealers and orse jockey lads, and such-loike swaggering chaps,
Then what a power o' gentlefolk did oi set eyes upon!
A-reining in their hunters,—aw blood orses every one!
"They'd aw got bookskin leathers on, a fitten 'em so
toight,
As roind an plump as turmits be, an just about as whoite:
Their spurs were made o' silver, and their buttons made o' brass,
Their coats wur red as carrots, an their collars green as grass.
"A varment-looking gemman on a woiry tit I seed,
An' another close besoide him sittin noble on his steed;
They ca' them both owd codgers, but as fresh as paint they look,
John Glegg, Esquoir, o' Withington, an bowd Sir Richard Brooke.
"I seed Squoir Geffrey Shakerly, the best un o' that
breed—
His smoiling face tould plainly how the sport wi him agreed;
I seed the Arl o' Grosvenor, a loikely lad to roid;
Aw seed a soight worth aw the rest, his farrently young broid.
"Sir Umferry de Trafford, an the Squoir ov Arley Haw,
His pockets full o' rigmarole, a-rhoimin' on 'em aw;
Two members for the cointy, both aloike ca'd Egerton;
Squoir Henry Brooks and Tummus Brooks, they'd aw green collars on.
"Eh! what a mon be Dixon John, ov Astle Haw, Esquoir!
You wudna foind, an mezzur him, his marrow in the shoir!
Squoir Wilbraham o' the Forest, death and danger he defois,
When his coat he toightly buttoned up, an shut up both his oies.
"The Honerable Lazzles, who from forrin parts be cum,
An a chip of owd Lord Delamere, the Honerable Tum;
Squoir Fox, an Booth, and Worthington, Squoir Massey an Squoir Harne,
And many more big sportsmen, but their names I didna larn.
"I seed that greet commander in the saddle, Captain
Whoite;
An the pack as thrung'd about him was indeed a gradely soight:
The dogs look'd foine as satin, an himsel look'd hard as nails,
An' he giv the swells a caution not to roid upo their tails.
"Says he, 'Yung men o' Manchester and Liverpoo, cum
near—
Oiv just a word, a warning word, to whisper in your ear;
When, starting from the cuvver snide, ye see bowd Reynard burst,
We canna 'ave no 'untin, if the gemmen go it first.'
"Tom Rance has got a single oie worth many another's
two.
He held his cap abuv his yed to show he'd had a view.
Tom's voice was loik th' owd raven's when he skroik'd out 'Tally-ho!'
For when the fox had seen Tom's face he thought it time to go.
"Eh moy! a pratty jingle then went ringing through the
skoy
First Victory, then Villager began the merry croy;
Then every maith was open, from the owd 'un to the pup,
An' aw the pack together took the swelling chorus up.
"Eh moy! a pratty scouver then was kick'd up in the vale
They skimm'd across the running brook, they topp'd the post an rail,
They didna stop for razzur cop, but play'd at touch-an-go,
An them as miss'd a footin there lay doubled up below.
"I seed the 'ounds a crossing Farmer Flareup's boundary
loin,
Whose daughter plays the peany and drinks whoit sherry woin;
Gowd rings upon her fingers, and silk stockings on her feet.
Says I, 'It won't do him no harm to roid across his wheat.'
"So, toightly houdin on by th' yed, I hits th' owd mare
a whop!
Hoo plumps into the middle o' the wheatfield neck and crop!
And when hoo floinder'd out on it I catch'd another spin,
An, missis, that's the cagion o' the blood upo my chin.
"I never oss'd another lep, but kept the lane, and then
In twenty minutes' toime about they turn'd toart me again;
The fox was foinly daggled, and the tits aw out o' breath,
When they kilt him in the open, an owd Dobbin seed the death.
"Loik dangling of a babby, then, the huntsman hove him
up,
The dugs a-baying round him, while the gemmen cried, 'Whoo-up!'
Then clane and quick, as doosome cauves lick fleetings from the pail,
They worried every inch on 'im except his yed and tail.
"What's up wi' them rich gentlefolk an lords as wasna
there?
There was neither Marquis Chumley, nor the Viscount Combermere;
Neither Legh, nor France o' Bostock, nor the Squoir o' Peckforton.
How cums it they can stop awhoam, such sport a-goin on?
"Now, missis, sin the markets be a-doin moderate well,
Oiv welly made my mind up just to buy a nag mysel;
For to keep a farmer's spirits up gen things be gettin low,
There's nothing loik fox-hunting and a rattling 'Tally-ho!'" |
I think the reader will agree with me in saying that this
song has much of the old ballad simplicity and vigour about it.
The county of Cheshire is rich in local song; and R. E. E.
Warburton, Esq., mentioned in these verses as the "Squoir of Arley
Haw,—
His pockets full o' rigmarole, a-rhoimin' on 'em
aw,—"
is the author of several other fine hunting songs, in the dialect of
that county; he is also editor of a valuable and interesting volume
of Cheshire Songs.
―――♦―――
CHAPTER IV.
In sunshine and in shade, in wet and
fair,
Drooping or blithe of heart, as might befall
My best companions now the driving winds,
And now the "trotting trotting brooks" and
whispering trees,
And now the music of my own sad steps,
With many a short-lived thought that passed
between,
And disappeared.
WORDSWORTH. |
A SHORT walk from
"Newcroft" brought me to a dip in the highway, at a spot where four
roads meet in the hollow, a "four-lone-eends," as country folk call
it. Such places had an awful interest for the simple hinds of
Lancashire in old times; and, in remote parts of the county, the
same feeling is strong yet with regard to them. In ancient
days, robbers, and other malefactors, were sometimes buried at the
ends of four cross roads, unhallowed by "bell, book, or candle."
The old superstitions of the people, cherished by their manner of
life, dwelling, as they did, in secluded spots scattered over the
country around, made these the meeting-places of witches, and all
sorts of unholy things of a weird nature. It is a common
belief now, among the natives of the hills and solitary cloughs of
Lancashire, that the best way of laying a ghost, or quieting any
unearthly spirit whose restlessness troubles their lonely lives, is
to sacrifice a cock to the goblin, and, with certain curious
ceremonies, to bury the same deep in the earth at a "four-lone-eends,"
firmly pinned to the ground by a hedge-stake driven through its
body. The coldly-learnèd, "lost in a gloom of uninspired
research," may sneer at these rustic superstitions; yet, surely, he
was wiser who said that he would rather decline to the "traditionary
sympathies of unlettered ignorance," than constantly see and hear
The repetitions wearisome of sense,
Where soul is dead, and feeling hath no place,—
Where knowledge, ill begun in cold remark
On outward things, in formal inference ends. |
Near this place stands the handsome mansion of J. T. Hibbert,
Esq., the president of the Mutual Improvement Society at Stretford,
and a general benefactor to the neighbourhood in which he resides.
He seems to have awakened that locality to the spirit of modern
improvement, and is making what was, comparatively, a desert nook
before, now gradually smile around him. The people thereabouts
say that "it wur quite a lost place afore he coom." We are now
in the township of Urmston, though not in the exact spot where Tim
Bobbin was born. As I stood in the hollow, looking round at
the little cluster of dwellings, my friend pointed to a large
sleepy-looking old brick house, with a slip of greensward peeping
through the paling in front, as the dwelling of Mr. William Shore,
an eminent local musician, the author of that beautiful
glee-arrangement of the music to Burns's carousal song, "Willie
brewed a peck o' maut," so much admired by lovers of the concord of
sweet sounds. And, certainly, if the musician had never done
anything more than that exquisite gem of harmony, it would have
added an interest to his dwelling-place. Who, that loved
music, could go by such a spot without noticing it? Not I;
for, as Wordsworth says of the pedlar who sometimes accompanied him
in his mountain rambles, so, partly, may I say—
Not a hamlet could we pass,
Rarely a house that did not yield to him
Remembrances. |
And yet I have a misgiving that the reader thinks I am lingering too
tediously on the way; but, wherever one goes in England, apart from
the natural beauty of the country, he finds the ground rich as
"three-pile velvet" in all sorts of interesting things. It is
a curiously-illuminated miscellany of the finest kind; and, in spite
of all it has gone through, it is neither moth-eaten nor mildewed,
nor in any way weakened by age. Its history is written all
over the land in rich memorials, with a picturesque freshness which
he that runs may read, if he only have feeling and thought to
accompany him about the island, as he wades through the harvest of
its historic annals, strewn with flowers of old romance and tale and
hoary legend, and dewy with gems of native song.
Quitting the hamlet, we passed a mansion half hidden by a
brick wall and thinly shaded by trees; a few straggling cottages; a
neat village school came next; one or two substantial granges,
surrounded by large outhouses and spacious yards, with glittering
windows adorned with flowers, and a general air of comfort and
repose about them; and then the hamlet dribbled away with a few more
cottages, and we were in the open country, upon the high level land,
from whence we could look westward over the fields, below which "the
Cheshire waters,"
To their resting-place serene,
Came fresh'ning and refreshing all the scene. |
In the "History of Preston and its Environs," by Mr. Charles
Hardwick, the author speculates upon the derivation of the name of
this river, and after suggesting that its name may be derived from
"mere" and "sea," or "sea-lake," he says, "South of Manchester, at
this day, the river is not known by many of the peasantry as the
Mersey. It is called by them the 'Cheshire Waters.' The
modern name appears to have been derived from the estuary, and not
from the fresh-water stream." Mr. Hardwick's remark is equally
true of the people dwelling here by that river, on the eastern side
of Manchester. A few fields divide the high-road from the
water, and then slope down to its margin. From the road we
could see the fertile expanse of Cheshire meadows and woods spread
away to the edge of the horizon in one green level. When the
river was swollen by long rains, the nearer part of the Cheshire
side used to present the appearance of a great lake, before the
embankment was thrown up to protect the fields from inundation.
In past times that tract must have been a great marsh. But
yonder stands Urmston Hall, upon a green bank overlooking the river.
As I drew nearer the building, I was struck with its picturesque
appearance, as seen from the high-road, which passes at a distance
of about one hundred yards. It is a fine specimen of the
wood-and-plaster hall, once common in Lancashire, of which Hulme
Hall was an older and perhaps the richest example so near
Manchester. Urmston Hall is "of the age of Elizabeth, adorned
by a gable, painted in lozenges and trefoils." Baines says,
"According to Seacombe, Sir Thomas Latham possessed the manor of
Urmston, in this parish (Flixton), and at his death 1. Edward III.,
he settled upon his natural son, Sir Oscatel, and his heirs, the
manors of Irlam and Urmston, about the time when the Stanleys, whose
heir had married Lady Elizabeth Latham, assumed the crest of the
Eagle and Child." He says further, "That according to other
and higher authorities, the lands and lordship of Urmston have been
the property of the Urmstons and Hydes in succession, from the time
of King John to the seventeenth century; and that the Urmstons
resided at Urmston Hall until they removed to Westleigh, and were
succeeded by the Hydes." The wide carriage road still
preserves its old proportions, though now rutted by farmers' carts
belonging to the present occupants of the place. A few tall
relics of the fine trees which once surrounded the hall are still
standing about, like faithful domestics clinging to the fallen
fortunes of an ancient master.
And now, I begin to think of the special errand which has
brought me to the place. There stands the old hall; and yonder
is a row of four or five raw-looking new brick cottages, such as one
sees spring up at the edges of great factory towns, by whole streets
at once, almost in a night, like Jonah's gourd. They hold
nothing, they cost nothing, they are made out of nothing, they look
nothing, and they come to nothing,—as a satirical friend of mine
says, who is satisfied with nothing. If it were not that one
knows how poorly the common people were housed in those old days,
when the hall was in its glory, it is enough to make one
dissatisfied with the whole thing. With the exception of the
hall and these cottages, the green country spreads out all around
for some distance. When we came up to the row, my friend said
that the endmost house stood on the spot which, three years before,
was occupied by the old building in which Tim Bobbin was born, and
in which his father, John Collier the elder, taught the children of
Flixton parish, gathered from the rural folds around. The
house was gone, but, nevertheless, I must make what research I
could, and to that end I referred to my notebook, and found that
Baines says, "In a small house opposite (Urmston Hall), bearing the
name of 'Richard o' Jone's,' was born John Collier, the renowned
'Tim Bobbin,' the provincial satirist of Lancashire, as appears from
the following document: 'Baptism in the parish church of Flixton in
the year 1709—John, son of Mr. John Collier, of Urmston, baptised
January the 8th. [p.27] I
hereby certify this to be a true extract of the parish register book
at Flixton. As witness my hand, this 30th November, 1824.
(Signed) THOMAS HARPER,
parish clerk." This was all clear and straightforward, so far
as it went, but I wanted to prove the thing for myself, as far as
possible, on the spot. I thought it best to begin by inquiring
at the nearest of these cottages opposite Urmston Hall. Inside
I heard the dismal rattle of hand-looms at work, and through the
window I could see the web and the wooden beams of the machine, and
a pale gingham weaver, swaying back and forward as he threw his
shuttle to and fro. The door which led into the other part of
the cottage was open, and a middle-aged woman, with a thin patient
face, was spinning there, on the wooden wheel used in country
places. This was the first indication I had noticed of any
part of the population being employed in manufacture. I went
to the open door, and asked the woman if this was not the spot where
Tim Bobbin was born, expecting a ready and enthusiastic affirmative.
She gazed at me for an instant, with a kind of vague curiosity, and
to my astonishment said she really couldn't tell. She hardly
seemed to know who Tim Bobbin was. Poor as the inmates were,
everything inside spoke of industry and cleanliness, and simple
honest living. She called her husband from his looms, in the
other part of the cottage; but his answer was nearly the same,
except that he referred me to a person in the neighbourhood, who was
formerly master of the school kept in this old house called "Richard
o' Jone's." I turned and left the spot with a feeling of
disappointment, but with a stronger desire to find whether anything
was known about the matter among the inhabitants of the locality.
To this end, I and my friend rambled on towards Flixton, inquiring
of high and low, and still nobody knew anything definite about it,
though there was a general impression that he was born at the old
cottage formerly standing opposite Urmston Hall; but they
perpetually finished by referring to "Jockey Johnson," "Owd Cottrill,
th' pavor," "Owd White-yed, th' Saxton," and the parish schoolmaster
before-mentioned. The parish clerk, too, might know something,
they said. And here, as we wandered about in this way, a tall
gentleman, a little past middle age, dressed in black, came quietly
up the road. My friend, to whom he was known, at once
introduced me to the Rev. Arthur T. Gregory, the incumbent of
Flixton, and told him my errand. The incumbent kindly invited
me to look through the parish register, at his house, the first
convenient afternoon I had to spare, which I did very soon after.
Setting aside "Jockey Johnson," and "Owd Cottrill th' pavor," and
other authorities of the hamlet so oft referred to, till a better
opportunity, I thought that the schoolmaster, being a native man,
and having lived long in the very house where Tim is said to have
been born, would probably feel some pride in his celebrated
predecessor, and perhaps be a willing conservator of any tradition
existing in the hamlet respecting him. His house was a little
more than a mile off; and I started along the high-road back to a
point from whence an old lane led out eastward to the schoolmaster's
solitary cottage in the fields.
――――♦――――
CHAPTER V.
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
WORDSWORTH. |
LEAVING the
high-road at the place I had been told of, I went up an old lane
which led between a little fold of cottages. The first of
these were rude buildings of stone, with the roofs fallen in, and
seemingly abandoned to decay. The others were of more modern
appearance, and partly tenanted by hand-loom weavers. Through
the open door of one or two I saw that cheerful twinkle of humble
comfort, which is, perhaps, more delightful to meet with in such
lowly nooks than in prouder quarters; because it shows how much
happiness may be drawn out of little means, by wholesome minds.
If the doors had been closed, I could have guessed at the condition
of the interior by the clean door-step and windows, and by the
healthy pot-flowers peeping prettily through the panes. Folks
who can make such places beautiful by simple cleanliness and native
taste, are the unlettered gentry of nature, more blessed in their
low estate than they can understand, when they compare it with the
glitter of the fuming world in the distance. Like the lark's
nest, though near the ground, their homes are neat and sweet, out of
humble materials, and blithe with the neighbourhood of nature.
Some of these cottages were of duller aspect, though there was
nothing of that dirty sickliness about them which is so common in
the low quarters of city life. But I have noticed that, even
in the worst part of great towns, now and then there comes a cottage
all cleanliness and order, a sweet little household oasis amidst the
wilderness of filth around; shining in the gloom, "like a good deed
in a naughty world."
When I came to the end of the fold I found that the lane went
forward in two directions; one right into the open green country,
where I could see no dwellings at hand, the other winding back
towards the village which I had left behind me at the high-road
side. An old woman was looking from the cottage door at the
corner, and I asked her the way to the schoolmaster's house.
Country-folk are not always known in Lancashire by their real name,
even on their own ground, and she had to consult somebody inside
about the matter. In a minute or so, a voice from the cottage
called out, "Does he belung to th' owd body, thinken yo?"—meaning
the old body of Wesleyan Methodists. I said that I thought he
did. "Oh, ay," replied the voice, "it'll be William, sure
enough. . . . Yo mun go reet forrud up th' lone afore yo, till yo
come'n to a heawse i'th fields,—an' that'll be it. It stops a
bit off th' lone-side. . . . Yo'n ha' to pike yor gate, mind yo; for
it's nobbut a mak o' durty underfuut." On I went, between the
hedge-rows, slipping and stepping from pool to pool, down the miry
cow-lane for nearly half a mile, slutching myself up to the collar
as I went; and there, about a stone-throw from the way-side, I saw
the schoolmaster's low-built cottage standing in a bit of sweet
garden in the middle of the green fields. Entering by a tiny
wooden gate at the back, I went along a narrow garden walk, between
little piles of rockery and rows of shells which ornamented the
beds, till I came up to the door in front, which was shaded, if I
remember right, by some kind of simple trelliswork. The wind
was still,—everything was still but the birds fluttering about, and
filling the evening silence with their little melodies. The
garden and the cottage looked sweet and sleepily-beautiful.
The windows blazed in the sunset, which was flooding all the level
landscape with its departing splendour. I heard no stir
inside, but knocking at the door, it was opened by a quiet
middle-aged man, who asked me in. This was the schoolmaster
himself; and by the fireside sat a taller, older man, who was his
brother. The only other inmate was a staid elderly woman,
whose dress and mild countenance were in perfect keeping with the
order and peace of everything around. It was quite a sample of
a quaint, comfortable English cottage interior. As I glanced
about, I could fancy that many of the clean little nick-packs which
I saw so carefully arranged were the treasured heirlooms of old
country housekeepers. Everything was in its right place, and
cleaned up to its height. The house was as serene, and the
demeanour of the people as seemly and subdued, as if it had been a
little chapel; and the setting sun, streaming through the front
window, filled the cottage with a melting glory which no
magnificence of wealth could imitate. Catching, unconsciously,
the spirit of the hour, my voice crept down nearer to the delicate
stillness of the scene; and I whispered my questions to the two
brothers, as if to speak at all was a desecration of that
contemplative silence, which seemed to steep everything around, like
a delicious slumber filled with holy dreams. We gradually got
into conversation, and in the course of our talk I gathered from the
two brothers that they had lived and kept school in the house where
Baines says that Tim Bobbin was born. They said that, though
there was a general belief that he was born in that house, yet they
did not themselves possess anything which clearly proved the fact.
And yet it might be true, they said; for they had often known
artists come out there to sketch the building as his birthplace.
There were other people in the parish who, they thought, might
perhaps know more about the matter. They said that there were
many curious Latin mottoes and armorial bearings painted on the
walls and other parts of the schoolhouse, which many people
attributed to Tim Bobbin; but they were not quite sure that people
were right in doing so. I agreed with the two brothers in
this. There is little doubt that Tim was a fair Latin scholar
in after life. I myself possessed a pocket copy of Terence's
"Comedies," which had undoubtedly belonged to him, and in the margin
of which he had corrected the Latinity. But, according to what
is known of Tim's life elsewhere, he must have left the place of his
birth very early in youth, probably with some migration of his
father's family, long before he could be able to deal with such
matters. The brothers did not know whether these relics had
been preserved or not when the house was taken down,—they thought
not. The house had been occupied by them and their fathers, as
schoolmasters, for more than a hundred years gone by; but they
really could not tell much more about the matter. They
thought, however, that Owd Tummus so-and-so would be likely to know
something about it,—or owd Hannah Wood. They were "two o'th
owd'st folk i' Urmston; and that wur sayin' summat." Was I in
the reporting line or something? . . . Well, it was no matter,—but
Owd Tummus lived about half a mile off, "o'er anent Cis Lone;" and I
should be sure to find him in. Thanking them for the
information they had given me, I left the quaint trio in their quiet
cottage, and came away. The evening was cold and clear, and
the birds were twittering the last notes of their vespers in little
solos about the hedges. In the far east, the glimmering
landscape was melting away but the glory which hovered on the skirts
of the sunken sun dazzled my eyes as I came down the lane in the
gloaming; and I was happy in my lonely walk, come of it what might.
I came up to the old man's house, just as the evening candles
were beginning to twinkle through cottage windows by the way.
He sat by the fire,—a little man thin and bent, but with a face that
spoke an old age that was "frosty, but kindly." There were
young people in the house, seemingly belonging to the farm.
After some preliminary chat about weather and the like, I drew him
in the direction of the subject I had come about, asking whether he
had ever heard that Tim Bobbin was born in Urmston. He
replied, "Well; aw have yerd it said so, aw think,—but my memory
houds nought, neaw. . . . Tim Bobbin, say'n yo? Aw like as aw
could mind summat abeawt that,—aw do. . . . Owd Back'll know,
if onybody does,—he will. . . . He's a goodish age, is th'
owd lad,—he is; an' fause with it,—very . . . Tim
Bobbin! Tim Bobbin! . . . Aw'st be eighty-three come th' time
o'th year. Owd Back's a quarter younger. . . . Aw've a pain
taks me across here, neaw and then. We're made o' stuff at
winnut last for ever. Ay, ay; we'n sin summat i' eawr time,
has Owd Back an' me,—we han. . . . Dun yo know Kit o'
Ottiwell's? Hoo lives at Davyhulme; ax hur; ax hur.
Hoo'll be likker to leeten yo abeawt this job nor me. Yo see'n
aw connot piece things together neaw. If yo'd'n come'd fifty
year sin, aw could ha' towd yo a tale, an' bowdly too,—aw could.
But th' gam's up. The dule's getten th' porritch, an th'
Lord's getten th' pon to scrape,—as usal." I was inquiring
further about his friend "Owd Back," when he stopped me by saying,
"Oh, there's Owd Hannah Wood; aw'd like to forgetter hur. Eh,
that aw should forget Owd Hannah! Hoo lives by the hee-gate,
as yo gwon to Stretford,—hoo does. What, are yo after
property, or summat? " "No." "Whau then? . . . Yo mun
see Owd Hannah soon, yung mon; or yo'n ha' to look for her i'
Flixton churchyard; an' aw deawt that would sarve yor turn but
little. . . . Folk dunnot like so mich talk when they're getten
theer. . .. My feyther an' mother's theer, an' o' th' owd set;—aw'st
be amoon 'em in a bit. Well, well; 'Neighbour fare's no ill
fare,' as th' sayin' is." In this way the old man wandered on
till I rose to go; when, turning to the old woman sitting near, he
said, "Aw've just unbethought me. William—will be the very mon
to ax abeawt this Tim Bobbin; an' so will their Sam. They
liv't i'th heawse 'at he's speykin' on; an' so did their on-setters
(ancestors) afore 'em. B eside they're a mak o' larnt folk.
They're schoomaisters; an' so then." The old man did not know
that these were the men I had just left. After resting a few
minutes, he raised his head again, just before I came away, to tell
me, as others had done, that "Jockey Johnson, an' Cottrill, th'
pavor, were likely folk to sper on." In this way I wandered to
and fro, meeting, in most cases, with little more than a glimmering
remembrance of the thing, the dimness of which, seeing that few
seemed to take any strong interest in the matter, I found afterwards
was not difficult to account for. One old man said, as soon as
the name was mentioned to him, "Let's see. Aw'm just thinking.
Ay, ay; it's one o' yon heawses opposite th' owd ho.' They'n
bin built up again, lately. An' there wur writin' an' stuff
upo' th' woles; but it took somebory with a deeal o' larnin' to
understond it." When I called upon the parish-clerk, he told
me that a few years ago a gentleman had called to make inquiry upon
the same subject, and left instructions for everything in the
register relating to Tim to be extracted for him, which was done;
but he never called to get the manuscript, which was now lost or
mislaid.
――――♦――――
CHAPTER VI.
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all cur yesterdays have lighted fools
The way to dusty death.
SHAKSPERE. |
I WAS a
little disappointed at first to find that, wherever I went in the
parish of Flixton, the inhabitants showed no strong interest in the
quaint man of genius whose early records I was in search of.
But this is no wonder, when one considers what a thinly-inhabited
place this must have been at the beginning of Queen Anne's reign,
and remembering also that nearly the whole of Tim's long life was
spent elsewhere, first as an apprentice to Dutch-loom weaving, which
was looked upon as a rather genteel occupation in those days.
But, as his friend and biographer, Richard Townley, Esq., of
Bellfield Hall, says, "such a sedentary employment not at all
agreeing with his volatile spirits and eccentric genius, he
prevailed upon his master to release him from the remainder of his
servitude. Though then very young, he soon commenced itinerant
schoolmaster; going about the country from one small town to
another, to teach reading, writing, and accounts; and generally
having a night school as well as a day one." Now, seeing that
the theatre of these obscure and honourable struggles of Tim's youth
was the town of Oldham, and the villages thereabouts, it is not
surprising that the scattered inhabitants of the solitary nook where
he was born should have few remembrances of him, who left them when
he was yet but a child. Tim's father was only forty years old
when he was overtaken by total blindness; and this, necessarily,
changed the plan he had formed of bringing up his son, our hero, to
the Church, for "he had conceived a favourable opinion of his
abilities." Now, this calamity did not befall the elder Mr.
Collier during the time that he was schoolmaster at Urmston, in
Flixton; and everything shows that he was not a native of that
place, but came from some other part to teach there, remaining only
for a short time,—during which Tim and his brother Nathan were
born,—and then moving away again, with his young family of nine
children, to another quarter. What Baines says, on the
authority of the inhabitants of Flixton, of the elder Collier never
being a clergyman, may be true, so far as it relates to Urmston, of
which place there never was a curate, nor was he in holy orders
during his residence there; and yet he may have been so elsewhere.
This supposition is strengthened by Tim's own words: "In the reign
of Queen Anne I was a boy, and one of the nine children of a poor
Lancashire curate, whose stipend never amounted to thirty pounds a
year; and consequently the family must feel the iron teeth of penury
with a witness. These, indeed, were sometimes blunted by the
charitable disposition of the good rector (the Rev. Mr. H—, of W—n.)
What an interesting glimpse this gives us of the home of Tim
Bobbin's childhood! Now, it is just possible that the "good
rector" may have been the rector of Warrington of that time, whose
name begins with the same initial letter. [p.38]
All things considered, I did not wonder that the family had left but
little mark among the people of Flixton.
Seeing that so little was known by the inhabitants, I turned
my thoughts towards the parish register, setting an afternoon apart
for visiting the incumbent, who had invited me to look through it at
his house. At the appointed time, I walked through the village
of Flixton, a little way into the country beyond the village; and
there, by the wayside, at the top of a little sloping lawn,
partially screened by stunted trees and bushes,
The village preacher's modest mansion rose.
The incumbent received me courteously, and entered kindly into my
purpose. Ushering me into a parlour at the front, he brought
forth the two oldest register volumes of the parish from their
hiding-place. The first thing which struck me was the
difference in their condition. The oldest was perfectly sound,
inside and outside. Its leaves were of vellum; and, with the
exception of a slight discolouration in some places, they were as
clear and perfect as ever they had been; and the entries in it were
beautifully distinct, written in the old English character, and
mostly in the Latin language. The change in the latter volume
was very remarkable. Its binding was poor and shaky, and its
leaves of a sottish and most perishable writing paper, many of them
quite loose in the book, and so worn, tattered, and crumbly, as to
be scarcely touchable without damage. I could not help
thinking that if any important question should arise a hundred years
hence, the settling of which depended on such a mouldering record as
this, it was just possible that decay might have forestalled the
inquiry. After a careful examination of the register, I found
the following entries relating to Tim's family, and besides these,
there is no mention of any other person of the name of Collier for
the space of half a century before, and a century after that date.
First, under the heads of "Births and Baptisms in the year 1706,"
appears "Nathan, ye son of John Collier, schoolmaster, borne May 17,
baptised May 31." [p.39]
Singularly, I found the same baptism entered a second time, three
pages forward, in the same year, with a slight variation, in the
following manner "Baptised Nathan, the son of Master John
Collier, schoolmaster, born May ye 18th." And then the last
and only other mention of the Colliers is the register of the
baptism of John, the renowned "Tim Bobbin," which is entered thus,
among the baptisms of the year 1710: "John, son of Mr. John Collier,
of Urmstone, baptised January the 6th." In Baines's
"Lancashire," the baptism is given as occurring in 1709, which is a
slight mistake. The origin of that mistake was evident to me,
with the register before my eyes. The book seems to have been
very irregularly kept in those days; and the baptisms in the year
1709 are entered under a head-line, "Baptisms in the year 1709;" but
at the end of the baptisms of that year, the list runs on into those
of the following year, 1710, without any such head-line to divide
them; and this entry of Tim's baptism, being one of the first, might
easily be transcribed by a
careless observer as belonging to the previous year. I thought
there was something significant about the curious manner in which
these three entries relating to the Colliers are made in the
register. In the first entry of the baptism of Nathan, Tim's
eldest brother, the father is called "John Collier, schoolmaster;"
in the second entry of the same baptism he is called "Master John
Collier, schoolmaster;" and in the entry of Tim's baptism, three
years later, the clerk, having written down the father's name as
"John Collier, of Urmstone," has, upon after-thought, made a caret
between "the son of" and "John Collier, of Urmstone," and carefully
written "Mr." above it, making it read, "Mr. John Collier, of
Urmstone." This addition to the names of schoolmasters, or
even of the wealthy inhabitants of the parish, occurs so rarely in
the register, that I could not help thinking this singular exception
indicative of an honourable estimate of the character of Tim's
father among his neighbours. Such was the result of my search;
and it strengthens my conviction that old Mr. John Collier's family
were not natives of Flixton, nor dwelt there long, but departed
after a short residence to some other quarter, where the family was
born, married, died, and buried, except the two before mentioned.
Whilst I was sitting in the incumbent's parlour, looking over
these old books on that day, a little thing befell which pleased me,
though the reader may think it trifling. The weather was very
cold, and I happened to have on one of those red and black tartan
wool shirts, which are comfortable wear enough in winter, though
they look rather gaudy, and don't satisfy one's mind so well as a
clean white shirt does. As I sat turning over the leaves of
these ancient records, in came the incumbent's son, a slim,
intelligent boy, with large thoughtful eyes. He watched me
attentively for two or three minutes, and then coming a little
nearer, so as to get a good look at the wrists and front of my
extraordinary under-gear, he called out, with unreserved
astonishment, "Papa! he has got no shirt on!" The clergyman
checked the lad instantly, though he could not help smiling at this
burst of frank, childish simplicity. The lad was evidently
surprised to see me enjoy the thing so much.
I cannot dismiss this old parish register without noticing
some other things in it which were interesting to me. And I
can tell thee, reader, by-the-by, that there are worse ways of
spending a few hours than in poring over such a record. How
significantly the births, marriages, and deaths tread one upon
another's heels, as they do in the columns of newspapers! How
solemnly the decaying pages represent the checkered pattern of our
moral estate! The exits and entrances of these ephemeral
players in the drama of life continually interweave in the musty
chronicle, as they do in the current of human action. There
was a quaint tone running through the whole, which I could not well
pass by. In the year 1688, the phrase, "buried in woollen
only," first appears, and marks the date of an act for the
encouragement of the woollen trade. This phrase is carefully
added to every registration of burial thenceforth for a considerable
time, except in a few cases, where the phrase changes to "buried in
sweet flowers only." What a world of mingled pathos and
prettiness that phrase awakes in the mind! To a loving student
of Shakspere, it might not, inaptly, call up that beautiful passage
in Ophelia's burial scene:—
Laertes.
Lay her i' the earth;—
And from her fair and unpolluted flesh
May violets spring! . . .
Queen. Sweets to the
sweet! Farewell!
(Scattering flowers.) |
Sometimes an instance occurs where a burial takes place "in
linen only." In this year of 1688 it is singular that there
are only two marriages entered in the Flixton parish register.
There was, perhaps, some particular reason for this at the time; but
the fact will give the reader some idea of the smallness of the
population in those days. From this time the phrase, "Sworn by
so-and-so, before Justice so-and-so," is attached to some entries of
burial, as thus: "Thomas, ye son of John Owen, of Carrington, buried
in sweet floweres, attested by ye wife of George Twickins. Ye
same day of burial, viz., 10th Oct. (1705), John, ye son of John
Millatt, jun., of Carrington, an infant, buried in sweet floweres
only." Then follows, "James Parren was not buried in any
materiall contrary to a late Act for Buryinge in Woollen.—Sworn by
Mary Parren, before Justice Peter Egerton, Jan. 28th, 1705."
The burials in the year 1706 are almost all in "sweet floweres
only." This is the year when Nathan Collier was born, being
the first mention of that family in the register. Three years
after, his brother John (Tim Bobbin) was born; after which the
Colliers disappear from the register altogether. Some of the
burials occurring between 1720 and 1726 are remarkable for the
manner of their entry, as, "Sarah, daughter of Schoolmaster Pony;"
"James, Thomas Jaddock's father;" "John Swindell, taken out of ye
river;" "Widow Peers' child, Aug. 5th;" and this is followed three
days after by "Richd., son of Widow Peers, Aug. 30th;" "Old Ralph
Haslam, from Carrington;" "Old Henery Roile, from Stretford;"
"Old Mrs. Starkey;" "Old John Groons;" "Moss's wife of Urmeston;" "Horox's
child of Urmestone;" and "Hannah, daughter of one Dean, of
Stretford." Then come these, in their proper order, entered in
a clerkly hand Thomas, Willis, of Bleckly, in the county of
Buckingham, Esq., and Mrs. Ann Hulme, Heiress of Davy Hulme, and of
the lordship and manor of Urmston, were marry'd. Sept. 3rd, 1735;"
and "Anna Willis, the first daughter of Thomas Willis, Esq., born
August the 11th, 1736, and baptised ye 14th August.—John Willis,
clerk of Bleckley, in Bucks." I found the Christian name of
Randal very common in this register; the names of Starkey, Holt,
Rogers, and Egerton, ever accompanied by the title of gentleman; and
for the rest, the names of Warburton, Taylor, Royle, Coupe,
Darbishire, Shawcross, Gilbody, and Knight, form the staple of the
list, with the addition of the Owens of Carrington Moss, who seem to
have been a very prolific generation.
――――♦――――
CHAPTER VII.
The evening comes, and brings the dew
along;
The rodie welkin sheeneth to the eyne;
Around the alestake minstrels sing the song;
Young ivy round the door-post doth entwine;
I lay me down upon the grass, yet to my will,
Albeit all is fair, there lacketh something still.
CHATTERTON. |
THE people of
southern England are apt to sneer at the enthusiasm with which
Lancashire men speak of Tim Bobbin; and if this imperfect sketch
should fall into the hands of any such readers, it is not improbable
that they may look upon the whole thing as a great ado about next to
nothing. One reason for this is that, for the most part, they
know next to nothing of the man,—which is not much to be wondered
at. But the greatest difficulty in their case is the remote
character of the words and idioms used by Tim. To the majority
of such readers, the dialogue of "Tummus
and Mary" is little more than an unintelligible curiosity; and,
I believe, speaking generally, that it would be as well understood
by the natives of the metropolis if it had been written in French.
The language in which the commanding genius of Chaucer wrought five
hundred years ago, and which was the common language of the London
of those days, is, even in its most idiomatic part, very much the
same as that used in the country parts of Lancashire at this hour.
But great changes have come round since the time of Chaucer, and
though an Englishman is an Englishman in general character all the
world over, there is as much difference now in the tone of manners
and language in the North and South as there is between the tones of
an organ and those of a piano. I have hardly ever met with a
southern man able to comprehend the quaint dramatic gem which
flashes and sparkles with living fire and country humour, under the
equally quaint garb of old language in which Tim clothes his story
of "Tummus and Mary." But, on its first appearance, the people
of his own district at once recognised an exquisite picture of
themselves; and they hailed it with delight. He superintended
several editions of his works during his lifetime,—a time when the
population of Lancashire was very scanty, and scattered over large,
bleak spaces, and when publishing was a very different thing to what
it is now. Since then, his principal story has continually
grown in the estimation of scholars and students as a valuable
addition to the treasures of English philology, even apart from the
genius which combined its humorous details with such masterly art,
and finished and rounded it into the completeness of a literary
dewdrop. That tale was calculated to command attention and
awaken delight at once,—and it will long be cherished with pride, by
Lancashire men at least, as a "glimpse of auld lang syne." But
those who wish to understand the force of Tim's character must look
to his letters, and other prose fragments, such as "Truth in a
Mask." These chiefly reveal the sterling excellence of the
man. He was a clear-sighted, daring, independent
politician,—one of the strong old pioneers of human freedom in these
parts. He had a curious audience in that secluded corner of
Lancashire where he lived,—in those days,—a people who had worn
their political shackles so long that they almost looked upon them
as ornaments.
But Tim kept what was fu bravely;
and he was continually blurting out some startling truth or another,
in vigorous unmistakable English; and he gloried in the then
disreputable and dangerous epithet of "Reforming John." This,
too, in the teeth of patrons and friends whose political tendencies
were in an entirely opposite direction. Let any man turn to
the letter he writes to his friend, the Rev. Mr. Heap, of Dorking,
who had desired him to "spare the levitical order," and then say
whether there was any shadow of sycophancy in the soul of John
Collier. Under the correction of magnifying the matter through
the medium of one's native likings, then, I will venture to declare
a feeling akin to veneration for the spot where he was born; and I
know that it is shared by the men of his native county generally,
even by those who find themselves at a difficult distance from his
quaint tone of thought and language,—for it takes a man thoroughly
akin to the Lancashire soil to appreciate him thoroughly. But,
apart from all, local inclinings, men of thought and feeling will
ever welcome any spark of genuine creative fire which glows with
such genial human sympathies, and such an honourable sense of
justice, as John Collier evinces, however humble it may be in
comparison with the achievements of those mighty spirits who have
made the literature of Britain glorious in the earth. The
waters of the little mountain stream, singing its lone low song as
it struggles through its rocky channel, are dear to that ruggèd
solitude as is the great ocean to the shores on which its surges
play. Nay, what is that ocean but the gathered chorus of these
lonely waters, in which the individual voice is lost in one grand
combination of varied tones? With this imperfect notice, I
will, at present, leave our old local favourite, and take another
glance at Flixton before I come away.
The reader may remember that, on the day of my first visit to
John Collier's birthplace, I lounged some time about the hamlet of
Urmston, conversing with the inhabitants. Leaving that spot, I
rambled leisurely along the high-road to Flixton, hob-nobbing and
enquiring among different sorts of people, about him, wherever
opportunity offered. When I drew near to Shaw Hall, I had
traversed a considerable part of the length of the parish, which is
only four miles, at most, by about two in breadth. There is
nothing like a hill to be seen; but as one wanders on, the country
rises and falls, in gentle undulations. Now and then a pool of
water gleamed afar off in the green fields, or close by the road,
rippled into wavelets by the keen wind, which came down steadily
from the north that day, whistling shrill cadences among the starved
thorns. I cannot give a better idea of the character of the
soil than by borrowing the words of Baines, who says: "Much of the
land in the parish of Flixton is arable, probably to the amount of
nine-tenths of the whole. The farms are comparatively large,
and the soil is in general a rich black, sandy vegetable loam,
producing corn, fruit, and potatoes in abundance." I believe
the land is now in better cultivation than when these words were
written. Shaw Hall is an important place in the history of
Flixton. The lords of the land dwelt there in old times.
At the time of my visit it was occupied as a boarding school by Mr.
James M'Dougall, who was kind enough to show me through the interior
when I called there in my ramble. Baines says of Shaw Hall:
"It is a venerable mansion, of the age of James I., with gables and
wooden parapets on the S.W. and N. sides. The roof has a
profusion of chimneys, and a cupola in the centre. In one of
the apartments is a painting, covering the principal part of the
ceiling, which represents the family of Darius kneeling in
supplication before Alexander the Great. This picture, though
two hundred years old, is in fine preservation, and the faces and
figures indicate the hand of a master. There are some smaller
paintings and tapestry in the rooms, on one of which is represented
a Persian chief at parley with Alexander, and afterwards submitting
to the conqueror. Stained glass in the windows exhibit the
arms of Asshawe and Egerton, successive lords of Flixton. . . .
Adjoining the ample gardens and filbert grove was once a moat; which
has partly disappeared." I cannot leave this place without
mentioning that the then tenant of the hall was a poet of no mean
promise, who has contributed an interesting volume of poems and
songs to the literature of this district. From the high-road,
a little beyond the hall, the most prominent and pleasing object in
the landscape is the old parish church of Flixton, standing in its
still more ancient graveyard, upon the brow of a green knoll, about
an arrow-flight off, with the village of Flixton clustered behind
it. At the foot of that green knoll, to the westward, where
all the country beyond is one unbroken green,—
The river glideth by the hamlet old.
The ground occupied by the church seemed to me the highest in the
landscape, and the venerable fane stands there, looking round upon
the quiet parish like a mother watching her children at play, and
waiting till they come home to lie down and sleep with the rest.
It was getting late in the evening when I sauntered about the
churchyard, looking over the gravestones of Warburtons, Taylors,
Cowpes, Gilbodys, Egertons, and Owens of Carrington. Among the
rest, I found the following well-known epitaph upon William
Oldfield, of Stretford, smith:—
My anvil and my hammer lie declined,
My bellows have quite lost their wind,
My coals are done, my debt is paid,
My vices in the dust are laid. |
This epitaph, which appears here in such an imperfect shape, is
commonly attributed to Tim. In the Rochdale parish churchyard,
it appears in a much completer form on the gravestone of a
blacksmith who lived in Tim's time.
I rambled about the old village a while in the dusk.
Now and then a villager lounged along in the direction of the inn,
near the church, where I could hear several hearty country fellows
talking together in high glee, whilst one of them sang snatches of
an old ballad, called the "Golden Glove":—
Coat, waistcoat, and breeches she then
did put on,
And a-hunting she went with her dog and gun;
She hunted all around where the farmer did dwell,
Because in her heart she did love him full well. |
At length the horses were put to, and we got fairly upon the
road, which took us back in another direction, round by Davy Hulme,
the seat of the Norreys family. Immediately after clearing the
village, Flixton House was pointed out to me,—"a plain family
mansion, with extensive grounds and gardens." The wind was
cold, and the shades of night gathered fast around; and before we
quitted Flixton parish the birthplace of Tim Bobbin had faded from
view. I felt disappointed in finding that the place of his
nativity yielded so little reminiscence of our worthy old humourist—the
simple reason for which is that very little is known of him there.
But there was compensating pleasure to me in meeting with so many
interesting things which I did not go in search of.
――――♦――――
THE COTTAGE OF TIM BOBBIN, AND THE VILLAGE OF MILNROW.
If thou on men, their works and ways,
Canst throw uncommon light, man,
Here lies wha weel had won thy praise,
For Matthew was a bright man.
BURNS. |
IT is not in its large towns that the true type of the natives of
Lancashire can be seen. The character of its town population is
greatly modified by mixture with settlers from distant quarters. Not
so in the country parts,
because the tenancy of land, and employment upon it, are
sufficiently filled by the natives; and while temptations to change
of settlement are fewer, the difficulties in the way of change are
greater there than in towns.
Country people, too, stick to their old sod, with hereditary love,
as long as they can keep soul and body together upon it in any
honest way. As numbers begin to press upon the means of living, the
surplus fights its
way in cities, or in foreign lands, or lingers out a miserable life
in neglected corners, for want of work and want of means to remove
to a market where it might, at least, exchange its labour for its
living. The growth of
manufactures and railways, and the influx of hordes of poor,
down-trodden Irish, are stirring up Lancashire, and changing its
features in a surprising way; and this change is rapidly augmenting
by a varied infusion of
new human elements, attracted from all quarters of the kingdom by
the increase of capital, boldly embarked in new inventions and
ever-developing appliances of science, by a people remarkable for
enterprise and
industry. Still, he who wishes to see the genuine descendants of
those old Saxons who came over here some fourteen hundred years ago,
to help the Britons of that day to fight for their land, and
remained to farm it
and govern in it, let him ramble through the villages on the western side
of Blackstone Edge. He will there find the open manners, the
independent bearing, the steady perseverance, and the manly sense of
right and wrong,
which characterised their Teutonic forefathers. There, too, he will
find the fair comeliness and massive physical constitution of those
broad-shouldered farmer-warriors who made a smiling England out of
an island of
forests and bogs,—who felled the woods, and drained the marshes, and
pastured their quiet kine in the ancient lair of the wild bull, the
boar, and the wolf.
Milnrow is an old village, a mile and a half eastward from the
Rochdale Station. The external marks of its antiquity are now few,
and much obscured by the increase of manufacture there, but it is,
for many reasons, well
worth a visit. It is part of the township of Butterworth, enriched
with many a scene of mountain beauty. A hardy moorland race, half-farmers, half-woollen-weavers, inhabit the district; and their
substantial cottages and
farmsteads often perch picturesquely about the summits and sides of
the hills, or nestle pleasantly in green holms and dells, which are
watered by rivulets from the wild uplands bounding the township on
the east.
There is also a beautiful lake, three miles in circumference,
filling a green valley up in the hills, about a mile and a half from
the village. Flocks of sea-fowl often rest on this water in their
flight from the eastern to the
western seas. From its margin the view of the wild ridges of the
"Backbone of England" is fine to the north, while that part of it
called "Blackstone Edge" slopes up majestically from the cart-road
that winds along the
eastern bank. A massive cathedral-looking crag frowns on the
forehead of the mountain. This rock is a great point of attraction
to ramblers from the vales below, and is known as "Robin Hood Bed."
Hundreds of names
are sculptured on the surface of the rock, some in most
extraordinary situations; and often have the keepers of the moor
been startled at peep of summer dawn by the strokes of some
adventurous chiseller hammering
his initials into its hard face as stealthily as possible. But the
sounds float clear as a bell miles over the moor in the quiet of the
morning, and disturb the game. One of the favourite rambles of my
youth was from
Rochdale town, through that part of Butterworth which leads by Clegg
Hall, commemorated in Roby's tradition of "Clegg Ho' Boggart," and
thence across the green hills, by the old farmhouse called "Pennock,"
or "Pea-nook," and skirting along the edge of this quiet lake,—upon whose
waters I have spent many a happy summer day alone,—up the lofty
moorside beyond, to this rock called "Robin Hood Bed," upon the
bleak summit
of Blackstone Edge. It is so large that it can be seen at a distance
of four miles by the naked eye, on a clear day. The name of Robin
Hood, that brave outlaw of the olden time,—"the English
ballad-singer's joy,"—is
not only wedded to this wild crag, but to at least one other
congenial spot in this parish, where the traditions of the people
point to another rock, of several tons weight, as having been thrown
thither by the king of the
greenwoods from an opposite hill, nearly seven miles off. The
romantic scene where the lake lies is above the level of Milnrow,
and quite out of the ordinary way of the traveller, who is too apt
to form his opinion of the
features of the whole district from the sample he sees on the sides
of the rail between Manchester and Rochdale. But if he wishes to
know the country and its inhabitants, he must get off that "an' tak
th' crow-gate,"
and he will find vast moors, green cloughs and dells, and
Shallow rivers, to whose falls
Melodious birds sing madrigals, |
which will repay him for his pains. And then, if he be a Lancashire
man, and a lover of genius, let him go to Milnrow,—it was the
dwelling-place of Tim Bobbin, with whose works I hope he is not
unacquainted. His
written works are not much in extent. He was a painter, and his
rough brush was replete with Hogarthian sketches, full of nature,
and radiant with his own humorous originality. He also left a
richly-humorous dialectic
tale, and a few poems, and letters, characteristic of the sterling
quality of his heart and head, and just serving to show us how much
greater the man was than his book.
I was always proud of Tim, and in my early days made many a
pilgrimage to the village where he used to live, wandering home
again through the green hills of Butterworth. Bent on seeing the
place once more, I went
up to Hunt's Bank, one fine day at the end of hay-time, to catch
the train to Rochdale. I paid my shilling, and took my seat among a
lot of workmen and country-folk coming back from Wales and the
bathing-places on
the Lancashire coast. The season had been uncommonly fine, and the
trippers looked brighter for their out, and, to use their own
phrase, felt "fain at they'rn wick," and ready to buckle to work
again with fresh vigour.
The smile of summer had got into the saddest of us a little, and we
were communicative and comfortable. A long-limbed collier lad, after
settling his body in a corner, began to hum, in a jolting metre,
with as much
freedom of mind as if he was at the mouth of a lonely "breast-hee"
on his native moorside, a long country ditty , about the courtship
of Phœbe and Colin,—
Well met, dearest Phoebe! Oh, why is such haste?
The fields and the meadows all day I have chased,
In search of the fair one who does me disdain,
You ought to reward me for all my past pain. |
The late-comers, having rushed through the ticket-office into the
carriages, were wiping their foreheads and wedging themselves into
their seats, in spite of many protestations about being "to full o'
ready." The doors
were slammed, the bell rung, the tickets were shown, the whistle
screamed its shrill signal, and off we went, like a street on
wheels, over the little Irk that makes such a slushy riot under the
wooden bridge by the
college wall. Within the memory of living men, the angler used to
come down the bank and settle himself among the grass, to fish in
its clear waters. But since Arkwright set this part of the world
astir with his
practicable combination of other men's inventions, the Irk, like the
rest of South Lancashire streams, has been put to work, and its
complexion is now so "subdued to what it works in" that the angler
comes no more
to its banks to beguile the delicate loach and the dainty trout in
his glittering suit of silver mail.
The train is now past Miles Platting, and about a mile over the
fields, on the north side, lies the romantic dell called
"Boggart-Hole Clough," hard by the village of Blackley,—a pleasant
spot for an afternoon walk from
Manchester. Very soon, now, the skirts of Oldham town are in sight,
scattered about the site and summit of a barren slope, with the
tower of the parish church peeping up between the chimneys of the
cotton factories.
The country has a monotonous look, and is bleak and sterile, with
hardly anything worthy of the name of a tree to be seen upon it. But
now, about a hundred yards past the Oldham Station, there is a
little of the
picturesque to feast on. We are crossing a green valley, running
north and south. Following the rivulet through the hollow, a thick
wood waves on a rising ground to the south. In that wood stands
Chadderton Hall,
anciently the seat of the Chaddertons,—some of whom were notable
men,—and since then the seat of the Horton family. The situation is
pleasant, and the land about it looks richer than the rest of the
neighbourhood.
There was a deer-park here in the time of the Hortons. Chadderton is
a place of some note in the history of the county; and it is said to
have formerly belonged to one of the old orders of knighthood. On
the other side
of the line, about a mile and a half off, the south-east end of
Middleton is in sight, with its old church on the top of a green
hill. The greater part of the parish of Middleton, with other
possessions in South Lancashire,
belonging to the Ashetons from before Richard III., when
extraordinary powers were granted to Randulph Asheton. The famous
Sir Ralph Asheton, called "The Black Lad," from his wearing black
armour, is traditionally
said to have ruled in his territories in South Lancashire with great
severity. In the town of Ashton, one of the lordships of this
family, his name is still remembered with a kind of hereditary
dislike; and till within the last
five or six years he has been shot at and torn to pieces, in effigy,
by the inhabitants, at the annual custom of "The Riding of the
Black Lad." The hero of the fine ballad called "The Wild Rider,"
written by Bamford, the
Lancashire poet, was one of this family. The Middleton estates, in
1776, failing male issue, passed by marriage into the families of De
Wilton and Suffield. Now, many a rich cotton spinner, perhaps
lineally descended
from some of the villain-serfs of the "Black Lad," has an eye to
buying the broad lands of the proud old Ashetons.
The train is now hard by Blue Pits Station, and the, moorland hills
sail into sight, stretching from the round peak of Knowl, on the
north-west, to the romantic heights of Saddleworth on the
south-east. The train is three
minutes from Rochdale, but, before it reaches there, let the
traveller note that picturesque old mansion, on the green, above
Castleton Clough, at the left-hand side of the rail. This is
Castleton Hall, formerly a seat of
the Holts of Stubley, an ancient and powerful family in this parish
in the reign of Henry VIII. Castleton Hall came afterwards into the
possession of Humphrey Chetham, the founder of Chetham College, in
Manchester.
Since then it has passed into other hands; but the proverb, "As rich
as a Chetham o' Castleton," is often used by the people of the
district at this day. Castleton Hall was an interesting place to me
when I was a lad.
As I pass by it now I sometimes think of the time when I first
sauntered down the shady avenue which leads to it from the high-road
behind, and climbed upon a mossy wall to look into the green gloom
of a mysterious
wood at the rear of the building. Even now, I remember the flush of
imaginations which came over me then. I had picked up some historic
lore about the hall which deepened the interest I felt in it.
The
solemn old
rustling wood, the quaint appearance and serene dignity of the hall,
and the spell of interest which lingers around every relic of the
works and haunts of men of bygone times made the place eloquent to
me. It seemed
to me like a monumental history of its old inhabitants and their
times. I remember, too, that I once got a peep into a part of the
hall where some ancient armour hung against the wall, silent and
rusty enough, but to me,
teeming with tales of chivalry and knightly emprise. But here is
Rochdale station, where he who wishes to visit the village of
Milnrow had better alight.
If the traveller had time to go down into Rochdale town he might see
some interesting things there. The town is picturesquely situated.
It lines the sides of a deep valley on the banks of the Roch,
overlooked by
moorland hills. In Saxon times it was an insignificant village
called "Rocheddam," consisting of a few rural dwellings in Church
Lane, a steep and narrow old street, which was, down to the middle
of last century, the
principal thoroughfare of the town, though now the meanest and
obscurest. The Right Hon. John Bright,—a man whose fame as a true
patriot and statesman will wrestle hard with time,—was born in this
town, and lives
at One Ash, on the north side of it. John Roby, author of the
"Traditions of Lancashire," was a banker, in Rochdale, of the firm
of Fenton and Roby. The bank was next door to the shop of Thomas
Holden, the principal
bookseller of the town, to whom I was apprentice. For the clergy of
the district, and a certain class of politicians, this shop was the
cheap rendezvous of the place. Roby used to slip in at evening, to
have a chat with
my employer and a knot of congenial spirits who met him there. Rochdale was one of the places where the woollen manufacture was
first practised in England. It is still famous for its flannel. The
history of Rochdale is
in one respect but the counterpart of that of almost every other
South Lancashire town. With the birth of cotton manufacture, it shot
up suddenly into one of the most populous and wealthy country towns
in England.
After the traveller has contemplated the manufacturing might of the
place, he may walk up the quaint street from which the woollen
merchants of old used to despatch their goods, on pack-horses, to
all parts of the
kingdom, and from which it takes the name of Packer Street. At the
top, a flight of one hundred and twenty-two steps leads into the
churchyard, which commands an excellent view of the town below. There, too, lies
Tim Bobbin. Few Lancashire strangers visit the town without looking
at the old rhymer's resting-place. Bamford, author of "Passages in
the Life of a Radical," thus chronicles an imaginary visit to Tim's
grave, in happy
imitation of the dialect of the neighbourhood:—
Aw stood beside Tim Bobbin grave,
At looks o'er Rachda teawn,
An th' owd lad woke within his yearth,
An sed, "Wheer arto beawn?"
"Aw'm gooin into th' Packer Street,
As far as th' Gowden Bell,
To taste o' Daniel Kesmus ale."
Tim: "Aw could like a saup mysel."
"An by this bent o' my reet arm,
If fro that hole theawl reawk,
Theawst have a saup o'th best breawn ale
At ever lips did seawk."
The greawnd it sturrd beneath meh feet,
An then aw yerd a groan
He shook the dust fro off his skull,
And rowlt away the stone.
Aw brought him op a deep breawn jug,
At a gallon did contain:
He took it at one blessed droight,
An laid him deawn again. |
Some of the epitaphs on the gravestones were written by Tim. The
following one, on Joe Green, the sexton, is published with Tim's
works:—
Here lies Joe Green, who arch has been,
And drove a painful trade
With powerful Death, till out of breath
He threw away his spade.
When Death beheld his comrade yield,
He, like a cunning knave,
Came, soft as wind, poor Joe behind,
And pushed him into his grave.
|
"Blind Abraham," who rang the curfew, and who used to imitate the
chimes of the old church in a wonderful way for the lads at the
Grammar School, could lead a stranger from any point of the
churchyard, straight as
an arrow-flight, to Tim's gravestone. The Grammar School was founded
in the reign of Queen Elizabeth, by Archbishop Parker. The parish
church is an interesting old edifice, standing on the edge of an
eminence which
overlooks the town. Tradition says its foundations were laid by "Goblin Builders." The living was anciently dependent on the Abbey of
Whalley. It is now the richest vicarage in the kingdom. A short walk
through the
glebe lands, and past "Th' Cant-hill Well," [p.61] west of the
vicarage, will bring the traveller to the hill on which, in 1080,
stood the castle of Gamel, the Saxon thane, above the valley called
"Kill-Danes," where the
northern pirates once lost a great fight with the Saxon.
After spending a few days in the town, I set out for Milnrow, one
fine afternoon. The hay was mostly gathered in, but the smell of it
lingered on the meadows, and perfumed the wind, which sung a low
melody among the
leaves of the hedges. Along the vale of the Roch, on my left, lay a
succession of manufacturing villages, with innumerable mills,
collieries, farmsteads, mansions, and cottages, clustering in the
valley, and running up
into the hills in all directions, from Rochdale to Littleborough, a
distance of three miles. As I went on, I was reminded of "wimberry
time," by meeting knots of flaxen-headed lads and lasses from the
moors, with their
baskets filled, and mouths all stained with the juice of that
delicious fruit. There are many pleasant customs in vogue here at
this season. The country folk generally know something of local
botany, and gather in a
stock of medicinal herbs to dry for use throughout the year. There
is still some "spoin"' at the mineral springs in the hills. Whether
these springs are really remarkable for peculiar mineral virtues, or
what these peculiar
virtues are, I am not prepared to say; but it is certain that many
of the inhabitants of this district firmly believe in their
medicinal qualities, and, at set seasons of the year, go forth in
jovial companies, to drink "spo
wayter." Some go with great faith in the virtues of the water, and,
having drunk well of it, they will sometimes fill a bottle with it,
and ramble back to their houses, gathering on their way edible
herbs, such as "payshun
docks," and "green-sauce," or "a burn o' nettles," to put in their
broth, and of which they also make a wholesome "yarb-puddin'," mixed
with meal; or they scour the hill-sides in search of "mountainflax,"
a " capital
yarb for a cowd," and for the herb called "tormentil," which, I have
heard them say, grows oftenest "abeawt th' edge o'th singing layrock
neest" or they will call upon some country botanist to beg a
handful of "Solomon's seal," to "cure black een wi.'" But some go to these
springs mainly for the sake of a pleasant stroll and a quiet feast. One of the most noted of these "spoin'" haunts is "Blue Pots
Spring," situated upon a
lofty moorland, at the head of a green glen, called "Long Clough,"
about three miles from the village of Littleborough. The ancient
Lancashire festival of "Rushbearing" and the hay-harvest fall
together, in the month of
August, and make it a pleasant time of the year to the folk of the
neighbourhood. At about a mile on the road to Milnrow, the highway
passes close by a green dingle, called "Th' Gentlewoman's Nook,"
which is some
way connected with the unfortunate fate of a lady, once belonging to
an influential family near Milnrow. Some of the country people yet
believe that the place is haunted, and after dark has come on they
steal fearfully
and hastily by.
About a mile on the road stands Belfield Hall, on the site of an
ancient house formerly belonging to the Knights of St. John of
Jerusalem. It is a large old building, belonging to the Townley
family. A little further on, Fir
Grove Bridge crosses the
Rochdale Canal, and commands a good view of
the surrounding country. I rested here a little while, and looked
back upon the spot which is for ever dear to my remembrance. The
vale of the
Koch lay smiling before me, and the wide-stretching circle of dark
hills closed in the landscape on all sides except the southwest. Two
weavers were lounging on the bridge, bare headed, and in their
working gear, with
stocking-legs drawn on their arms. They had come out of the looms to
spend their "baggin-time" in the open air, and were humming one of
Alexander Wilson's songs:—
Hey, Hal o' Nabs, an Sam, an Sue,
Hey, Jonathan, art thea theer too?
We're o' alike, there's nought to do,
So bring a quart afore us!
Aw're at Tinker's gardens yester noon,
An' what aw see'd aw'll tell yo soon,
In a bran new sung; it's to th' owd tune,—
Yo'st ha't if yo'n join chorus.
Fal, lal, de ral. |
At the door of the Fir Grove alehouse, a lot of raw-boned young
fellows were talking in strong phrase about the exploits of a
fighting-cock of great local renown, known by the name of "Crash-Bwons." The theme was
exciting, and in the course of it they gesticulated with great
vehemence, and, in their own phrase, "swore like horse-swappers." Some were colliers, and sat on the ground, in that peculiar squat,
with the knees up to a
level with the chin, which is a favourite resting-attitude with
them. At slack times they like to sit thus by the road-side, and
exchange cracks over their ale, amusing themselves meanwhile by
trying the wit and temper
of every passer-by. These humorous roadside commentators are
generally the roughest lads of the neighbourhood, who have no
dislike to anybody willing to accommodate them with a tough battle;
for they are hardy,
bold, and independent; and while their manners are open and blunt,
their training and amusements are very rough.
I was now approaching Milnrow; and here and there a tenter-field
ribbed the landscape, with lines of woollen webs hung upon the hooks
to dry. Severe laws were anciently enacted for the protection of
goods thus
necessarily exposed. Depredations on such property were punished
after the manner of that savage old "Maiden" with the thin lip,
who stood so long on the "Gibbet Hill" at Halifax, kissing
evil-doers out of the world.
Much of the famous Rochdale flannel is still woven by the country
people here in the old-fashioned independent way at their own homes,
as the traveller will see by "stretchers," which are used for
drying their warps
upon, so frequently standing at the doors of the roomy
dwelling-houses near the road.
There were old people then living in Milnrow who had been taught to
read and write and "do sums" in Tim Bobbin's school; yet the
majority of the inhabitants were unacquainted with his residence. I
had myself been
misled respecting it; but having obtained correct information, and a
reference from a friend in Rochdale to an old relative of his who
lived in the veritable cottage of renowned Tim, I set about
enquiring for him. As I
entered the village, I met a good-looking woman, with a
chocolate-coloured silk kerchief tied over her snowy cap in that
graceful way which is known all over the country-side as a "Milnrow
Bonnet." She stopped me
and said, "Mestur, how fur han yo com'd?" "From Rochdale." "Han yo
sin aught of a felly wi breeches on, an' rayther forrud, upo' th'
gate between here an' th' Fir Grove?" I told her I had not; and I
then inquired for
Scholefield, that lived in Tim Bobbin's cottage. She reckoned up all
the people she knew of that name, but none of them answering the
description, I went on my way. I next asked a tall woollen-weaver,
who was striding up the street with his shuttle to the mending.
Scratching his head, and looking thoughtfully around among the
houses, he said, "Scwofil? Aw know no Scwofils, but thoose at th'
Tim Bobbin aleheawse. Yodd'n better ax theer." Stepping over to the
Tim Bobbin inn, Mrs. Scholefield described to me the situation of
Tim's cottage, near the bridge. Retracing my steps towards the
place, I went into the house of an old acquaintance of my childhood. On the strength of a dim remembrance of my features, he invited me
to sit down and share the meal just got ready for the family. "Come, poo a cheer up," said he, "an' need no moor lathein'." [p.66]
After we had finished, he said, "Neaw, win yo have a reech o' bacco? Molly, reytch us some pipes, an th' pot out o'th nook. Let's see,
who's lad are yo, sen yo, for aw welly forgetten?" After a fruitless
attempt at enlightening him thereon in ordinary English I took to the
dialect, and, in the country fashion, described my genealogy on the
mother's side. I was instantly comprehended; for he stopped me short
with,—"Why, then, aw'll be sunken iv yo are not gron'son to 'Billy
wi' th' Pipes at th' Biggins!'" "Yo han it neaw," said I. "Eh,"
replied he, "aw knowed him as weel as aw knew my own feythur! He're
a terrible chap for music, an' sich like; an' he used to letter
gravestones, an' do masonwark. Eh, aw've bin to mony a orrytory wi'
Owd Billy! Why,—let's see,—Owd Wesley preytched at his heawse, i'
Wardle fowd, once't. [p.67] An' han yo some relations i'th Mildro,
then?" I told him my errand, and inquired for Scholefield, who lived
in Tim Bobbin's cottage. As he pondered, and turned the name over in
his mind, one of his lads shouted out, "By th' mon, fayther, it's
'Owd Mahogany.' Aw think he's code (called) Scwofil, an' he lives
i'th garden at th' bottom o'th bonk, by th' wayter-side." It was
generally agreed that this was the place, so I parted with my
friends, and went towards it. The old man came out without his hat a
short distance to set me right. After bidding me a hearty "Good neet,"
he turned round as he walked away, and shouted out, "Neaw, tak care
yo coan th' next time yo com'n this gate, an' wi'n have a gradely do!"
About twenty yards from the west end of the little stone bridge that
spans the river, a lane leads between the dwelling-houses down to
the water-side. There, still sweetly secluded, stands the quaint
substantial cottage of John Collier, in its old garden on the bank
of the Beal, which, flowing through the fields in front towards the
cottage, is there dammed up into a reservoir for the use of the mill
close by, and then tumbling over in a noisy little fall under the
garden edge, goes shouting and frolicking under the north-east side
of it, over water-worn rocks and under the bridge, till the cadence
dies away in a low murmur beyond, where the bed of the stream gets
smoother. Lifting the latch, I walked through the garden to the
cottage, where I found Owd Mahogany and his maiden sister, two plain
clean substantial working-people, who were sitting in the low-roofed
but otherwise roomy apartment in front, used as a kitchen. They
entered heartily into the purpose of my visit, and showed me
everything about the house with a genial pride. What made the matter
more interesting was the fact that Owd Mahogany had been, when a
lad, a pupil of Collier's. The house was built expressly for Tim by
his father-in-law; and the uncommon thickness of the walls, the
number and arrangement of the rooms, and the remains of a fine oak
staircase, showed that more than usual care and expense had been
bestowed upon it. As we went through the rooms on the ground-floor,
my ancient guide gave me a good deal of anecdote connected with
each. Pointing to a clean, cold, whitewashed cell, with a great flag
table in it, and a grid-window at one end, he said, "This wur his
buttery, wheer he kept pullen, [p.68] an gam, an sich like; for
there wur no mon i' Rachda' parish liv't betther than Tim, nor moor
like a gentleman; nor one at had moor friends, gentle an simple. Th'
Teawnleys took'n to him fearfully, an thir'n olez comin' to see him,
or sendin' him presents o' some mak." He next showed me the parlour
where he used to write and receive company,—a little oblong room,
low in the roof, and dimly lighted by a small window from the
garden. Tim used to keep this room tastefully adorned with the
flowers of each season, and one might have eaten his dinner off the
floor in his time. In the garden he pointed out the corner where Tim
had a green arbour, with a smooth stone table in the middle, on
which lay his books, his flute, or his meals, as he was in the mood. He would stretch himself out here, and muse for hours together. The
lads used to bring their tasks from the school behind the house to
this arbour, for Tim to examine. He had a green shaded walk from the
school into his garden. When in the school, or about the house, he
wore a silk velvet skull-cap. The famous Radical, William Cobbett,
used to wear a similar one, occasionally; and I have heard those who
have seen both in this trim say that the likeness of the two men was
then singularly striking. Owd Mahogany having now shown and told me
many interesting things respecting Tim's house and habits, he then
began heartily to praise his character as a man and a schoolmaster. "He wur a fine, straight-forrad mon, wi' no maffle abeawt him; for
o' his quire cranky ways." As an author, he thought him "The finest
writer that Englan' bred, at that time o'th day." Of his caligraphy,
too, he seemed particularly proud, for he declared that "Tim could
write a clear print hond, as smo' as smithy smudge." He finished by
saying that he saw him carried out of the doorway we were standing
in to his grave.
At the edge of dark, I bade adieu to Tim's cottage, and the quaint
old couple that lived in it. As I looked back from the garden-gate,
the house wore a plaintive aspect, in my imagination, as if it were
thinking of its fine old tenant. Having heard that there was
something uncommon to be learned of him at the Tim Bobbin Inn, I
went there again. It was the largest and most respectable hostelry
in the village, kept in a fine state of homely comfort by a motherly
old widow. I found that she could tell me something of the quaint
schoolmaster and his wife Mary, who, as she said, "helped to bring
her into th' world." She brought out a folio volume of engravings,
from designs by Tim, with many pieces of prose and verse of his, in
engraved facsimile of his handwriting. The book was bound in dark
morocco, with the author's name on the side in gold. I turned it
over with pleasure, for there were things in it not found in any
edition of his works. The landlady showed this book with pride to
Tim's admirers; by some she had been offered large sums of money for
it; and once a party of curious visitors had well-nigh carried it
off by stealth, in their carriage, after making fruitless offers of
purchase; but the plan was detected in time, and the treasure
restored to its proper custody. I read in it one of his addresses to
his subscribers, in which he says of himself, he's "Lancashire born;
and, by-the-by, all his acquaintance agree, his wife not excepted,
that he's an odd fellow. . . . In the reign of Queen Anne he was a
boy, and one of the nine children of a poor curate in Lancashire,
whose stipend never amounted to thirty pounds a year; and
consequently the family must feel the iron teeth of penury with a
witness. These, indeed, were sometimes blunted by the charitable disposition of the good rector (the Rev. Mr. H.—, of W—n). So this T. B. lived as other boys did, content with water-pottage,
buttermilk and jannock, till he was between thirteen and fourteen
years of age, when Providence began to smile on him in his
advancement to a pair of Dutch looms, when he met with treacle to
his pottage, and sometimes a little in his buttermilk, or spread on
his jannock. However, the reflections of his father's circumstances
(which now and then start up and still edge his teeth) make him
believe that Pluralists are not good Christians; that he who will
accept of two or more places of one hundred a year would not say, I
have enough, though he were Pope Clement, Urban, or Boniface,—could
affirm himself infallible, and offer his toe to kings; that the
unequal distribution of Church emoluments is as great a grievance in
the ecclesiastic as undeserved pensions and places are in the
State,—both of which, he presumes to prophesy, will prove
canker-worms at the roots of those succulent plants, and in a few
years cause leaf and branch to shrivel up, and dry them to tinder." The spirit of this passage seems the natural growth, in such a mind
as his, of the course of study in the hard college of Tim's early
days. In the thrifty home of the poor Lancashire curate, though
harrowed by "the iron teeth of penury," Tim inherited riches that
wealth could not buy. Under the tuition of a good father, who could
train his reflective and susceptible mind, and teach him many
excellent things, together with that keen struggle to keep the wolf
from the door of his childhood, which pressed upon his thoughts, he
grew up contemplative, self-reliant, and manly, on oatmeal porridge
and jannock, with a little treacle for a Godsend. His feelings were
deepened, and his natural love of independence strengthened there,
with that hatred of all kinds of injustice which flashes through the
rich humour and genial kindness of his nature,—for Nature was strong
in him, and he relished her realities. Poverty is not pleasant, yet
the world has more to thank poverty for than it dreams of. With
honourable pride he fought his way to a pair of Dutch looms, where
he learned to win his jannock and treacle by honest weaving.
Subsequently he endeavoured to support himself honourably by
pursuits no less useful but more congenial to the bias of his
faculties; but, to the last, his heart's desire was less to live in
external plenty and precedence among men than to live
conscientiously, in the sweet relations of honourable independence
in the world. This feeling was strong in him, and gives dignity to
his character. As a politician, John Collier was considerably ahead
of the time he lived in, and especially of the simple, slow-minded
race of people dwelling then in that remote nook of Lancashire, at
the foot of Blackstone Edge. Among such people, and in such a time,
he spoke and wrote things which few men dared to write and speak. He
spoke, too, in a way which was as independent and pithy as it was
quaintly-expressive. His words, like his actions, stood upon their
own feet, and looked up. Perhaps, if he had been a man of a drier
nature,—of less genial and attractive genius than he was,—he might
have had to suffer more for the enunciation of truths and the
recognition of principles which were unfashionable in those days. But Collier was not only a man of considerable valour and insight,
with a manly mind and temper, but he was also genial and humorous,
as be was earnest and honest. He was an eminently human-hearted man,
who abhorred all kinds of cant and seeming. His life was a greater
honour to him even than his pencil or his pen; and the memory of his
sayings and doings will be long and affectionately cherished, at
least by Lancashire men.
Eh! Whoo-who-whoo! What wofo wark!
He's laft um aw, to lie i'th dark. |
The following brief memoir, written by his friend and patron,
Richard Towneley, Esq., of Belfield Hall, near Milnrow, for
insertion in Dr. Aitken's "History of the Environs of Manchester,"
contains the best and completest
account of his life and character which has yet appeared:—
Mr. JOHN COLLIER, alias TIM BOBBIN, was born near Warrington, in
Lancashire. His father, a clergyman of the Established Church, had a
small curacy, and for several years taught a school. With the joint
income of
those, he managed so as to maintain a wife and several children
decently, and also to give them a tolerable share of useful
learning, until a dreadful calamity befell him, about his fortieth
year—the total loss of sight.
His former intentions of bringing up his son John,—of whose
abilities he had conceived a favourable opinion,—to the Church, were
then over, and he placed him out an apprentice to a Dutch-loom
weaver, at which
business he worked more than a year; but such a sedentary employment
not at all according with his volatile spirits and eccentric genius,
he prevailed upon his master to release him from the remainder of
his
servitude. Though then very young, he soon commenced itinerant
schoolmaster, going about the country from one small town to
another, to teach reading, writing, and accounts; and generally
having a night school (as
well as a day one), for the sake of those whose necessary
employments would not allow their attendance at the usual school
hours.
In one of his adjournments to the small but populous town of Oldham,
he had an intimation that the Rev. Mr. Pearson, curate and
schoolmaster of Milnrow, near Rochdale, wanted an assistant in the
school. To that
gentleman he applied, and after a short examination was taken in by
him to the school, and he divided his salary, twenty pounds a year,
with him. This Tim considered as a material advance in the world, as
he still
could have a night school, which answered very well in that populous
neighbourhood, and was considered by Tim, too, as a state of
independency,—a favourite idea, ever afterwards, with his high
spirits. Mr. Pearson,
not very long afterwards, falling a martyr to the gout, my honoured
father gave Mr. Collier the school, which not only made him happy in
the thought of being more independent, but made him consider himself
a rich
man.
Having now more leisure hours by dropping his night school there,
though he continued to teach at Oldham, and some other places,
during the vacations of Whitsuntide and Christmas, he began to
instruct himself in
music and drawing, and soon was such a proficient in both as to be
able to instruct others very well in those amusing arts.
The hautboy and common flute were his chief instruments, and upon
the former he very much excelled—the fine modulations that have
since been acquired or introduced upon that noble instrument being
then unknown
in England. He drew landscapes in good taste, understanding the
rules of perspective, and attempted some heads in profile, with very
decent success; but it did not hit his humour, for I have heard him
say, when
urged to go on in that line, that "drawing heads and faces was as
dry and insipid as leading a life without frolic and fun, unless he
was allowed to steal in some leers of comic humour, or to give them
a good dash of
the caricature." Very early in life he discovered some poetic
talents, or rather an easy habit for humorous rhyme, by several
anonymous squibs he sent about in ridicule of some notoriously
absurd or eccentric
characters. These were fathered upon him very justly, which created
him some enemies, but more friends. I had once in my possession some
humorous relations, in tolerable rhyme, of his own frolic and fun
with
persons he met with, of the like description, in his hours of
festive humour, which was sure to take place when released for any
time from school duty, and not too much engaged in his lucrative
employment of painting.
The first regular poetic composition which he published was "The
Blackbird," containing some spirited ridicule upon a Lancashire
justice, more renowned for political zeal and ill-timed loyalty than
good sense and
discretion. In point of easy, regular versification, perhaps this
was his best specimen, and it also exhibited some strokes of humour.
About this period of life he fell seriously in love with a handsome
young woman, a daughter of Mr. Clay, of Flockton, near Huddersfield,
and soon after took her unto him for a wife, or, as he used to style
her, his
crooked rib, who, in proper time, increased his family, and proved
to be a virtuous, discreet, sensible, and prudent woman, a good
wife, and an excellent mother. His family continuing to increase
nearly every year, the
hautboy, flute, and amusing pencil were pretty much discarded, and
the brush and pallet taken up seriously. His was chiefly engaged for
some time in painting altar-pieces for chapels and signs for
publicans, which
pretty well rewarded the labours of his vacant hours from school
attendance; but, after some time, family expenses increasing more
with his family, he devised, or luckily hit upon, a more lucrative
employment for his
leisure hours,—this was copying Dame Nature in some of her humorous
performances, and grotesque sportings with the human face
(especially where the visage had the greatest share in those
sportings) [Ed.—see
charicature], into which
his pencil contrived to throw some pointed features of grotesque
humour, such as were best adapted to excite risibility, as long as
such strange objects had the advantage of novelty to recommend them.
These pieces
he worked off with uncommon celerity; a single portrait in the
leisure hours of two days, at least, and a group of three or four in
a week. As soon as finished, he was wont to carry them to the
first-rate inns at Rochdale
and Littleborough, in the great road to Yorkshire, with the lowest
prices fixed upon them, the innkeepers willingly becoming Tim's
agents. The droll humour, as well as singularity of style, of those
pieces, procured him
a most ready sale, from riders out, and travellers of other
descriptions, who had heard of Tim's character. These whimsical
productions soon began to be in such general repute, that he had
large orders for them,
especially from merchants in Liverpool, who sent them, upon
speculation, into the West Indies and America. He used, at that
time, to say, that "if Providence had ever meant him to be a rich
man, that would have
been the proper time, especially if she had kindly bestowed upon him
two pairs of hands instead of one." But when cash came in readily,
it was sure to go merrily; a cheerful glass with a joyous companion
was so much in unison with his own disposition, that a temptation of
that kind could never be resisted by poor Tim. So the season to grow
rich never arrived, but Tim remained poor Tim to the end of the
chapter.
Collier had been for many years collecting, not only from the
rustics in his own neighbourhood, but also wherever he made
excursions, all the awkward, vulgar, and obsolete words, and local
expressions, which ever
occurred to him in conversation amongst the lower classes. A very
retentive memory brought them safe back for insertion in his
vocabulary, or glossary, and from thence he formed and executed the
plan of his "Lancashire Dialect," which he exhibited to public
cognisance in the "Adventures of a Lancashire Clown," formed from
some rustic sports and gambols, and also some whimsical modes of
circulating fun at the expense
of silly, credulous boobies amongst the then cheery gentlemen of
that peculiar neighbourhood. This publication, from its novelty,
together with some real strokes of comic humour interlarded into it,
took very much with
the middle and lower class of people in the northern counties (and I
believe everywhere in the south, too, where it had the chance of
being noticed), so that a new edition was soon necessary. This was a
matter of
exultation to Tim, but not of very long duration, for the rapid sale
of the second edition soon brought forth two or three pirated
editions, which made the honest, unsuspecting owner to exclaim with
great vehemence, "that he did not believe there was one honest
printer in Lancashire;" and afterwards to lash some of the most
culpable of those insidious offenders with his keen, sarcastic pen,
when engaged in drawing up a preface to
a future publication. The above-named performances, with his pencil,
his brush, and his pen, made Tim's name and repute for whimsical
archness pretty generally known, not only within his native county,
but also
through the adjoining counties of Yorkshire and Cheshire; and his
repute for a peculiar species of pleasantry, in his hours of frolic,
often induced persons of much higher rank to send for him to an inn
(when in the
neighbourhood of his residence), to have a personal specimen of his
uncommon drollery. Tim was seldom backward in obeying a summons to
good cheer, and seldom, I believe, disappointed the expectations of
his
generous host, for he had a wonderful flow of spirits, with an
inexhaustible fund of humour, and that, too, of a very peculiar
character.
Blest with a clear and masculine understanding, and a keen
discernment into the humours and foibles of others, he knew how to
take the best advantage of those occasional interviews in order to
promote trade, as he
was wont to call it, though his natural temper was very far from
being of a mercenary cast; it was often rather too free and
generous; more so than prudence, with respect to his family, would
advise, for he would
sooner have had a Lenten day or two at home than done a shabby and
mean thing abroad.
Amongst other persons of good fortune, who often called upon him at
Milnrow, or sent for him to spend a few hours with him at Rochdale,
was a Mr. Richard Hill, of Kibroid and Halifax, in Yorkshire, then
one of the
greatest cloth merchants, and also one of the most considerable
manufacturers of baizes and shalloons in the north of England. This
gentleman was not only fond of his humorous conversation, but also
had taken up
an opinion that he would be highly useful to him as his head clerk
in business, from his being very ready at accounts, and writing a
most beautiful small hand, in any kind of type, but especially in
imitation of printed
characters. After several fruitless attempts, he at last, by offers
of an extravagant salary, prevailed upon Mr. Collier to enter into
articles of service for three years, certain, and to take his family
to Kibroid. After signing
and sealing, he called upon me to give notice that he must resign
the school, and to thank me for my long-continued friendship to him. At taking leave, he, like the honest Moor
Albeit unused to the melting mood,
Dropped tears as fast as the Arabian tree,
Their medicinal gum, |
and, in faltering accents, entreated me not to be too hasty in
filling up the vacancy in that school where he had lived so many
years contented and happy; for he had already some forebodings that
he should never
relish his new situation and new occupation. I granted his request,
but hoped that he would soon reconcile himself to his new situation,
as it promised to be so advantageous both to himself and family. He
replied, that
"it was for the sake of his wife and children that he was at last
induced to accept Mr. Hill's very tempting offers; no other
consideration whatever could have made him give up Milnrow school,
and independency."
About two months afterwards, some business of his master's bringing
him to Rochdale market, he took that opportunity of returning by
Belfield. I instantly perceived a wonderful change in his looks;
that countenance which used ever to be gay, serene, or smiling, was
then covered or disguised with a pensive, settled gloom. On asking
him how he liked his new situation at Kibroid, he replied, "Not at
all;" then, enumerating several causes for discontent, concluded
with an observation, that "he never could abide the ways of that
country, for they neither kept red-letter days themselves nor
allowed their servants to keep any." Before he left me, he
passionately entreated that I would not give away the school, for he
should never be happy again until he was seated in the crazy old
elbow chair within his school. I granted his request, being less
anxious to fill up the vacancy, as there were two other free schools
for the same uses within the same townships, which have decent
salaries annexed to them.
Some weeks afterwards I received a letter from Tim, that he had some
hopes of getting released from his vassalage; for that the father,
having found out what very high wages his son had agreed to give
him, was
exceedingly angry with him for being so extravagant in his allowance
to a clerk; that a violent quarrel betwixt them had been the
consequence; and from that circumstance he meant,—at least hoped,—to
derive some
advantage in the way of regaining his liberty, which he lingered
after, and panted for, as much as any galley-slave upon earth.
Another letter announced that his master perceived that he was
dejected, and had lost his wonted spirits and cheerfulness; had
hinted to him, that if he disliked his present situation, he should
be released at the end of
the year; concluding his letter with a most earnest imploring that I
would not dispose of the school before that time. By the
interposition of the old gentleman, and some others, he got the
agreement cancelled a
considerable time before the year expired; and in the evening of the
day when the liberation took place, he hired a large Yorkshire cart
to bring away bag and baggage by six o'clock next morning, to his
own house at
Milnrow. When he arrived upon the west side of Blackstone Edge, he
thought himself once more a FREE MAN; and his heart was as light as
a feather. The next morning he came to Belfield, to know if he might
take
possession of his school again; which being readily consented to,
tears of gratitude instantly streamed down his cheeks, and such
a suffusion of joy illumined his countenance as plainly bespoke the
heart being in
unison with his looks. He then declared his unalterable resolution
never more to quit the humble village of Milnrow; that it was not in
the power of kings, nor their prime ministers, to make him any
offers, if so disposed,
that would allure him from his tottering elbow chair, from humble
fare, with liberty and contentment. A hint was thrown out that he
must work hard with his pencil, his brush, and his pen, to make up
the deficiency in
income to his family. That he promised to do, and was as good as his
promise, for he used double diligence, so that the inns at Rochdale
and Littleborough were soon ornamented, more than ever, with ugly
grinning
old fellows, and mambling old women on broomsticks, &c.
Tim's last literary productions, as I recollect, were "Remarks upon
the Rev. Mr. Whittaker's History of Manchester" (in two parts). The
"Remarks" will speak for themselves. There appears rather too much
seasoning
and salt in some of them, mixed with a degree of acerbity for which
he was rather blamed.
Mr. Collier died in possession of his faculties, with his mental
powers but little impaired, at nearly eighty years of age, and his
eyesight was not so much injured as might have been expected from
such a severe use of
it, during so long a space of time. His wife died a few years before
him, but he left three sons and two daughters behind him.
In a sketch like this, it is not easy to select such examples from
Collier's writings as will give an adequate idea of their manner and
significance. His quaint story, called "Tummus and Mary," will bear
no mutilation. Of
his rhymes, perhaps the best is the one called "The Blackbird." The
following extract from Tim's preface to the third edition of his
works, in the form of a dialogue between the author and his book,
though far from the
best thing he has written, contains some very characteristic
touches:—
Tim. Well, boh we'n had enough o' this foisty matter; let's talk o'
summat elze; an furst tell me heaw thea went on eh thi last jaunt.
Book. Gu on! Belady, aw could ha' gwon on wheantly, an' bin awhoam
again wi' th' crap eh meh slop in a sniff, iv id na met, at oytch
nook, thoose basthartly whelps sent eawt be Stuart, Finch, an
Schofield.
Tim. Pooh! I dunnot meeon heaw folk harbort'nt an cutternt o'er
tho; boh what thoose fause Lunnoners said'n abeawt te jump, at's new
o'er-bodyt.
Book. Oh, oh! Neaw aw ha't! Yo meeon'n thoose lung-seeted folk at
glooar'n a second time at books; an whooa awr fyert would rent meh
jump to chatters.
Tim. Reet, mon, reet; that's it,—
Book. Whau then, to tello true, awr breeod wi' a gorse waggin; for
they took'n mo i'th reet leet to a yure.
Tim. Heaw's tat, eh Gods' num!
Book. Whau, at yoad'n donned mo o' thiss'n, like a meawntebank's
foo, for th' wonst, to mey' th' rabblement fun.
Tim. Eh, law! An did'n th' awvish shap, an th' peckl't jump pan,
said'n they?
Book. Aye, aye: primely, i'faith!—for they glooarn't sonar at mo;
turn't mo reawnd like a tayliur, when he mezzurs folk; chuckt mo
under th' chin; ga' mo a honey butter-cake, an said oppenly, they
ne'er saigh an
awkert look, a quare shap, an a peckl't jump gee better eh their
live.
Tim. Neaw, e'en fair fa' um, say aw! These wur'n th' boggarts at
flayd'n tho! But aw'd olez a notion at tear'n no gonner-yeds.
Book. Gonner-yeds! Naw, naw, not te marry! Bob, aw carry't mysel'
meety meeverly too-to, an did as o bidd'n mo.
Tim. Then theaw towd um th' tale, and said th' rimes an aw, did to?
Book. Th' tale an th' rimes! 'Sflesh, aw believe eh did; but aw know
no moor on um neaw than a seawkin' pig.
Tim. 'Od rottle the! what says to? Has to foryeat'n th' tayliur
findin' th' urchon? an th' rimes?
Book. Quite, quite; as eh hope to chieve
Tim. Neaw e'en the dule steawnd to, say aw! What a fuss mun aw have
to teytch um tho again!
Book. Come, come; dunno fly up in a frap; a body conno carry oytch
mander o' think eh their nob.
Tim. Whau boh, mind neaw, theaw gawmblin' tyke, at to can tell th'
tale an say th' rimes be rot tightly.
Book. "Fear me na" said Doton. Begin.
Tim. A tayliur, eh Crummil's time, wur thrunk pooin' turmits in his
pingot, an fund an urchon i'th hadloont reean. [p.81-1] He glendurt
at't lung, boh could may nowt on't. He whoav't his whisket o'ert,
runs whoam, an tells his neighbours he thowt in his guts at he'd
fund a think at God ne'er made eawt, for it'd nother yed nor tale,
nor hont nor hough, nor midst nor eend! Loath t' believe this, hauve
a dozen on um would gu t' see iv they could'n may shift t' gawm it;
boh it capt um aw; for they newer a one on um e'er saigh th' like
afore. Then theyd'n a keawncil, an th' eend on't wur at teyd'n fotch
a lawm, fause owd felly, hef [p.81-2] an elder, at could tell oytch
think,—for they look'nt on him as th' hamil-scoance, an thowt him
fuller o' leet than a glowworm's a—se. When they'n towd him th'
case, he stroke't his beeart; sowght; an ordert't th' wheelbarrow wi'
spon-new trindle t' be fotcht. 'Twur dun; an they beawln't him away
to th' urchon in a crack. He glooart at't a good while; dried his
beeart deawn, an wawtud it o'er with his crutch. "Wheel mo abeawt
again, o'th tother side," said he, "for it sturs, an by that, it
should be wick." Then he dons his spectacles, stare't at't again, an
sowghin' said, "Breethur, its summat; boh feyther Adam nother did
nor could kersun it! Wheel mo whoam again!"
Book. Aw remember it neaw, weel enough; boh iv these viewers could
gawm it oytch body couldna; for aw find neaw at yo compare'n me to a
urchon, ut has nother yed nor tale; 'sflesh, is not it like running
mo
deawn, an a bit to bobbersome?
Tim. Naw, naw, not it; for meeny o' folk would gawm th' rimes, boh
very lite would underston th' tayliur an his urchon.
Book. Th' rimes,—hum,—lemme see. 'Sbilid, aw foryeat'n thoose, too,
aw deawt!
Tim. Whoo-who-whoo! What a dozening jobberknow art teaw!
Book. Good lorjus o' me! A body
conna do moor thin they con, con
they? Bob iv in teytch mo again, an aw foryeat um again, e'en raddle
meh hoyd tightly, say aw.
Tim. Mind te hits, then!
Some write to show their wit and parts,
Some show you whig, some tory hearts,
Some flatter knaves, some fops, some fools,
And some are ministerial tools. |
Book. Eigh, marry, oytch body says so; an gonner-yeds they are for
their labbor.
Tim.
Some few in virtue's cause do write;
But these, alas! get little by't. |
Book. Indeed, aw can believe o! Weel rime't, heawe'er. Gu on.
Tim.
Some turn out maggots from their head,
Which die before their author's dead. |
Book. Zuns! Aw Englanshire
'll think at yo'r glentin' at toose fratchin', byzen, craddlinly tykes as write'n sich papers as th' Test, an sich cawve-tales
as Cornish Peter, at fund a new ward, snyin' wi glums an gawries.
Tim.
Some write such sense in prose and rhyme,
Their works will wrestle hard with Time. |
Book. That'll be prime wrostlin', i'faith; for aw've yerd um say,
Time conquers aw things.
Tim.
Some few print truth, but many lies,
On spirits, down to butterflies. |
Book. Reet abeawt boggarts; an' th' tother ward; an th' mon i'th
moon, an sich like gear. Get eendway; it's prime, i'faith.
Tim.
Some write to please, some do't
for spite,
But want of money makes me write. |
Book. By th' mass, th' owd story again! Bob aw think eh me guts at
it's true. It'll do. Yo need'n rime no moor, for it's better t'in
lickly. Whewt [p.82] on Tummus an Mary.
To a liberal and observant stranger, one of the richest results of a
visit to this quarter will arise from a contemplation of the
well-defined character of the people that live in it. The whole
population is distinguished by a
fine, strong, natural character, which would do honour to the
refinements of education. A genteel visitor, unable to read the
heart of this people through their blunt manners, would, perhaps,
think them a little boorish. But though they have not much bend in the neck, and their rough
dialect is little blessed with set phrases of courtesy, there are no
braver men in the world, and under their uncouth demeanour lives
the spirit of true chivalry. They have a favourite proverb, that
"Fair play's a jewel," and are generally careful in all their
dealings to act upon it. They feel a generous pride in the man who
can prove himself their master in anything. Unfortunately, little
has yet been done for them in the way of book-education, except what
has been diffused by the Sunday schools, since the times of John
Wesley, who, in person, as well as by his enthusiastic early
preachers, laboured much and earnestly among them, in many parts of
South Lancashire. Yet nature has blest them with a fine vein of
mother-wit, and has drilled some useful pages of her horn-book into
them in the loom, the mine, and the farm, for they are naturally
hard workers and proud of honest labour. They are keen critics of
character, too, and have a sharp eye to the nooks and corners of a
stranger's attire, to see that, at least, whether rich or poor, it
be sound, and, as they say, "bothomly cleean," for they are jealous
of dirty folk. They are accustomed to a frank expression of what is
in them, and like the open countenance, where the time of day may be
read in the dial, naturally abhorring "hudden wark, an'
meawseneeses." Among the many anecdotes illustrative of the
character of this people, there is one which, though simple, bears a
strong stamp of native truth upon it. A stalwart young fellow, who
had long been employed as carter for a firm in this neighbourhood,
had an irresistible propensity to fighting, which was constantly
leading him into scrapes. He was an excellent servant in every
other respect, but no admonition could cure him of this; and at
length he was discharged, in hope to work the desired change. Dressing himself in his best, he applied to an eminent native
merchant for a similar situation. After other necessary questions,
the merchant asked whether he had brought his character with him. "My character!" replied our hero. "Naw, aw'm a damned deeol better
beawt it!" This anecdote conveys a very true idea of the rough
vigour and candour of the Lancashire country population. They
dislike dandyism and the shabby-genteel, and the mere bandbox
exquisite would think them a hopeless generation. Yet, little as
they are tinctured with literature, a few remarkable books are very
common among them. I could almost venture to prophesy, before going
into any substantial farmhouse, or any humble cottage in this
quarter, that some of the following books might be found there: the
Bible, Bunyan's Pilgrim's Progress, the Book of Common Prayer,
Baxter's Saints' Rest, and often Wesley's Hymn-Book, Barclay's
Dictionary, Culpepper's Herbal, and sometimes Thomas Kempis, or a
few old Puritan sermons. One of their chief delights is the practice
of sacred music; and I have heard the works of Haydn, Handel,
Mozart, and Beethoven executed with remarkable correctness and
taste, in the lonely farmhouses and cottages of South Lancashire. In
no other part of England does such an intense love of sacred music
pervade the poorer classes. It is not uncommon for them to come from
the farthest extremity of South Lancashire, and even over the "Edge" from Huddersfield, and other towns of the West Riding of
Yorkshire, to hear an oratorio in Manchester, returning home again,
sometimes a distance of thirty miles, in the morning.
I will now suppose that the traveller has seen Tim Bobbin's grave,
and has strolled up by Silver Hills, through the scenery of
Butterworth, and, having partly contemplated the character of this
genuine specimen of a South Lancashire village, is again standing on
the little stone bridge which spans the river Beal. Let him turn his
back to the Rochdale road a little while,—we have not done with him
yet. Across the space there, used as a fair-ground, at "Rushbearing"
time, stands an old-fashioned stone alehouse, called "Th' Stump and
Pie Lad," commemorating by its scabbèd and weather-beaten sign, one
of the triumphs of a noted Milnrow runner, on Doncaster racecourse. Milnrow is still famous for its foot-racers; and Lancashire
generally is more famous for foot-racers than any other county in
the kingdom. In that building the ancient lords of Rochdale manor
used to hold their court-leets. Now the dry-throated "lads o'th fowd"
meet there to grumble at bad warps and low wages; and to "fettle th'
nation" over pitchers of cold ale. And now, if the traveller is
inclined to climb "the slopes of old renown," let him go with me to
the other end of the village.
Milnrow lies on the ground not unlike a tall tree laid lengthwise,
in a valley, by a river side. At the bridge, its roots spread
themselves in clots and fibrous shoots, in all directions: while the
almost branchless trunk runs up, with a slight bend, about half a
mile towards Oldham, where it again spreads out in an umbrageous way
at the little fold called Butterworth Hall. In walking through the
village, he who has seen a tolerably-built woollen mill will find no
wonders of architectural art at all. The houses are almost entirely
inhabited by working people, and marked by a certain rough,
comfortable solidity,—not a bad reflex of the character of the
inhabitants. At the eastern extremity, a road leads on the left hand
to a cluster of houses called Butterworth Hall. This old fold is
worth notice, both for what it is and what it has been. It is a
suggestive spot. It is the ground once occupied by one of the
homesteads of the Byrons, barons of Rochdale, the last baron of
which family was Lord Byron the poet. A gentleman in this township,
who is well acquainted with the history and archæology of the whole
county, lately met with a licence from the Bishop of Lichfield and
Coventry, dated A.D. 1400, granting to Sir John Byron and his wife
leave to have divine service performed within their oratories at
Clayton and Butterworth, in the county of Lancashire. (Lane. MSS.,
vol. xxxii., p.184.) This was doubtless the old wooden chapel which
traditionally is said to have existed at Butterworth Hall, and which
is still pointed out by the names of two small fields, called
"Chapel Yard" and "Chapel Meadow." These names occur in deeds at
Pike House (the residence of the Halliwell family, about two miles
off), of the time of Queen Elizabeth, and are known to this day. It
is probable that the Byrons never lived at Butterworth Hall after
the Wars of the Roses. They quitted Clayton, as a permanent
residence, on acquiring Newstead, in the reign of Henry the Eighth,
although "Young Sir John," as he was called, lived at Royton Hall,
near Oldham, another seat of the family, between 1592 and 1608.
At Butterworth Hall, the little river Beal, flowing down fresh from
the heathery mountains, which throw their shadows upon the valley
where it runs, divides the fold; and upon a green plot close to the
northern margin of its water stands an old-fashioned stone hall,
upon the site of the ancient residence of the Byrons. After spending
an hour at the other end of the village, and with the ruggèd comfortable
generation dwelling there, among the memorials of Tim Bobbin,—that
quaint old schoolmaster of the last century, who was "the observed
of all observers" there in his day,—it may not be uninteresting to
come and muse a little upon the spot where the Byrons lived in
feudal state. But let not any contemplative visitor here lose
himself among antiquarian dreams and shadows of the past, for there
are factory-bells close by. However large the discourse of his mind
may be, let him not forget that there is a strong and important
present in the social life around him. And wherever he sets his foot
in South Lancashire, he may find that there are shuttles flying
where once was the council chamber of a baron: and that the people
of these days are drying warps in the shooting-butts and tilt-yards
of the olden time!
The following information respecting the Byron family, Barons of
Rochdale, copied from an article in the Manchester Guardian, by the
eminent antiquarian contributor to that journal, will not be
uninteresting to some people:—
The Byrons of Clayton and Rochdale, Lancashire, and Newstead Abbey,
Notts, are descended from Ralph de Buron, who at the time of the
Conquest, and of the Doomsday Survey, held divers manors in Notts
and Derbyshire. Hugo de Buron, grandson of Ralph, and feudal Baron
of Horsetan, retiring temp. Henry III. from secular affairs,
professed himself a monk, and held the hermitage of Kirsale or
Kersal, under the priory of Lenton. His son was Sir Roger de Buron. Robert de Byron, son of Sir Roger de Buron in the John 1st
[1199-1200], married Cecilia, daughter and heiress of Richard
Clayton, of Clayton, and thus obtained the manor and estates of
Clayton. Failsworth and the township of Droylsden were soon after
added to their Lancashire estates. Their son, Robert de Byron, lord
of Clayton, was witness to a grant of Plying Hay in this country to
the monks of Cockersand, for the souls of Henry II. and Richard I. And his son, John de Byron, who was seated at Clayton, 28th Edward
I. [1299-30], was governor of York, and had all his lands in
Rochdale, with his wife Joan, by gift of her father, Sir Baldwin Teutonicus, or Thies, or de Tyas, who was conservator of the peace
in Lancashire, l0th Edward [1281-82]. Her first husband was Sir
Robert Holland, secretary of Thomas, Earl of Lancaster. Their son
was Sir John de Byron, knight, lord of Clayton, who was one of the
witnesses to the charter granted to the burgesses of Manchester by
Thomas Grelle, lord of that manor, in 1301. The two first witnesses
to that document were "Sirs John Byron, Richard Byron, knights." These were father and son. Sir John married Alice, cousin and heir
of Robert Bonastre, of Hindley, in this county. Their son, Sir
Richard, lord of Cadency and Clifton, had grant of free warren in
his demense lands in Clayton, Butterworth, and Royton, on the 28th
June, 1303. He served in Parliament for Lincolnshire, and died
before 21st Edward III. [1347-8]. His son was James de Byron, who
died before 24th Edward III. [1350-51]. His son and heir was Sir
John de Byron, who was knighted by Edward III. at the siege of
Calais [1346-7], and, dying without issue, was succeeded by his
brother, Sir Richard, before 4th Richard II. [1380-81]. Sir Richard
died in 1398, and was succeeded by his son, Sir John le Byron, who
received knighthood before 3rd Henry V. [1415-16], and was one of
the knights of the shire, 7th Henry VI. [1428-9]. He married
Margery, daughter of John Booth, of Barton. His eldest son, Richard
le Byron, dying in his father's lifetime, and Richard's son, James,
dying without issue, the estate passed to Richard's brother, Sir
Nicholas, of Clayton, who married Alice, daughter of Sir John Boteler, of Beausey or Bewsey, near Warrington. Their son and heir
was Sir John, who was constable of Nottingham Castle and sheriff of
Lancaster in 1441 and 1442. Sir John fought in the Battle of
Bosworth Field, on the side of Henry VII., and was knighted on the
field. Dying without issue in 1488, he was succeeded by his brother
(then 30) Sir Nicholas, sheriff of Lancaster, in 1459. He was made
Knight of the Bath in 1501, and died in January, 1503-4. This son
and heir, Sir John Byron (the one named in the above document), was
steward of the manors of Manchester and Rochdale, and, on the
dissolution of the monasteries, he had a grant of the Priory of
Newstead, 28th May, 1540. From that time the family made Newstead
their principal seat, instead of Clayton. This will explain, to some
extent, the transfer of Clayton, in 1547, from this same Sir John
Byron to John Arderon, or Arderne. Either this Sir John or his son,
of the same name, in the year 1560, inclosed 260 acres of land on Beurdsell Moor, near Rochdale. His three eldest sons dying without
issue (and we may just note that Kuerden preserves a copy of claim,
without date, of Nicholas, the eldest, to the serjeanty of the
king's free court of Rochdale, and to have the execution of all
attachments and distresses, and all other things which belong to the
king's bailiff there), Sir John was succeeded by his youngest son,
Sir John, whom Baines states to have been knighted in 1759—probably
a transposition of the figures 1579. This Sir John, in the 39th
Elizabeth [1596-7], styles himself "Farmer of the Manor of
Rochdale," and makes an annual payment to the Crown, being a fee
farm rent to the honour of Rochdale. In the 1st Charles I. [1625-6],
the manor of Rochdale passed from the Byrons; but in 1638 it was reconveyed to them; and though confiscated during the Commonwealth,
Richard, Lord Byron, held the manor in 1660. Sir John's eldest son,
Sir Nicholas, distinguished himself in the wars in the Low
Countries, and at the Battle of Edgehill (23rd October, 1642). He
was a general of Cheshire and Shropshire. His younger brother, Sir
John, was made K.B. at the coronation of James I., and a baronet in
1603. Owing to the failure of the elder line, this Sir John became
ancestor of the Lords Byron. Sir Nicholas was succeeded by his son,
Sir John, who was made K.B. at the coronation of Charles I. was
appointed by that king Lieutenant of the Tower, in 1642, contrary to
the wish of Parliament; commanded the body of reserve at Edgehill;
and was created Lord Byron of Rochdale, 24th October, 1643. In
consequence of his devotion to the royal cause (for he fought
against Oliver Cromwell at the battle of Preston, in August, 1648),
his manor of Rochdale was sequestered, and held for several years by
Sir Thomas Alcock, who held courts there in 1654, two years after
Lord Byron's death. So great was his lordship's royalist zeal that
he was one of the seven specially exempted from the clemency of the
Government in the "Act of Oblivion," passed by Parliament on the
execution of Charles I. Dying at Paris, in 1652, without issue, he
was succeeded by his cousin Richard (son of Sir John, the baronet
just mentioned), who became second Lord Byron, and died 4th October,
1679, aged 74. He was succeeded by his eldest son, William, who died
13th November, 1695, and was succeeded by his fourth son, William,
who died August 8th, 1736, and was succeeded by a younger son,
William, fifth Lord Byron, born in November, 1722, killed William Chaworth, Esq., in a duel, in January, 1765, and died 19th May,
1798. He was succeeded by his great nephew, George Gordon, the poet,
sixth Lord Byron, who was born 22nd January, 1788, and died at Missolonghi, in April, 1824. In 1823, he sold Newstead Abbey to
James Dearden, Esq., of Rochdale; and in the same year he sold the
manor and estate of Rochdale to the same gentleman, by whose son and
heir they are now possessed. The manorial rights of Rochdale are
reputed (says Baines) to extend over 32,000 statute acres of land,
with the privileges of court baron and court leet in all the
townships of the parish, including that portion of Saddleworth which
lies within the parish of Rochdale, but excepting such district as
Robert de Lacy gave to the abbots of Whalley, with right to inclose
the same.
The article goes on to say that the manor of Rochdale was anciently
held by the Ellands of Elland, and the Savilles, and that on the
death of Sir Henry Saville it appears to have merged in the
possession of the Duchy of Lancaster; and Queen Elizabeth, in right
of her duchy possessions, demised that manor to Sir John Byron, by
letters patent, dated May 12th, 27th year of her reign (1585), from
Lady-day, 1585, to the end of thirty-one years.
The eye having now satisfied itself with what was notable in and
about Milnrow, I took my way home, with a mind more at liberty to
reflect on what I had seen. The history of Lancashire passed in
review before me, especially its latest history. I saw the country
that was once thick with trees that canopied herds of wild animals,
and thinnest of people, now bare of trees and thickest of
population; the land which was of least account of any in the
kingdom in the last century now most sought after and those rude
elements which were looked upon as the "riddlings of creation" more
productive of riches than all the Sacramento's gold, and ministers
of a spirit which is destined to change the social aspect of
Britain. I saw the spade sinking into old hunting-grounds, and old
parks trampled by the increasing press of new feet. The hard cold
soil is now made to grow food for man and beast. Masses of stone and
flag are shaken from their sleep in the hills, and dragged forth to
build mills and houses with. Streams which have frolicked and sung
in undisturbed limpidity thousands of years are dammed up and made
to wash, and scour, and generate steam. Fathoms below the feet of
the traveller the miner is painfully worming his way in gloomy
tunnels, and the earth is belching coal at a thousand mouths. The
region teems with coal, stone, and water, and a people able to
subdue them all to their purposes. These elements quietly bide their
time, century after century, till the grand plot is ripe, and the
mysterious signal given. Anon, when a thoughtful barber sets certain
wheels spinning, and a contemplative lad takes a fine hint from his
mother's tea-kettle, these slumbering powers start into astonishing
activity, like an army of warriors roused to battle by the trumpet;
cloth is woven for the world, and the world buys it, and wears it;
commerce shoots up from a poor pedlar, with his pack on a mule, to a
giant merchant, stepping from continent to continent over the ocean,
to make his bargains; railways are invented, and the land is ribbed
with iron, for iron messengers to run upon, through mountains and
over valleys, on business commissions; the very lightning turns
errand-boy; a great fusion of thought and sentiment springs up, and
Old England is in hysterics about its ancient opinions; a new
aristocracy rises from the prudent, persevering working-people of
the district, and threatens to push the old one from its stool. What
is to be the upshot of it all? The senses are stunned by the din of
toil, and the view obscured by the dust of bargain-making. But,
through an opening in the clouds, Hope's stars are shining still in
the blue heaven that overspans us! Take heart, ye toiling millions! The spirits of your heroic forefathers are watching to see what sort
of England you leave to your sons! |