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FRANCIS JEFFREY.
SOME thirty years
since, we happened to visit the High Courts of Session, held in
Edinburgh, in the purlieus of the old Scotch Parliament-House.
These are the chief law courts of Scotland; and though they are
always objects of interest to a visitor, they were perhaps more so
at that time than they are now, in consequence of their being then
professionally frequented by several men of world-wide reputation.
We remember well the striking entrance to those courts; they
occupy one side of a square, opposite to the old cathedral church of
St. Giles's where Jenny Geddes initiated the great Rebellion of two
centuries back, by hurling her "cuttystool" at the head of the
officiating bishop, on his proposing to read the collect for the
day. "Diel colic the wame o' thee!" shouted Jenny, as she
hurled her stool at the bishop; and from that point the Revolution
began. John Knox, at an earlier period, used to deliver his
thrilling harangues in the same church; and in the space now forming
the square—which was used as a cemetery previous to the
Reformation—the mortal remains of that undaunted reformer were laid;
of whom the Regent Murray said, as he was lowered into his grave,
"There lies one who never feared the face of man." Another
portion of the square was formerly occupied by the old jail or Tolbooth of Edinburgh, celebrated throughout the world by Scott's
novel of "The Heart of Mid-Lothian." [p.137]
But it had been demolished some years before the period of our
visit.
Entering the courts by a door in the southwest corner of the
square, and crossing a spacious vestibule, we passed through a pair
of folding doors, and found ourselves in the famous
Parliament-House. It is a noble hall, upwards of one hundred
and twenty feet long, and about fifty wide. Its lofty roof is
oak, arched with gilt pendants, in the style of Westminster Hall.
This was the place in which the Scottish Parliament held its
sittings for about seventy years previous to the Union. It was
in a bustle, as it usually is during the sittings of the court, with
advocates promenading in their wigs and gowns; writers (Anglice
solicitors), with their blue and red bags crammed with bundles of
legal documents, scudding hither and thither; litigants, with
anxious countenances, collected in groups, anxiously discussing the
progress of their "case;" whilst above the din and hum which filled
the hall there occasionally rose the loud voice of the criers,
summoning the counsel in the different causes to appear before their
lordships.
All the courts open into this hall, and we entered one of
these; we think it was the Justiciary Court. We have no
recollection of the cause that was being tried; some petty
horse-warranty affair or other, about which a great deal of clever
sarcasm and eloquence was displayed. But though we have
forgotten the cause that was tried, we have not forgotten the
pleader. He rose immediately after his burly opponent had
seated himself,—Patrick Robertson, for a long time the wit of the
Parliament-House,—the author of a book of poems, published a few
years ago, full of gravity, but without poetry,—afterwards Lord
Robertson. The advocate who rose to reply was a man the very
opposite in feature, form, and temperament to Patrick Robertson.
A little, slender, dark-eyed man, of a highly intellectual
appearance; his head was small,—indeed, the opponents of phrenology
have asserted that his head was so small, that it was enough of
itself to overthrow that science,—but then it was exquisitely
formed, the organs were beautifully balanced, the bulk of the brain
lay over the forehead, and the outline was such as to give one the
impression of the finest possible organization. He wore no
wig; and his black hair was brushed straight up from his beautiful
forehead.
When he rose to his feet, the hum of the court was stilled
into silence; and one who accompanied us said, "You see that little
man there going to speak?" "Yes." "That's FRANCIS
JEFFREY, of the Edinburgh Review."
And Jeffrey went on with his speech in a high-keyed, sharp, clear,
and acute strain, not rising into eloquence, but running on in a
smart and copious, yet somewhat precise manner: indeed, one might
have denominated his style of speech and of argument as a little
finical; yet it was unusually complete and highly finished, like
everything else that he did.
But there was in the same court that day one whose reputation
and whose genius infinitely transcended Jeffrey's, great though
these may have been. Sitting immediately under the Lord
President, at the clerk's table, were two men, one on each side,—the
clerks of the Court of Session. "You see that man at the table
there,—the one with the white hair and the overhanging brow?"
"Yes, I see two; they have both white hair, and are both
heavy-browed." "Yes; but I mean the one to the Lord
President's right,—immediately before Patrick Robertson there."
"The one with his head stooping over his papers, writing?"
"Yes: see, he is now rising up, and going across the room." "I
see him,—surely I know that face; I must have seen the man before."
"You may have seen the portrait of him often enough,—it is SIR
WALTER SCOTT!" In
a moment we recognized the Great Wizard of the North, whose magical
pen had quickened into life the long dead and buried past, and
created shapes of magical beauty by the aid of his wonderful
fancy,—the greatest literary celebrity of the age! His face,
as we saw it then, presented but few indications of those remarkable
intellectual powers, which might almost be said to blaze in
the features of Jeffrey. It was heavy, solid, lourd,
and homely,—somewhat like the face of a country-bred farmer's man,
grown old in harness, and rather "back" with his rent. He
limped across the court to one of the advocates or writers to the
signet, to whom he delivered a paper, and then returned to his seat.
The terrible crash of Sir Walter Scott's fortunes had occurred,
through the failure of his publisher, but a few years before; and
here was the hard-working man, still toiling at his post of clerk of
court during the day,—to enter upon his laborious literary labours
on returning home,—with the view of desperately retrieving the loss
of his fortune and estate.
One other man we may mention,—then a comparatively young
advocate in good business. His eye, of all his features,
struck us the most. Never did we see a more beautiful,
piercing eye before. Keen, black, and penetrating, it seemed
to look through you. Once afterwards, we encountered the eye
in Princes' Street, and recognized the man on the instant. It
was Henry Cockburn, the author of the "Life of Jeffrey." He
had the look of a man of genius; and was long afterwards known as a
highly acute and able lawyer. But he had never before done
anything in literature that we know of, until he wrote the life of
his friend Jeffrey; yet we mistake much if it do not take its place
among the best standard biographies of our time. We should not
be surprised if, like Boswell's Johnson, it were read when the books
of the author whose life is commemorated are allowed to lie on the
shelf.
Not that there is any vivid interest in Jeffrey's life; happy
and prosperous people have usually little history. Life flows
on in a smooth current; everything succeeds with them; they gather
wealth and fame with years, and die full of honours, which are
recorded on a mausoleum. But certainly there was about the
life of Jeffrey—even independently of the literary merits of Lord
Cockburn's portraiture of him—much that is instructive, interesting,
and delightful.
Jeffrey was a man full of bonhomie. He was an honest-minded,
independent man; a most industrious, hard-working, and perseverant
man; and, withal, a genuinely-loving man. But above all, he was the
founder of the "Edinburgh Review." This was the great event of his
life. By means of that eminently able organ of opinion, he elevated
criticism into a magistrature. He invested it with dignity, and
administered it like a judge, according to certain laws. He became
an oracle of taste in poetry, literature, and art. He did not merely
follow the literary fashion of the day, but he directed it, and for
many years presided over the highest critical organ in the country. Yet it will be confessed, that, if we look into the collected
edition of his works, they have comparatively little interest for
us. Even the most effective criticism is necessarily of an ephemeral
character. Like a thrilling Parliamentary speech, its chief interest
consists in its appropriateness to the time, the circumstances, and
the audience to whom it is addressed. At best, literary criticism is
but a clever and discriminating judgment upon books. The books so
criticised are now either dead and forgotten, or they have secured a
footing, and live on independent of all criticism. Yet criticism is
not without its value, as Jeffrey and his fellow-labourers amply
proved.
The leading incidents of Francis Jeffrey's life
are soon told. He was born in Charles Street, George's Square,
in the Old Town of Edinburgh, on the 22d of October, 1773. His
father was a depute clerk, in the Court of Session. His mother
was an amiable, intelligent woman, who died when Francis was but a
boy. The youth was educated at the Edinburgh High School,
where he remained for six years. Here is an incident of his
boyhood:—
"One day in the winter of 1786-87, he was standing in the High
Street, staring at a man whose appearance struck him; a person
standing at a shop door tapped him on the shoulder, and said, 'Ay, laddie! ye may weel
look at that man! that's ROBERT BURNS.' He never saw Burns
again."
From Edinburgh High School, Jeffrey proceeded to Glasgow University,
where he studied with distinction during two sessions. In the
"Historical and Critical Club," he astonished the members by the
force and acuteness of his criticisms on the essays submitted for
discussion. Thus early did the peculiar bent of his mind display
itself. He worked very hard,—was a systematic student,—took copious
notes, cast into his own forms of expression, of all the lectures,—and read largely on all subjects. He returned to Edinburgh, and
attended the law classes there in the two sessions of 1789–91, still
studying and composing essays on various subjects, but chiefly on
life and its philosophy.
"It was about this time (1790 or 1791) that he had the honour of
assisting to carry the biographer of Johnson, in a state of great
intoxication, to bed. For this, he was rewarded next morning by Mr.
Boswell, who had learned who his bearers had been, clapping his
head, and telling him that he was a very promising lad, and that,
'If you go on as you've begun, you may live to be a Bozzy yourself
yet.'"
He next went to Oxford to study, and remained there for a season,
but he never entered fully into the life of the place, and evidently
detested it. He did not find a single genial companion. He says of
the meetings of the students, "O these blank parties!—the
quintessence of insipidity,—the conversation dying from lip to
lip,—every countenance lengthening and obscuring in the shade of
mutual lassitude,—the stifled yawn contending with the affected
smile one every cheek,—and the languor and stupidity of the party
gathering and thickening every instant, by the mutual contagion of
embarrassment and disgust . . . . In the name of heaven, what do such beings
conceive to be the order and use of society? To them, it is no
source of enjoyment; and there cannot be a more complete abuse of
time, mind, and fruit." He detests the law, too. "This law," he
says, "is vile work. I wish I had been born a piper." There was only
one thing that he hoped to learn at Oxford, and that was the English
pronunciation. And he certainly succeeded in acquiring it after a
sort, but he never spoke it as an Englishman is wont to do. As Lord
Holland said of him afterwards, "He lost the broad Scotch at Oxford,
but he gained only the narrow English in its place."
He returned to Edinburgh in July, 1792, and again attended the law
lectures there. He joined the Speculative Society, then numbering
among its active members many afterwards highly celebrated
men,—Scott, Brougham, Grant (afterwards Lord Glenelg), Petty
(afterwards Marquis of Lansdowne), Francis Horner, and others. Jeffrey distinguished himself by several admirable papers which he
read before the society; and also by the part which he took in the
discussions. But, like many susceptible young minds, at this time,
he was haunted by fits of despondency. He could not take the world
by storm: few knew that he lived. How was he to distinguish himself?
He would be a Poet! Writing to his sister about this time, he said,
"I feel I shall never be a great man, unless it be as a
Poet!" But
afterwards he says more calmly, "My poetry does not improve; I think
it is growing worse every week. If I could find the heart to abandon
it, I believe I should be the better for it." He nevertheless went
on writing tragedies, love poems, sonnets, odes, and such like; but
they never saw the light. Once, indeed, he went so far as to leave a
poem with a bookseller, to be published,—and fled to the country;
but finding some obstacle had occurred, he returned, recovered the
manuscript,—rejoicing that he had been saved,—and never repeated so
perilous an experiment.
In 1794, Jeffrey was called to the Scotch bar. The times were sick
and out of joint. The French Revolution was afoot, and its violence
tended to drive some men sternly back upon the past, and to impel
others wildly forward into the future. Some took a middle course;
and while they discountenanced all violent change, sought after
constitutional progress and social improvement. To this middle
party, Jeffrey early attached himself. He joined himself to the
Whigs, though to do so at that day was to erect a lofty barrier in
the way of his own success. Yet he did so, courageously and
resolutely; and he held to his course. He had several noble allies;
among whom may be named Brougham, Horner, and Erskine (the brother
of the Lord Chancellor). At the bar, Jeffrey got on very slowly. Very few fees came in, and these were chiefly from his father's
connections. He began to despair of success, and even went to
London with the object of becoming a literary "grub." He was
furnished with letters to authors, newspaper editors, and
publishers. But, fortunately, they received him coldly, and he
returned to Edinburgh to reoccupy himself with essay writing,
translating from the Greek, and waiting for clients. The clients did
not come yet, and he began seriously to despair of ever achieving
success in his profession.
"I cannot help," he wrote at this time, "looking upon a slow,
obscure, and philosophical starvation at the Scotch bar, as a
destiny not to be submitted to. There are some moments when I think
I could sell myself to the minister or to the devil, in order to get
above these necessities." He also entertained the idea of trying the
English bar, or going out to India, like so many other young
Scotchmen of his day. He had now been five years at the bar, and
could not yet, as the country saying goes, "make saut to his kail." In the seventh year of his practice, he says, "My profession has
never yet brought me £100 a year." But this is the history of nearly
all young men in their first ascent of the steeps of professional
enterprise.
Yet Jeffrey's poor prospects did not prevent him falling in love
with a girl as poor as himself, and he married her. The young lady
was, however, of good family: she was the daughter of Dr. Nelson,
Professor of Church History at St. Andrew's. The young pair settled
down in Buccleuch Place, in the Old Town; and the biographer informs
us that "his own study was only made comfortable at the cost of £7
18s.; the, banqueting-hall rose to £13 8s.; and the drawing-room
actually rose to £22 19s." He made a careful inventory of all the
costs of furnishing, which is still preserved.
But his marriage seemed to have been the starting-point of
Jeffrey's success. He devoted himself sedulously to his profession. Clients appeared in greater numbers; he began to be looked upon as a
rising man; and when once the ball is fairly set a-rolling, it goes
on comparatively easy. Shortly after, the famous Edinburgh Review
was projected by himself and Sydney Smith, though the merit of
suggesting the work is undoubtedly due to the latter. Sydney Smith's
account of its origin is this: "One day we happened to meet in the
eighth or ninth story, or flat, in Buccleuch Place, the elevated
residence of the then Mr. Jeffrey. I proposed that we should set up
a Review; this was acceded to with acclamation. I was appointed
editor, and remained long enough in Edinburgh to edit the first
number of the Edinburgh Review." But Jeffrey's aptness for editorial
work, his peculiar critical ability, together with the fact of his
being the only settled man of the lot permanently located in
Edinburgh, soon led to his undertaking the entire control of the
Review, and furnishing the principal part of the writing. The first
number of the Edinburgh Review appeared in October, 1802, and the
effect produced by it was almost electrical. It was so bold, so
novel, so spirited and able,—so unlike anything of the kind that had
heretofore appeared,—that its success from the first was decided. It
afforded a gratifying proof of the existence of liberal feeling in a
part of the country where before one dull, dead, uniform level of
slavish obsequiency had prevailed. It gave a voice to the dormant
feeling of independence which nevertheless still survived. The
effect upon public opinion was most wholesome, and the influence of
the Review went on increasing from year to year. Horner, Sydney
Smith, and Brougham soon left Edinburgh for England, to enter upon
public life; but Jeffrey stood by the Review, and continued its
main-stay. When Horner left Edinburgh, he made a present of his bar
wig to Jeffrey, who "hoped that in time it would attract fees" besides admiration. But Jeffrey never liked to wear a wig, and soon
abandoned it for his own fine black hair. Among the greatest bores
which he experienced was attending Scotch appeals in the House of
Lords in London, when he had to sit under a great load of serge and
horsehair, perhaps in the very height of the dog-days
His practice increased, while his fame in connection with the Review
spread his name abroad. His severe handling of many of the writers
of the day, brought down upon him a good deal of bitter speech,—such
as Lord Byron's "English Bards and Scotch Reviewers." His severe
review of Moore's lascivious love poems brought him into collision
with that gentleman, and an innocuous duel was the consequence; but
after that they remained warm friends. There was little of interest
in Jeffrey's life for many years after this occurrence. It flowed on
in an equable and widening current of steady prosperity. His wife
died in 1805, and was sincerely lamented by him. The letter which he
wrote to his brother on the occasion is exceedingly beautiful, —full
of affectionate and deep feeling for the departed. "I took no
interest," he says, "in anything which had not some reference to
her. I had no enjoyment away from her, except in thinking what I
should have to tell or to show her on my return; and I have never
returned to her, after half a day's absence, without feeling my
heart throb and my eye brighten with all the ardour and anxiety of a
youthful passion. All the exertions I ever made in the world were
for her sake entirely. You know how indolent I was by nature, and
how regardless of reputation and fortune; but it was a delight to me
to lay these things at the feet of my darling, and to invest her
with some portion of the distinction she deserved, and to increase
the pride and vanity she felt for her husband, by accumulating these
public tests of his merit. She had so lively a relish for life, too,
and so unquenchable and unbroken a hope in the midst of protracted
illness and languor, that the stroke which cut it off forever
appears equally cruel and unnatural. Though familiar with sickness,
she seemed to have nothing to do with death. She always recovered so
rapidly, and was so cheerful and affectionate and playful, that it
scarcely entered into my imagination that there could be one
sickness from which she would not recover." But Jeffrey did not
remain single. A few years after, in 1813, we find him on his way to
the United States, to bring home his second wife,—a grand-niece of
the famous John Wilkes. He wooed and won her, and an admirable wife
she made him.
There are only a few other prominent landmarks in Jeffrey's career
which we would note in the midst of his prosperous life. In 1820 he
was elected Lord Rector of the University of Glasgow, and delivered
a noble speech on his installation. In 1829 he was elected Dean of
the Faculty of Advocates, a post of high honour in the profession.
On being elected, he gave up the editorship of the Review, after
superintending it for a period of twenty-seven years. In 1830 the
Whigs came into office, and Jeffrey was appointed Lord Advocate,—the
first law officer of the Crown for Scotland. This was the height of
his ambition. He could only climb a step higher, which he did a few
years later, when he was made a judge, and died Lord Jeffrey, in
January, 1850.
His friend and fellow-judge has admirably depicted Jeffrey as he
lived,—in his home life, which was beautiful, and in his public
career, which was honourable, useful, and meritorious. He was a most
affectionate man. In one of his letters,—and they are, perhaps, the
most charming portions of the work,—he says, "I am every hour more
convinced of the error of those who look for happiness in anything
but concentred and tranquil affection." His intellect was sharp and
bright,—not so powerful as keen. His knowledge was various rather
than profound. His taste was exquisite; his sense of honour very
fine; and his manner was full of gentleness and kindness. Withal, he
was an earnest, resolute man, whose heart glowed in the conflicts of
the world. In conclusion we may add, that Lord Jeffrey, in his
valuable life, has furnished a further illustration of what
honourable, persistent industry and application will do for a man in
this life; for it was mainly this that raised him from obscurity and
dependence to a position of affluence and worldly renown.
――――♦――――
EBENEZER ELLIOTT.
Ebenezer Elliott (1781-1849)
Ironmaster, political activist and poet.
EBENEZER
ELLIOTT, the Sheffield
iron-merchant, a poet of no mean fame, was extensively known beyond
the bounds of his own locality as "the Corn-Law Rhymer." Though for
a time identified with a political movement, to which he consecrated
the service of his lyre, he had nevertheless the world-wide vision
of the true poet, who is of no sect nor party. Any one who reads his
poems will not fail to note how closely his soul was knit to
universal Nature —how his pulse beat in unison with her,—how deeply
he read and how truly he interpreted her meanings. With a heart
glowing for love of his kind, out of which indeed his poetry first
sprung, and with a passionate sense of wrongs inflicted upon the
suffering poor, which burst out in words of electric, almost
tremendous power, there was combined a tenderness and purity of
thought and feeling, and a love for Nature in all her moods, of the
most refined and beautiful character. In his scathing denunciations
of power misused, how terrible he is; but in his expression of
beauty, how sweet! Bitter and fierce though his rhymes are when his
subject is "the dirt-kings,—the tax-gorged lords of land," we see
that all his angry spirit is disarmed when he takes himself out to
breathe the fresh breath of the heavens, in the green lane, on the
open heath, or up among the wild mountains. There he takes Nature to
his bosom,—calls her by the sweetest of names, pours his soul out
before her, gives her his whole heart, and yields up to her his
manly adoration. You see this beautiful side of the poet's
character in his exquisite poems entitled "The Wonders of the Lane,"
"Come and Gone," "The Excursion," "The Dying Boy to the Sloe
Blossom," "Flowers for the Heart," "Don and Rother," and even in
"Win-hill," that most powerful of his odes. The utterance is
that of a man, but the heart is tender as that of a woman.
These exquisite little poems of Elliott, in their terseness and
vividness of expression, and their sweetness and delicacy of
execution, cannot fail to remind one of the kindred magical power
and genius of Robert Burns.
Elliott's life proved, what is still a disputed point, that
the cultivation of poetic tastes is perfectly compatible with
success in trade and commerce. It is a favourite dogma of some
men, that he who courts the Muses must necessarily be unfitted for
the practical business of life; and that to succeed in trade, a man
must live altogether for it, and never rise above the consideration
of its little details. This is, in our opinion, a notion at
variance with actual experience. Generally speaking, you will
find the successful literary man a man of industry, application,
steadiness, and sobriety. He must be a hard worker. He
must apply himself. He must economize time, and coin it into
sterling thought, if not into sterling money. His habits tell
upon his whole character, and mould it into consistency. If he
be in business, he must be diligent to succeed in it; and his
intelligence gives him resources which to the ignorant man are
denied. It may not have been so in the last century, when the
literary man was a rara avis, a world's wonder, and was feted
and lionized until he became irretrievably spoilt; but now, when all
men have grown readers, and a host of men have become writers, the
literary man is no longer a novelty: he drags quietly along in the
social team, engages in business, succeeds, and economizes, just as
other men do, and generally to much better purpose than the
illiterate and the uncultivated. Some of the most successful
men in business, at the present day, are men who regularly wield the
pen in the intervals of their daily occupations,—some for
self-culture, others for pleasure, others because they have
something cheerful or instructive to utter to their fellow-men; and
shall we say that those men are less usefully employed than if they
had been cracking filberts over their wine, sleeping over a
newspaper, gadding at clubs, or engaging in the frivolity of evening
parties?
Ebenezer Elliott was a man who profitably applied his leisure
hours to the pursuit of literature, and while he succeeded in
business, he gained an eminent reputation as a poet. After a
long life spent in business, working his way up from the position of
a labouring man to that of an employer of labour, a capitalist, and
a merchant, he retired from active life, built a house on a little
estate of his own, and sat under his "vine and fig-tree" during the
declining years of his life; cheered by the prospect of a large
family of virtuous sons and daughters growing up around him in
happiness and usefulness.
We enjoyed the pleasure of a visit to this gifted man, at his
own fireside, little more than a month before his death. It
was one of the last lovely days of autumn, when the faint breath of
Summer was still lingering among the woods and fields, as if loath
to depart from the earth she had gladdened; the blackbird was still
piping his mellifluous song in the hedges and coppice, whose foliage
was tinted in purple, russet, and brown, with just enough of green
to give that perfect autumnal tint, so beautifully pictorial, but
impossible to paint in words. The beech-nuts were dropping
from the trees, and crackled under foot, and a rich, damp smell rose
from the decaying leaves by the road-side. After a short walk
through a lovely, undulating country, from the Darfield station of
the North Midland Railway, along one of the old Roman roads, so
common in that part of Yorkshire, and which leads into the famous
Watling Street, near the town of Pontefract, we reached the village
of Old Houghton, at the south end of which stands the curious Old
Hall,—an interesting relic of Middle-Age antiquity. Its
fantastic gable-end, projecting windows, quaint doorway, diamond
"quarrels," and its great size looming up in the twilight, with the
well-known repute which the house bears of being "haunted," made us
regard it with a strange, awe-like feeling: it seemed like a thing
not of this every-day world; indeed, the place breathes the very
atmosphere of the olden time, and a host of associations connected
with a most interesting period of old English history are called up
by its appearance. It reminds one of the fantastic old Tabard,
in Dickens's "Barnaby Rudge "(we think it is); and the resemblance
is strengthened by the fact of this Old Hall being now converted
into a modern public-house, the inscription of "Licensed to be drunk
on the premises," &c., being legibly written on a sign-board over
the fantastic old porch. "To what base uses," alas! do our old
country-houses come at last! Being open to the public, we
entered; and there we found a lot of the village labourers,
ploughmen, and delvers, engaged, in a boxed-off comer of the Old
Squire's Hall, drinking their Saturday night's quota of beer, amidst
a cloud of tobacco-smoke; while the mistress of the place, seated at
the tap in another corner of the apartment, was dealing out her
potations to all comers and purchasers. A huge black deer's
head and antlers projected from the wall, near the door, evidently
part of the antique furniture of the place; and we had a glimpse of
a fine broad stone staircase, winding up in one of the deep bays of
the hall, leading to the, state apartments above. Though
strongly tempted to seek a night's lodging in this haunted house, as
well as to explore the mysteries of the interior, we resisted the
desire, and set forward on our journey to the more inviting house of
the poet.
We reached Hargate, Hill, the house and home of Ebenezer
Elliott, in the dusk of the autumn evening. There was just
light enough to enable us to perceive that it was situated on a
pleasant height, near the hill-top, commanding an extensive prospect
of the undulating and finely-wooded country towards the south; on
the north stretched away an extensive tract of moorland, covered
with gorse-bushes. A nicely-kept flower-garden and grass-plot
lay before the door, with some of the last of the year's roses still
in bloom. We had a cordial welcome from the poet, his wife,
and two interesting daughters,—the other members of his large family
being settled in life for themselves,—two sons, clergymen, in the
West Indies, two in Sheffield, and others elsewhere. Elliott
looked the wan invalid that he was, pale and thin; and his hair was
nearly white. Age had deeply marked his features since last we
saw him; and, instead of the iron-framed, firm-voiced man we had
seen and heard in Palace Yard, London, some eleven years before, and
in his own town of Sheffield at a more recent date, he now seemed a
comparatively weak and feeble old man. An anxious expression
of face indicated that he had suffered much acute pain,—which indeed
was the case. After he had got rid of that subject, and begun
to converse about more general topics, his countenance brightened
up, and, under the stimulus of delightful converse, he became, as it
were, a new man. With all his physical weakness, we found that
his heart beat as warm and true as ever to the cause of human kind.
The old struggles of his life were passed in review, and fought over
again; and he displayed the same zeal and entertained the same
strong faith in the old cause which he had rhymed about so long
before it seized hold of the public mind. He mentioned, what I
had not before known, that the Sheffield Anti-Corn-Law Association
was the first to start the system of operations afterwards adopted
by the League, and that they first employed Paulton as a public
lecturer; but to Cobden he gave the praise of having popularized the
cause, knocked it into the public head by dint of sheer hard work
and strong practical sense, and to Cobden he still looked as the
great leader of the day,—one of the most advanced and influential
minds of his time. The patriotic struggle in Hungary had
enlisted his warmest sympathies; and he spoke of Kossuth as "cast in
the mould of the greatest heroes of antiquity." Of the Russian
Emperor he spoke as "that tremendous villain, Nicholas," and he
believed him to be so infatuated by his success in Hungary, that he
would not know where to stop, but would rush blindly to his ruin.
The conversation then led towards his occupations in this remote
country spot, whither he had retreated from the busy throng of men,
and the engrossing pursuits and anxieties of business. Here he said
he had given himself up to meditation and thought; nor had he been
idle with his pen either, having a volume of prose and poetry nearly
ready for publication. Strange to say, he spoke of his prose as the
better part of his writings, and, as be himself thought, much
superior to his poetry. But he is not the first instance of a great
writer who has been in error as to the comparative value of his own
works. On that question the world, and especially posterity, will
pronounce the true verdict.
He spoke with great interest of the beautiful scenery of the
neighbourhood, which had been a source to him of immense joy and
delight; of the two great old oaks, near the old Roman road, about a
mile to the north, under the shade of which the Wapontake formerly
assembled, and in the hollow of one of which, in more recent times,
Nevison the highwayman used to take shelter, but it was burnt down
in spite, after his execution, by a band of Gypsies; of the glorious
wooded country which stretched to the south,—Wentworth, Wharncliffe,
Conisborough, and the fine scenery of the Dearne and the Don; of the
many traditions which still lingered about the neighbourhood, and
which, he said, some Walter Scott, could he gather them up before
they died away, would make glow again with life and beauty.
"Did you see," he observed, "that curious Old Hall on your
way up? The terrible despot Wentworth, Lord Strafford, married
his third wife from that very house, and afterwards lived in it for
some time; and no wonder it is rumoured among the country folks as
'haunted;' for if it be true that unquiet, perturbed spirits have
power to wander over the earth, after the body to which they had
been bound is dead, his could never endure the peaceful rest of the
grave. After Wentworth's death it became the property of Sir
William Rhodes, a stout Presbyterian and Parliamentarian. When
the great civil war broke out, Rhodes took the field with his
tenantry, on the side of the Parliament, and the first encounter
between the two parties is said to have taken place only a few miles
to the north of Old Houghton. While Rhodes was at Tadcaster
with Sir Thomas Fairfax, Captain Grey (an ancestor of the present
Earl Grey), at the head of a body of about three hundred Royalist
horse, attacked the Old Hall, and, there being only some thirty
servants left to defend it, took the place and set fire to it,
destroying all that would burn. But Cromwell rode down the
cavaliers with his ploughmen at Marston Moor, not very far from here
either, and then Rhodes built the little chapel that you would see
still standing apart at the west end of the Hall, and established a
godly Presbyterian divine to minister there; forming a road from
thence to Driffield, about three miles off, to enable the
inhabitants of that place to reach it by a short and convenient
route. I forget how it happened," he continued, "I believe it
was by marriage,—but so it was, that the estate fell into the
possession, in these latter days, of Monckton Milnes, to whom it now
belongs. But as Monk Frystone was preferred as a family
residence, and was in a more thriving neighbourhood, the chief part
of the land about was sold to other proprietors, and only some three
holdings were retained, in virtue of which Mr. Milnes continues lord
of the manor, and is entitled to his third share of the moor or
waste lands in the neighbourhood, which may be reclaimed under
Enclosure Acts. But the Old Hall has been dismantled, and all
the fine old furniture and tapestry and paintings have been removed
down to the new house at Monk Frystone."
And then the conversation turned upon Monckton Milnes, his
fine poetry, and his "Life of Keats,"—on Keats, of whom Elliott
spoke in terms of glowing eulogy as that great "resurrectionized
Greek,"—on Southey, who had so kindly proffered his services in
advancing the interests of Elliott's two sons, the clergymen, whose
livings he obtained for them,—on Carlyle, whom he admired as one of
the greatest of living poets, though writing not in rhyme,—and on
Longfellow, whose "Evangeline" he had not yet seen, but longed to
read. And thus the evening stole on with delightful converse
in the heart of that quiet, happy family, the listeners recking not
that the lips of the eloquent speaker would soon be moist with the
dews of death. Shortly after the date of this visit, we sent
the poet a copy of "Evangeline," of which he observed, in a letter
written after a delighted perusal of it: "Longfellow is indeed a
poet, and he has done what I deemed an impossibility,—he has written
English hexameters, giving our mighty lyre a new string! When
Tennyson dies, he should read 'Evangeline' to Homer." Poor
Elliott! That task, if a possible one, be now his!
We cannot better conclude this brief sketch than by giving
the last lines which Elliott wrote, while autumn was yet lingering
round his dwelling, and the appearance of the robin red-breast near
the door augured the approach of winter. They were written at
the request of the poet's daughter (who was married only about a
fortnight before his death), to the air of "'Tis time this heart
should be unmoved":
"Thy notes, sweet Robin, soft as dew,
Heard soon or late, are dear to me;
To music I could bid adieu,
But not to thee.
"When from my eyes this life-full throng
Has past away, no more to be;
Then, Autumn's primrose, Robin's song,
Return to me." |
――――♦――――
GEORGE BORROW.
SINCE the
publication of "The Bible in Spain," a singularly interesting and
fascinating book, few English writers have excited so deep a
personal interest as George Borrow,—Gypsy George,—Don Giorgio,—the
Gypsy Hogarth. The writer projected so much of himself into
that book, as well as into his "Gypsies of Spain," his first
published work, and gave us such delightful glimpses of his own life
and experience, as keenly to whet our curiosity, and make us eagerly
long to know more about him.
Here was a travelling missionary of the Bible Society, who
knew all about Gypsy life and lingo, was familiar with the lowest
haunts of field thieves and mendicants, and up to all their
gibberish; a horse-sorcerer and whisperer, a student of pugilism
under Thurtell, and himself no mean practitioner in "the noble art
of self-defence," but withal a man of the most varied gifts and
accomplishments,—a philologist or "word-master," knowing nearly
every language in Europe and the East,—a racy and original writer,
with the force of Cobbett and the learning of Parr,—the translator
of the Bible, or parts of it, into Mantchou, Basque, Romany, or
gypsy-tongue, and many other languages, and of old Danish ballads
into English,—a person of fascinating conversation and of powerful
eloquence. Fancy these varied gifts embodied in a man standing six
feet two in his stocking-soles, his frame one of iron, his daring
and intrepidity unmatched, and you have placed before your mind's
eye George Borrow, the Bible Missionary,—the Gypsy Hogarth,—the
emissary of Exeter Hall,—the quondam pupil of Thurtell,—Lavengro,
the Word-master!
One wishes to know much of this extraordinary being.
What is his history? What has been his life? It must be full
of novel experiences, the like of which was never before written.
Well, he has written a book called "Lavengro," in which he proposes
to satisfy the public curiosity about himself, and to illustrate his
biography as "Scholar, Gypsy, and Priest." The book, however,
is not all fact; it is fact mixed liberally with fiction,—a kind of
poetic rhapsody; and yet it contains many graphic pictures of real
life,—life little known of, such as exists to this day among the
by-lanes and on the moors of England. One thing is obvious,
the book is thoroughly original, like all Mr. Borrow has written.
It smells of the green lanes and breezy downs,—of the field and the
tent; and his characters bear the tan of the sun and the marks of
the weather upon their faces. The book is not written as a
practised book-maker would write it; it is not pruned down to suit
current tastes. Borrow throws into it whatever he has picked
up on the highways and by-ways, garnishing it up with his own
imaginative spicery ad libitum, and there you have it,
Lavengro the Scholar, the Gypsy, the Priest"! But the work is
not yet completed, seeing that he has only as yet treated us to the
two former parts of the character; "The Priest" is yet to come, and
then we shall see how it happened that Exeter Hall was enabled to
secure the services of this gifted missionary.
From his childhood George Borrow was a wanderer, and
doubtless his early associations and experiences gave their colour
to his future life. His father was a captain of militia about
the beginning of the present century, when the principal garrison
duties of the country were performed by that force. The
regiment was constantly moving about from place to place, and thus
England, Scotland, and Ireland passed as a panorama before the eyes
of the militia officer's son. He was born at East Dereham, in
Norfolk, when the regiment was lying there in 1803. Borrow
claims the honour of gentle birth, for his father was a Cornish
gentillatre, and by his mother he was descended from an old Huguenot
family, who were driven out of France at the Revocation of the Edict
of Nantes, and, like many other of their countrymen, settled down in
the neighbourhood of Norwich. Borrow the elder was a man of
courage, and though never in battle, he fought with his fists, and
vanquished "Big Ben Brain," in Hyde Park, a feat of which his son
thinks highly, and the more so, as Big Ben Brain, four months after
the event, "was champion of England, having vanquished the heroic
Johnson. Honour to Brain, who, at the end of four other
months, worn out by the dreadful blows which he had received in his
manly combats, expired in the arms of my father, who read the Bible
to him in his later moments,—Big Ben Brain." Such are the
son's own words in his autobiographic "Lavengro."
Borrow had one brother older than himself, an artist, a pupil
of Haydon, the historical painter. He died abroad in
comparative youth, but after he had given promise of excellency in
his profession. This elder brother was the father's
favourites; for George, when a child, was moody and reserved,—a
lover of nooks and retired corners, shunning society, and sitting
for hours together with his head upon his breast. But the
family were constantly wandering and shifting about, following the
quarters of the regiment, sometimes living in barracks, sometimes in
lodgings, and sometimes in camp. At a place called Pett, in
Sussex, they thus lived under canvas walls, and here the first
snake-charming incident in the child's life occurred:—
"It happened that my brother and
myself were playing one evening in a sandy lane, in the
neighbourhood of this Pett camp; our mother was at a slight
distance. All of a sudden a bright yellow, and, to my
infantine eye, beautiful and glorious object, made its appearance at
the top of the bank from between the thick quickset, and, gliding
down, began to move across the lane to the other side, like a line
of golden light. Uttering in a cry of pleasure, I sprang
forward, and seized it nearly by the middle. A strange
sensation of numbing coldness seemed to pervade my whole arm, which
surprised me the more, as the object, to the eye, appeared so warm
and sunlike. I did not drop it, however, but, holding it up,
looked at it intently, as its head dangled about a foot from my
hand. It made no resistance; I felt not even the slightest
struggle; but now my brother began to scream and shriek like one
possessed. 'O mother, mother!' said he, 'the viper! my brother
has a viper in his hand!' He then, like one frantic, made an
effort to snatch the creature away from me. The viper now
hissed amain, and raised its head, in which were eyes like hot
coals, menacing, not myself, but my brother. I dropped my
captive, for I saw my mother running towards me; and the reptile,
after standing for a moment nearly erect, and still hissing
furiously, made off, and disappeared. The whole scene is now
before me as vividly as if it occurred yesterday,—the gorgeous
viper, my poor, dear, frantic brother, my agitated parent, and a
frightened hen clucking under the bushes,—and yet I was not three
years old."
Borrow cites this as an instance of the power which some
persons possess of exercising an inherent power or fascination—call
it mesmeric, if you will—over certain creatures; and he afterwards
cites instances of the same kind, or the taming of wild horses by
the utterance of words or whispers, or by certain movements, which
seemed to have power over them.
Thus the family wandered through Norfolk, Suffolk, Essex, and
Kent. At Hythe, the sight of a huge Danish skull, the
headpiece of some mighty old Scandinavian pirate, lying in the old
penthouse adjoining the village church, struck the boy's imagination
with awe; and, like the apparition of the viper in the sandy lane,
it dwelt in his mind, affording copious food for thought and wonder.
"An undefinable curiosity for all that is connected with the Danish
race began to pervade me; and if, long after, when I became a
student, I devoted myself, with peculiar zest, to Danish lore, and
the acquirement of the old Norse and its dialects, I can only
explain the matter by the early impression received at Hythe from
the tale of the old sexton beneath the penthouse, and the sight of
the huge Danish skull."
Borrow's acquaintance with books began with the most
fascinating of all boys' books,—one which has preserved its
popularity undiminished for more than a hundred years, and, while
boys' nature remains as now, will hold a high place in English
literature,—the entrancing, fascinating, delightful "Robinson
Crusoe." He afterwards fell in with another almost equally
interesting book, by the same writer, "Moll Flanders," which an old
apple-woman on London Bridge lent him to read while he sat behind
her stall there; but "Robinson" exercised by far the greatest
influence on his mind, and probably helped, in no slight degree, to
give a direction to his after career.
His child-wanderings continued; Winchester, Norman's Cross,
near Peterborough (where French prisoners were then kept), and many
other places, passed before his eyes. At Norman's Cross, when
he was some seven years of age, he met with a serpent-charmer; the
man was catching vipers among the woods, and the boy accompanied him
in his wanderings, learning from him his art of catching vipers.
When the old man left the neighbourhood, he made the boy a present
of one of those reptiles, which he had tamed, and rendered quite
harmless by removing the fangs.
Three years passed at Norman's Cross, during which the boy
learned Lilly's Latin Grammar. Then the regiment removed
towards the north, halting, for a time, first in one town and then
in another,—in Yorkshire, in Northumberland, and then beyond the
Tweed, at Edinburgh, where the regiment was quartered in the Castle,
standing high upon its crag, overlooking all the other houses in
that interesting city. Here he was initiated into the boy-life
of Edinburgh,—the "bickers" on the North Loch and along the Castle
Hill, between the New Town and the Old, already immortalized by Sir
Walter Scott. He entered a pupil in the High School, and
gathered, before he left, some further acquaintance with Latin and
other tongues. Oddly enough, one of the cronies whom he picked
up when residing in the Castle, or engaged in "bickers" on the face
of the crag, was David Haggart, then a drummer-boy, afterwards the
most notorious of Scotch criminals, and hanged for murdering the
jailer at Dumfries, in a desperate attempt to escape. But
Borrow's sympathies are so entirely with the criminal and Gypsy
class, that he does not hesitate to compare Haggart with
Tamerlane!—the only difference being that "Tamerlane was a heathen,
and acted according to the lights of his country,—he was a robber
while all around were robbers, whereas Haggart"—then, after a
strange eulogium of the "strange deeds" of Haggart, he concludes,
"Thou mightest have been better employed, David! but peace be with
thee, I repeat, and the Almighty's grace and pardon!"
Two years passed in Edinburgh, during which time the young
Borrow acquired, to his father's horror, the unmistakable dialect of
"the High School callant." Then they left; the militia corps
returned to England, and were disbanded. Another year passed
in quiet life; 1815 arrived, and Napoleon's return from Elba again
threw the whole isle into consternation. The militia were
raised anew, and though the French were quelled, disturbances were
threatened in Ireland, and thither the corps with which Borrow's
father, and now his elder brother, were connected, were shipped from
a port in Essex, and landed at Cork, in Ireland, in the autumn of
the year above named. Up the country they went; it became
wilder as they proceeded,—the people along the road-sides, with whom
the soldiers jested in the patois of East Anglia, answered them in a
rough, guttural language, strange and wild. The soldiers stared at
each other, and were silent. It was Irish-Celtic that the
people spoke, and soon, when the regiment got settled in quarters,
young Borrow set to work, and learnt it from one of his
school-fellows, taking lessons in Irish from him in exchange for a
pack of cards.
Borrow's brother having been sent up the country with a small
detachment of men, the younger brother went to visit him in his
quarters,—crossed the bogs, passed many old ruined castles far up on
the heights, on many of which "the curse of Cromwell" fell. He
was overtaken by a snowstorm when crossing a bog, and had nearly
been devoured by a wild smuggler and his dog, when a few words of
Irish uttered by him at once cleared his road. At length he
reached his brother, in a wild out-of-the-way place, "the officer's"
apartments being in a kind of hay-loft, reached by a ladder.
Young Borrow now learnt to ride; and it is delightful to hear him
when he breaks out in praise of horseflesh. One morning, a
horse is led out by a soldier, that the youth might "give him a
breathing:" he thus describes the horse:—
"The cob was led forth; what a
tremendous creature! I had frequently seen him before, and
wondered at him; he was barely fifteen hands, but he had the girth
of a metropolitan dray-horse; his head was small in comparison with
his immense neck, which curved down nobly to his wide back; his
chest was broad and fine, and his shoulders models of symmetry and
strength. He stood well and powerfully upon his legs, which
were somewhat short. In a word, he was a gallant specimen of
the genuine Irish cob, a species at one time not uncommon, but at
the present day nearly extinct."
He mounted, and the horse set off, the youth on its bare
back. In two hours he made the circuit of the Devil's
Mountain, and was returning along the road bathed with perspiration,
but screaming with delight,—the cob laughing in his quiet equine
way, scattering foam and pebbles to the left and right, and trotting
at the rate of sixteen miles an hour. Hear his enthusiasm on
the subject of the First Ride!
"O, that ride! that first ride!
most truly it was an epoch in my existence, and I still look back to
it with feelings of longing and regret. People may talk of
first love,—it is a very agreeable event, I dare say,—but give me
the flush, and triumph, and glorious sweat of a first ride, like
mine on the mighty cob! My whole frame was shaken, it is true;
and during one long week I could hardly move foot or hand, but what
of that? by that one trial I had become free, as I may say, of the
whole equine species. No more fatigue, no more stiffness of
joints, after that first ride round the Devil's Hill on the cob."
His passion for horses seems almost equal, indeed, to his
passion for boxing, for Bibles, for languages, and for Gypsy life.
His sense of physical life is intense; and wherever muscular energy
has full play, he seems to be in his native element.
Afterwards, when in the middle of one of his sermons at Cordova (see
his "Gypsies of Spain"), it occurs to him that the breed of horses
at that ancient city is first-rate, and off he goes at full gallop,
like a hunter who hears a horn, into a masterly sketch of the
Andalusian Arab, and how to groom him! But one day, while in
Ireland, an accident occurred which introduced him to his first
lesson in "horse-whispering":—
"By good luck a small village was
at hand, at the entrance of which was a large shed, from which
proceeded a most furious noise of hammering. Leading the cob
by the bridle, I entered boldly. 'Shoe this horse, and do it
quickly, a-gough,' said I to a wild, grimy figure of a man, whom I
found alone, fashioning a piece of iron.
" 'Arrigod yuit?' said the fellow, desisting from his work,
and staring at me.
" 'O, yes; I have money,' said I, 'and of the best,' and I
pulled out an English shilling.
" 'Tabhair chugam?' said the smith, stretching out his grimy
hand.
" 'No, I shan't,' said I; 'some people are glad to get their
money when their work is done.'
"The fellow hammered a little longer, and then proceeded to
shoe the cob, after having first surveyed it with attention.
He performed his job rather roughly, and more than once appeared to
give the animal unnecessary pain, frequently making use of loud and
boisterous words. By the time the work was done, the creature
was in a state of high excitement, and plunged and tore. The
smith stood at a short distance, seeming to enjoy the irritation of
the animal, and showing, in a remarkable manner, a huge fang, which
projected from the under jaw of a very wry mouth.
" 'You deserve better handling,' said I, as I went up to the
cob, and fondled it; whereupon it whinnied, and attempted to touch
my face with its nose.
" 'Are ye not afraid of that beast?' said the smith, showing
his fang; 'arrah! it's vicious that he looks.'
" 'It's at you, then; I don't fear him;' and thereupon I
passed under the horse, between its hind legs.
" 'And is that all you can do, agrah?' said the smith.
" 'No,' said I, 'I can ride him.'
" 'Ye can ride him; and what else, agrah?'
" 'I can leap him over a six-foot wall,' said I.
" 'Over a wall; and what more, agrah?'
" 'Nothing more,' said I; 'what more would you have?'
" 'Can you do this, agrah?' said the smith; and he uttered a
word, which I had never heard before, in a sharp, pungent tone.
The effect upon myself was somewhat extraordinary, a strange thrill
ran through me; but with regard to the cob it was terrible; the
animal forthwith became like one mad, and reared and kicked with the
utmost desperation.
" 'Can you do that, agrah?' said the smith.
" 'What is it?' said I, retreating; 'I never saw the horse so
before.'
" 'Go between his hind legs, agrah,' said the smith,—'his
hinder legs;' and he again showed his fang.
" 'I dare not,' said I; 'he would kill me.'
" 'He would kill ye! and how do ye know that, agrah?'
" 'I feel he would,' said I; 'something tells me so.'
" 'And it tells ye truth, agrah; but it's a fine beast, and
it's a pity to see him in such a state; Io agam airt leigeas;' and
here he muttered another word, in a voice singularly modified, but
sweet and almost plaintive. The effect of it was almost
instantaneous as that of the other, but how different! the animal
lost all its fury, and became at once calm and gentle. The
smith went up to it, coaxed and patted it, making use of various
sounds of equal endearment; then turning to me, and holding out once
more the grimy hand, he said, 'And now ye will be giving me the
Sassanach ten-pence, agrah!' "
But at length the militia were all disbanded, and the Borrows
returned to England, where they settled down at Norwich. The
two boys were now growing up, and the elder was put to study
painting; the second, George, was still at his books and rambles.
His thoughts were in the fields, but he learnt French, Italian, and
German. His spare hours were spent in fishing or shooting, and
sometimes in the practice of the "noble art of self-defence."
One day, when attending the horse-fair at Norwich, attracted thither
by the sight of the fine animals which he so admired, he fell in
with the son of the Gypsy man he had before met in the lane at
Norman's Cross, and shortly after he followed him to his tent beyond
the moor. The father and mother, described in our previous
extract, had by this time been "bitchadey pawdel," that is,
"banished beyond seas for crime," and their son, Jasper Pentulengro,
now the Pharaoh of the Gypsies, had to shift for himself. From
this time Borrow's intercourse with the wandering Gypsies was
frequent; he accompanied them to fairs, learnt their language,
acquired the art of horse-shoeing, familiarized himself with their
ways of living,—much to the horror of his parents, who were
disgusted with his loose and wandering habits.
But the boy was now fast growing up into the man, and
something must be done to break him in to the ways of civilized
life; his father accordingly cast about for him, and at length
succeeded in getting the young man articled to a lawyer in Norwich.
But he hated the drudgery of the desk, and made no progress in the
study of the law. Blackstone was neglected for Danish ballads
and Welsh poems. He made the grossest blunders in his
business, and his master wished to get rid of him; but time sped on,
and he remained, alternating his studies of Ab Gwilym by readings of
the life of Moore Carew, "the King of the Beggars," and Murray and
Latroon's histories of Illustrious Robbers and Highwaymen.
Then a celebrated fight would come off in the neighbourhood, and be
sure our youth was present there. Extraordinary it is, how
Borrow, the missionary, should be the one man living to eulogize
this pastime in his books! but he does it, both in his "Gypsies in
Spain" and in "Lavengro." In both he tells us how Thurtell,
the murderer, taught him the use of "the gloves;" and there is one
famous fight, which he has described in glowing language in both
these books, which was got up by Thurtell and Gypsy Will, the latter
his instructor in horse-riding.
"I have known the time," he says,
"when a pugilistic encounter between two noted
champions was almost considered in the light of a national affair;
when tens of thousands of individuals, high and low, meditated and
brooded upon it, the first thing in the morning and the last at
night, until the great event was decided. But the time is
past, and many people will say, Thank God that it is; all I have to
say is, that the French still live on the other side of the water,
and are still casting their eyes hitherward; and that, in the days
of pugilism, it was no vain boast to say, that one Englishman was a
match for two of t'other race; at present it would be a vain boast
to say so, for these are not the days of pugilism."
And again he says: "What a bold and vigorous aspect pugilism
wore at that time! and the great battle was just then coming off;
the day had been decided upon, and the spot, a convenient distance
from the old town;—and to the old town were now flocking the
bruisers of England, men of tremendous renown. Let no one
sneer at the bruisers of England; what were the gladiators of Rome,
or the bullfighters of Spain in its palmiest days, compared to
England's bruisers? Pity that corruption should have crept in
amongst them,—but of that I wish not to speak; let us still hope
that a spark of the old religion, of which they were the priests,
still lingers in the hearts of Englishmen." No, Mr. Borrow,
the glories of pugilism, like those of duelling, bull-baiting, and
bull-running, have all departed, and yet England stands where it
did; nay, we are even strongly of opinion that the English race,
instead of retrograding thereby, has achieved an unquestionable
moral advancement. But we willingly pass over this part of Mr.
Borrow's confessions, which, though racily written, have a very
unhealthful tendency.
At length Borrow's father dies; his articles have expired,
and he is thrown upon the world on his own resources. He went
to London, like most young men full of themselves and yet wanting
help. He packed up his translations of the Danish ballads, and
of Ab Gwilym's Welsh poetry, and sought for a publisher on his
arrival in London. Of course he failed, but he got an
introduction to Sir Richard Phillips, and through his
instrumentality Borrow obtained some task-work from a publisher,
though the remuneration derived from it was so trifling he could
scarcely subsist. He compiled lives of highwaymen and
criminals, and at length, when reduced to his last shilling, wrote a
story, which enabled him to raise sufficient cash to quit the
metropolis, which he did on the instant, and started on a pedestrian
excursion through the country. His life in London occupies the
second volume of "Lavengro;" it seems spun out, and reads
heavy,—very inferior in interest to the first volume, which contains
the cream of the book. In the country he falls in with a
disconsolate tinker, who has been driven off his beat by the
"Flaming Tinman," a gigantic and brutal ruffian. "Lavengro"
buys the tinker's horse, cart, and equipment, and enters upon a life
of savage freedom, many parts of which are most graphically
depicted. At length he falls in with the "Flaming Tinman," and
a desperate fight takes place between them; he vanquishes the
tinman, and gains also one of the tinman's two wives, who remains
with him in the Mumper's Dingle, where they encamp; and here
"Lavengro" ends.
He does not tell us whether his encounter with the "Flaming
Tinman," or his knowledge of Gypsy and hedge-life, had anything to
do with his after career; or how it was that he became a Bible
Society's agent; probably he may tell us something more of that by
and by.
In the meantime we may add what we know of his public history
in connection with the Bible Society, who, in engaging him, possibly
had an eye more to the end than the means. Specimens of his "Kaempe
Viser," from the Danish, were printed at his native place, Norwich,
in 1825; and, shortly after, he was selected by the Bible Society to
introduce the Scriptures into Russia. He resided there for
several years, during which time he mastered its language, the
Sclavonian, and its Gypsy dialects. He then prepared an
edition of the entire Testament in the Tartar Mantchou, which was
published at St. Petersburg, in 1835, in eight volumes. It was
at St. Petersburg that he published versions into English from
thirty languages. In the meantime he had been in France, where
he was a spectator, if not an actor, in the Revolution of the
Barricades. Then he went to Norway, crossed into Russia again,
sojourned among the Tartars, among the Turks, the Bohemians, passed
into Spain, from thence into Barbary,—in short, the sole of his foot
has never rested; his course has been more erratic than that of any
Gypsy, far more eccentric than that of his brother missionary, Dr.
Wolff, the wandering Jew. In his "Bible in Spain" occurs the
following passage, which flashes a light upon his remarkably varied
history:—
"I had returned from a walk in the
country, on a glorious sunshiny morning of the Andalusian winter,
and was directing my steps towards my lodging. As I was
passing by the portal of a large gloomy house near the gate of Xeres,
two individuals, dressed in zamarras, emerged from the archway, and
were about to cross my path, when one, looking in my face, suddenly
started back, exclaiming in the purest and most melodious French,
'What do I see? if my eyes do not deceive me, it is himself.
Yes, the very same, as I saw him first at Bayonne; then, long
subsequently, beneath the brick wall at Novogorod; then beside the
Bosphorus; and last, at—at—O my respectable and cherished friend,
where was it that I had last the felicity of seeing your
well-remembered and most remarkable physiognomy?'
"Myself. —'It was in the south of Ireland, if I
mistake not; was it not there that I introduced you to the sorcerer
who tamed the savage horses by a single whisper into their ear?
But tell me, what brings you to Spain and Andalusia,—the last place
where I should have expected to find you?'
"Baron Taylor. And wherefore, my most
respectable B――? Is not Spain the land of the arts; and is not
Andalusia of all Spain that portion which has produced the noblest
monuments of artistic excellence and inspiration? But first
allow me to introduce you to your compatriot, my dear Monsieur W――,'
turning to his companion, (an English gentleman, from whom, and from
his family, I subsequently experienced unbounded kindness and
hospitality on various occasions and at different periods, at
Seville,) I allow me to introduce to you my most cherished and
respectable friend; one who is better acquainted with Gypsy ways
than the Chef de Bohémiens à Triana; one who is an expert
whisperer and horse-sorcerer; and who, to his honour I say it, can
wield hammer and tongs, and handle a horse-shoe with the best of the
smiths amongst the Alpujarras of Granada.'"
From his great knowledge of languages, physical energies, and
extraordinary intrepidity, it will be clear enough that Mr. Borrow
was not ill adapted for the dangerous mission on which he was
engaged; indeed, he seems to have been pointed out as the very man
for the work. It is not child's play to go into foreign
countries, such as Russia and Spain, and distribute Bibles.
Fortunately for his success in Spain, the country was in a state of
great disorder and turbulence at the time of his mission there, so
that his movements were not so much watched as they would otherwise
have been; yet, as it was, he became familiar with the interiors of
half the jails in the Peninsula. There he cultivated his
acquaintance with the Gypsies and other vagabond races, and gathered
new words for his Romany vocabulary.
While in Spain, however, he did more than cultivate Romany
and distribute Bibles; he brought out Bishop Scio's version of the
New Testament in Spanish; he translated St. Luke into the Gypsy
language, and edited the same in Basque,—one of the languages most
difficult of attainment, because it has no literature; it has other
difficulties, for it is hard to learn,—and the Basque people tell a
story of the Devil (who does not lack abilities) having been
detained among them seven years trying to learn the language, which
he at last gave up in despair, having only been able to learn three
words. Humboldt also tried to learn it, with no better success
than his predecessor. But no difficulty was too great for
Borrow to overcome; he acquired the Basque, thus vindicating his
claim to the title of "Lavengro," or word-master.
If any of our readers should happen not yet to have read "The
Bible in Spain," we advise them to read it forthwith. Though
irregular, without plan or order, it is a thoroughly racy, graphic,
and vigorous book, full of interest, honest, and straightforward,
and without any cant or affectation in it; indeed, the man's
prominent quality is honesty, otherwise we should never have seen
anything of that strong love of pugilism, horsemanship, Gypsy life,
and physical daring of all kinds, of which his books are full.
He is a Bible Harry Lorrequer,—a missionary Bampfylde Moore
Carew,—an Exeter Hall bruiser,—a polyglot wandering Gypsy.
Fancy these incongruities,—and yet George Borrow is the man who
embodies them in his one extraordinary person!
――――♦――――
AUDUBON THE ORNITHOLOGIST.
John James Audubon (1785-1851), ornithologist,
naturalist, hunter,
and painter. Picture Wikipedia.
THE great
naturalist of America, John James Audubon, left behind him, in his
"Birds of America" and "Ornithological Biography," a magnificent
monument of his labours, which through life were devoted to the
illustration of the natural history of his native country. His
grand work on the Biography of Birds is quite unequalled for the
close observation of the habits of birds and animals which it
displays, its glowing pictures of American scenery, and the
enthusiastic love of nature which breathes throughout its pages.
The sunshine and the open air, the dense shade of the forest, and
the boundless undulations of the prairies, the roar of the sea
beating against the rock-ribbed shore, the solitary wilderness of
the Upper Arkansas, the savannas of the South, the beautiful Ohio,
the vast Mississippi, and the green steeps of the Alleghanies,—all
were as familiar to Audubon as his own home. The love of
birds, of flowers, of animals,—the desire to study their habits in
their native retreats,—haunted him like a passion from his earliest
years, and he devoted almost his entire life to the pursuit.
He was born to competence, of French parents settled in
America, in the State of Pennsylvania,—a beautiful green undulating
country, watered by fine rivers, and full of lovely scenery.
"When I had hardly yet learned to walk," says he, in his
autobiography prefixed to his work,
"the productions of nature that lay spread all around
were constantly pointed out to me. They soon became my
playmates; and before my ideas were sufficiently formed to enable me
to estimate the difference between the azure tints of the sky and
the emerald hue of the bright foliage, I felt that an intimacy with
them, not consisting of friendship merely, but bordering on frenzy,
must accompany my steps through life; and now, more than ever, am I
persuaded of the power of those early impressions. They laid such
hold of me, that, when removed from the woods, the prairies, and the
brooks, or shut up from the view of the wide Atlantic, I experienced
none of those pleasures most congenial to my mind. None but aerial
companions suited my fancy. No roof seemed so secure to me as that
formed of the dense foliage under which the feathered tribes were
seen to resort, or the caves and fissures of the massy rocks to
which the dark-winged cormorant and the curlew retired to rest, or
to protect themselves from the fury of the tempest."
Audubon seems to have inherited this intense love of nature
from his father, who eagerly encouraged the boy's tastes, procured
birds and flowers for him, pointed out their elegant movements, told
him of their haunts and habits, their migrations, changes of livery,
and so on,—feeding the boy's mind with vivid pleasure and
stimulating his quick sense of enjoyment. As he grew up
towards manhood, these tastes grew stronger within him, and he
longed to go forth amid the forests and prairies of America to
survey the native wild birds in their magnificent haunts. But,
meanwhile, he learned to draw; he painted birds and flowers, and
acquired a facility of delineation of their forms, attitudes, and
plumage. Of course he only reached this through many failures
and defeats; but he was laborious and full of love for his pursuit,
and in such a case ultimate success is certain.
John James Audubon:
Mourning Dove , Zenaida macroura,
hand-coloured engraving/aquatint.
Picture Wikipedia.
His education was greatly advanced by a residence in France,
whither he was sent to receive his school education, returning to
America at the age of seventeen. In Paris, he had the
advantage of studying under the great David. He revisited the
woods of the New World with fresh ardour and increased enthusiasm.
His father gave him a fine estate on the banks of the Schuylkill;
and amidst its beautiful woodlands, its extensive fields, its hills
crowned with evergreens, he pursued his delightful studies.
Another object about the same time excited his passion, and he soon
rejoiced in the name of husband. But though Audubon loved his
wife most fondly, his first ardent love had been given to nature.
It was his genius and destiny, which he could not resist, and he was
drawn on towards it in spite of himself.
He engaged, however, in various branches of commerce, none of
which succeeded with him, his mind being preoccupied by his
favourite study. His friends called him "fool,"—all excepting
his wife and children. At last, irritated by the remarks of
relatives and others, he broke entirely away from the pursuits of
trade, and gave himself up wholly to natural history. He
ransacked the woods, the lakes, the prairies, and the shores of the
Atlantic, spending years away from his home and family. His
object, at first, was not to become a writer; but simply to indulge
a passion,—to enjoy the sight of nature. It was Charles Lucien
Bonaparte, an accomplished naturalist, who first incited him to
arrange his beautiful drawings in a form for publication, and to
enter upon his grand work, "The Birds of America." He now
explored over and over again the woods and the prairies, the lakes,
the rivers, and the sea-shore, with this object in view; but when he
had heaped together a mass of information, and collected a large
number of drawings, an untoward accident occurred to his collection,
which we cannot help relating in his own words:
"I left the village of Henderson,
in Kentucky, situated on the banks of Ohio, where I resided for
several years, to proceed to Philadelphia on business. I
looked to all my drawings (ten hundred in number) before my
departure, placed them carefully in a box, and gave them in charge
to a relative, with injunctions to see that no injury happened to
them. My absence was of several months; and when I returned,
after having enjoyed the pleasures of home for a few days, I
inquired after my box, and what I was pleased to call my treasure.
The box was produced, and opened; but, reader, feel for me,—a pair
of Norway rats had taken possession of the whole, and had reared a
young family amongst the gnawed bits of paper, which, but a few
months ago had represented nearly a thousand inhabitants of the air!
The burning heat which instantly rushed through my brain was too
great to be endured, without affecting the whole of my nervous
system. I slept not for several nights, and the days passed
like days of oblivion, until the animal powers being recalled into
action, through the strength of my constitution, I took up my gun,
my note-book, and my pencils, and went forth to the woods as gaily
as if nothing had happened. I felt pleased that I might now
make much better drawings than before, and ere a period not
exceeding three years had elapsed, I had my portfolio filled again."
While you read Audubon's books, you feel that you are in the
society of no ordinary naturalist. Everything he notes down is
the result of his own observation. Nature, not books, has been
his teacher. You feel the fresh air blowing in your face,
scent the odour of the prairie-flowers and the autumn woods, and
hear the roar of the surf along the sea-shore. He takes you
into the squatter's hut in the lonely swamp, where you listen to the
story of the woodcutter's life, and sally out in the night to hunt
the cougar; or he launches you on the Ohio in a light skiff, where
he paints for you in glowing words the rich autumnal tints
decorating the shores of that queen of rivers,—every tree hung with
long and flowing festoons of different species of vines, many loaded
with clustered fruits of varied brilliancy, their rich bronzed
carmine mingling beautifully with the yellow foliage predominating
over the green leaves,—gliding down the river under the rich and
glowing sky which characterizes what is called the "Indian summer,"
and reminding you of the delicious description in Longfellow's
"Evangeline:"—
"Now through rushing chutes, among green
islands, where, plume-like,
Cotton-trees nodded their shadowy crests, they swept with the current,
Then emerged into broad lagoons, where silvery sandbars
Lay in the stream, and along the wimpling waves of their margin,
Shining with snow-white plumes, large flocks of pelicans waded.
Over their heads the towering and tenebrous boughs of the cypress
Met in a dusky arch, and trailing mosses in mid-air
Waved like banners that hang on the walls of ancient cathedrals.
Then from a neighbouring thicket the mocking-bird, wildest of singers,
Swinging aloft on a willow-spray that hung o'er the water,
Shook from his little throat such floods of delirious music,
That the whole air, and the woods, and the waves, seemed silent to
listen." |
In one of his excursions on the Ohio, Audubon was accompanied
by his wife and eldest son, then an infant; and they floated on from
Pennsylvania to Kentucky, sleeping and living in the boat, under the
Indian summer sun and the mellowed beauty of the moon, skirting the
delicious shores, so picturesque and lovely at that autumn season,
gliding along the stream, and meeting with no other ripple of the
water than that formed by the propulsion of the boat. The
margins of the river were at that time (for this voyage took place
about forty years ago) abundantly supplied with game, and
occasionally the party landed at night on the green shore; a few
gunshots procured a wild turkey or grouse, or a blue-winged teal; a
fire was struck up, and a comfortable repast procured; after which
the family again proceeded quietly on their way down stream.
The following is only one of the many lovely pictures sketched by
Audubon of this enchanting sail, which probably Longfellow had in
his eye when he penned the charming description in his "Evangeline."
"As night came, sinking in
darkness the broader portions of the river, our minds became
affected by strong emotions, and wandered far beyond the present
moments. The tinkling of the bells told us that the cattle
which bore them were gently roving from valley to valley in search
of food, or returning to their distant homes. The hooting of
the great owl, or the muffled noise of its wings as it sailed
smoothly over the stream, were matters of interest to us; so was the
sound of the boatman's horn, as it came more and more softly from
afar. When daylight returned, many songsters burst forth with
echoing notes, more and more mellow to the listening ear. Here
and there the lonely cabin of a squatter struck the eye, giving note
of commencing civilization. The crossing of the stream by a
deer foretold how soon the hills would be covered with snow."
The scene is greatly changed since then. The shores are
inhabited; the woods are mainly cleared away; the great herds of
elk, deer, and buffalo have ceased to exist; villages, farms, and
towns margin the Ohio; hundreds of steamboats are plying up and down
the river, by night and by day; and thousands of British and
American emigrants have settled down, in all directions, to the
pursuits of agriculture and commerce, where only forty years ago was
heard the hoot of the owl, the cry of the whip-poor-will, and the
sharp stroke of the squatter's axe.
Or, he takes you into the Great Pine Swamp, like a "mass of
darkness," the ground overgrown by laurels and pines of all sorts;
he has his gun and notebook in hand, and soon you have the
wood-thrush, wild turkeys, pheasants, and grouse lying at his feet,
with the drawings of which he enriches his portfolio; or you are
listening to his host, while he reads by the log fire the glorious
poetry of Burns. Again, you are with him on the wide prairie,
treading some old Indian track, amid brilliant flowers and long
grass, the fawns and their dams gambolling along his path, and
across boundless tracks of rich lands as yet almost untrodden by the
foot of the white man, and then only by the Canadian trappers or
Indian missionaries. Or he is on the banks of the Mississippi,
where the great magnolia shoots up its majestic trunk, crowned with
evergreen leaves, and decorated with a thousand beautiful flowers,
that perfume the air around; where the forests and fields are
adorned with blossoms of every hue; where the golden orange
ornaments the gardens and the groves; where the white-flowered
Stuartia, and innumerable vines festoon the dense foliage of the
magnificent woods, shedding on the vernal breeze the perfume of
their clustered flowers; there, by the side of deep streams, or
under the dense foliage, he watches by night the mocking-bird, the
whip-poor-will, the yellow-throat, the humming bird, and the
thousand beautiful songsters of that delicious land. Then a
crevasse, or sudden irruption of the swollen Mississippi,
occurs, and forthwith he is floating over the submerged lands of the
interior, nature all silent and melancholy, unless when the mournful
bleating of the hemmed-in deer reaches the ear, or the dismal scream
of an eagle or a raven is heard, as the bird rises from the carcass
on which it had been allaying its appetite.
John James Audubon:
painting of a Golden Eagle, Aquila chrysaetos,
1833-4.
Picture Wikipedia.
How gloriously Audubon paints the eagle of his native land!
The American white-headed eagle, that haunts the Mississippi, stands
sculptured before your eyes in his book. See! he takes wing,
and there you have him whirling up into the air as a noble swan
comes in sight, and now there is the screaming pursuit and the fatal
struggle.
"Now is the moment to witness the
display of the eagle's powers. He glides through the air like
a falling star, and, like a flash of lightning, comes upon the
timorous quarry, which now, in agony and despair, seeks, by various
manoeuvres, to elude the grasp of his cruel talons. It mounts,
doubles, and willingly would plunge into the stream, were it not
prevented by the eagle, which, long possessed of the knowledge that
by such knowledge a stratagem the swan might escape him, forces it
to remain in the air, by attempting to strike it with his talons
from beneath. The hope of escape is soon given up by the swan.
It has already become much weakened, and its strength fails at the
sight of the courage and swiftness of its antagonist. Its last
gasp is about to escape, when the ferocious eagle strikes with his
talons the under side of its wing, and, with unresisted power,
forces the bird to fall in a slanting direction upon the nearest
shore."
Then we have the same bird on the Atlantic shore in pursuit
of the fish-hawk.
"Perched on some tall summit, in
view of the ocean, or of some watercourse, he watches every motion
of the osprey while on wing. When the latter rises from the
water with a fish in its grasp, forth rushes the eagle in pursuit.
He mounts above the fish-hawk, and threatens it by actions well
understood, when the latter, fearing perhaps that its life is in
danger, drops its prey. In an instant the eagle, accurately
estimating the rapid descent of the fish, closes his wings, follows
it with the swiftness of thought, and the next moment grasps it.
The prize is carried off in silence to the woods, and assists in
feeding the ever-hungry brood of the eagle."
But Audubon did not like the white-headed eagle, no more than
did Franklin, who, in common with the ornithologist, regretted its
adoption as the emblem of America, because of its voracity, its
cowardice, and its thievish propensities. Audubon's favourite
among the eagles of America was the great eagle, or "The Bird of
Washington," as he named it. He first saw this grand bird when
on a trading voyage with a Canadian, on the Upper Mississippi, and
his delight was such that he says, "Not even Herschel, when he
discovered the planet that bears his name, could have experienced
more rapturous feelings." But the bird had soon flown over the
heads of the party and became lost in the distance. Three
years elapsed before he saw another specimen; and then it was when
engaged in collecting tray-fish on one of the flats which border and
divide Green River, in Kentucky, near its junction with the Ohio,
that he discerned, up among the high cliffs which there follow the
windings of the river, the marks of an eagle's nest. Climbing
his way towards it, he lay in wait for the parent: two hours
elapsed, and then the loud hissings of two young eagles in the nest
announced the approach of the old bird, which drew near and dropped
in among them a fine fish. "I had a perfect view," he says,
"of the noble bird as he held himself to the edging
rock, hanging like the barn, bank, or social swallow, his tail
spread, and his wings partly so. In a few minutes the other
parent joined her mate, and from the difference in size (the female
of rapacious birds being much larger) we knew this to be the mother
bird. She also had brought a fish, but, more cautious than her
mate, she glanced her quick and piercing eye around, and instantly
perceived that her abode had been discovered. She dropped her
prey, with a loud shriek communicated the alarm to her mate, and,
hovering with him over our heads, kept up a growling cry, to
intimidate us from our suspected design. This watchful
solicitude I have ever found peculiar to the female; must I be
understood to speak only of birds?"
John James Audubon:
Ivory-billed Woodpecker , Campephilus principalis,
hand-coloured engraving.
Male on the left, female on the right. Picture
Wikipedia.
Two years more passed in fruitless efforts to secure a
specimen of this rare bird; but at last he was so fortunate as to
shoot one; and then gave it the name it bears, "The Bird of
Washington," the noblest bird of its genus in the States. Why
he so named the bird he thus explains:
"To those who may be curious to know my reasons, I
can only say, that, as the New World gave me birth and liberty, the
great man who insured its independence is next to my heart. He
had a nobility of mind and a generosity of soul such as are seldom
possessed. He was brave, so is the eagle; like it, too, he was
the terror of his foes; and his fame, extending from pole to pole,
resembles the majestic soarings of the mightiest of the feathered
tribes. If America has reason to be proud of her Washington,
so has she to be proud of her Great Eagle."
In the course of his extensive wanderings, Audubon
experienced all sorts of adventures. Once he was within an
inch of his life in a solitary squatter's hut in one of the wide
prairies of the Upper Mississippi; in one of the extensive swamps of
the Choctaw territory in the State of Mississippi, he joined in the
hunt of a ferocious cougar or painter (panther) which had
been the destruction of the flocks in that neighbourhood; in the
Banem of Kentucky, he was once surprised by an earthquake, the
ground rising and falling under his terrified horse like the ruffled
waters of a lake; he became familiar with storms and hurricanes,
which only afforded new subjects for his graphic pen; he joined in
the Kentucky hunting sports, or with the Indian expeditions on the
far prairie; he witnessed the astounding flights of wild pigeons in
countless multitudes, lasting for whole days in succession, so that
"the air was literally filled with pigeons, the light of noonday
obscured as by an eclipse, the dung fell in spots not unlike melting
flakes of snow, and the continued buzzing of the millions of wings
had a tendency to lull the senses to repose,"—one of these enormous
flocks extending, it is estimated by Audubon, over a space of not
less than 180 miles; then he is on the trail of the deer or the
buffalo in the hunting-grounds of the Far West, he misses his way,
and lies down for the night in the copse under the clear sky, or
takes shelter with a trapper, where he is always welcome; then he is
in the Gulf of Mexico, spending weeks together in the pursuit of
birds, or observing their haunts and habits; then he is in the thick
of a bear-hunt. Such is the rapid succession of objects that
passes before you in the first volume of the "Birds of America,"
interspersed with delicious descriptions of such birds as the
mocking-bird, whip-poor-will, humming-bird, wood-thrush, and other
warblers of the forest.
In his description of the wood-thrush, which he confesses to
be his "greatest favourite of the feathered tribes," you see
something of the hardships to which he exposed himself by the
enthusiasm with which he followed his exciting pursuit. "How
often," be says,
"has it revived my drooping spirits when I have
listened to its wild notes in the forest, after passing a restless
night in my slender shed, so feebly secured against the violence of
the storm as to show me the futility of my best efforts to rekindle
my little fire, whose uncertain and vacillating light had gradually
died away under the destructive weight of the dense torrents of rain
that seemed to involve the heavens and the earth in one mass of
fearful murkiness, save when the red streaks of the flashing
thunderbolt burst on the dazzled eye, and, glancing along the huge
trunk of the stateliest and noblest tree in the immediate
neighbourhood, were instantly followed by an uproar of crackling,
crashing, and deafening sounds, rolling their volumes in tumultuous
eddies far and near, as if to silence the very breathings of the
unformed thought. How often, after such a night, when far from
my dear home, and deprived of the presence of those nearest and
dearest to my heart, wearied, hungry, drenched, and so lonely and
desolate as almost to question myself why I was thus situated; when
I have seen the fruits of my labours on the eve of being destroyed,
as the water collected into a stream, rushed through my little camp,
and forced me to stand erect, shivering in a cold fit, like that of
a severe ague; when I have been obliged to wait with the patience of
a martyr for the return of day, trying in vain to destroy the
tormenting mosquitoes, silently counting over the years of my youth,
doubting, perhaps, if ever again I should return to my home, and
embrace my family; —how often, as the first glimpses of morning
gleamed doubtfully amongst the dusky masses of the forest-trees, has
there come upon my ear, thrilling along the sensitive cords which
connect that organ with the heart, the delightful music of this
harbinger of day; and bow fervently, on such occasions, have I
blessed the Being who formed the wood-thrush, and placed it in those
solitary forests, as if to console me amidst my privations, to cheer
my depressed mind, and to make me feel, as I did, that never ought
man to despair, whatever may be his situation, as he can never be
certain that aid and deliverance are not at hand."
After many years of persevering toil, when he had collected a
rich treasure of original drawings of the birds of America, many of
which up to that time were altogether unknown, and had never been
described, Audubon proceeded to the then two chief cities of the
States, Philadelphia and New York, and endeavoured to find a
publisher. He sought for one in vain! Some said his book
would never sell, others that his drawings could never be engraved.
Audubon was of a resolute spirit, and had learnt to brave all manner
of difficulties in the pine-woods and the prairies, and he
determined that he would find a publisher. America was not the
world; he would carry his collections to Europe, and try and find a
publisher there.
He came to England in 1827, and was welcomed with open arms.
Many yet remember the glowing enthusiasm of the "American Woodsman,"
and the ardent eloquence of his descriptions of the glorious rivers,
the wide prairies, the magnificent vegetation, and the
ornithological treasures of his native country. "All mankind
love a lover," and here was one of the most ardent, kindling all
hearts with a generous glow. His drawings were exhibited and
greatly admired. From Liverpool, where he landed, he proceeded
to Scotland, the land of Burns, for he "longed to see the men and
the scenes immortalized by his fervid strains." He reached
Edinburgh, and was "received as a brother" by the most distinguished
scientific and literary men of that metropolis. There he found
a publisher in Adam Black, with Lizars for his engraver. The
first number of his magnificent illustrations appeared in 1825, and
the first complete volume of the "Ornithological Biography" in 1831.
The work was received with general laudations. Nothing of the
kind equal to it in riveting interest had appeared before; and it
still stands unrivalled. He proposed to devote the remainder
of his life to the completion of his work. Sixteen years was
the time he had estimated as required for the preparation and
production of the whole. Observing on the time remaining for
its completion, he says: "After all, it will be less than the
period frequently given by many persons to the maturation of certain
wines placed in their cellars." It is not thus that men
generally write now-a-days, post-haste and at railroad speed.
Audubon's object was to do his work—one work—thoroughly and well, so
as to leave nothing to be desired after it; and he has done it
gloriously.
John James Audubon:
“White Gerfalcons” Falco rusticolus.
Picture Wikipedia.
In the introduction to his third volume, published in 1835,
he said: "Ten years have now elapsed since the first number of my
'Illustrations of the Birds of America' made its appearance.
At that period, I calculated that the engravers would take sixteen
years in accomplishing their task; and this I announced in my
prospectus, and talked of to my, friends." At that time, there
was not a single individual who encouraged him to proceed; they all
called him "rash," advised him to abandon his plans, dispose of his
drawings, and give up the project. When he delivered the first
drawings to the engraver, he had not a single subscriber; but he had
determined on success, and he persevered. "To will is
to do," says the maxim, and it was Audubon's. "My heart was
nerved," he says, "and my reliance on that Power on whom all must
depend brought bright anticipations of success. I worked early
and late, and glad I was to perceive that the more I laboured the
more I improved." Subscribers at length supported him, and
encouraged him, when they saw he was bent on success, and at the end
of some four years of great anxiety, his engraver, Mr. Havell,
presented him with the first volume of his "Birds of America."
In the interval he made several voyages between the United
States and England, pursuing his ornithological observations there,
and superintending his publication here. In 1828, he visited
the illustrious Cuvier at Paris. He spent the winter in
England, and went out to the States in April, 1829. "With what
pleasure," he says, "did I gaze on each setting sun, as it sank in
the far distant west! With what delight did I mark the first
wandering American bird that hovered over the waters! and how joyous
were my feelings when I saw a pilot on our deck! I leaped on
the shore, scoured the woods of the Middle States, and reached
Louisiana in the end of November." Louisiana was one of his
favourite localities for the study of birds; and Audubon often
lingered there. In his description of the "great blue heron,"
and other birds which frequent that State, he shows how familiar he
is with its luxuriant swamps. "Imagine, if you can," he says,
an area of some hundred acres overgrown with huge cypress-trees,—the
trunks of which, rising to a height of perhaps fifty feet before
they send off a branch, spring from the midst of the dark muddy
waters. Their broad tops, placed close together with
interlaced branches, seem intent on separating the heavens from the
earth. Beneath their dark canopy scarcely a stray sunbeam ever
makes its way; the mire is covered with fallen logs, on which grow
matted grasses and lichens, and the deeper parts with nympheal and
other aquatic plants. The Congo-snake and water-moccasin glide
before you as they seek to elude your sight; hundreds of turtles
drop, as if shot, from the floating trunks of the fallen trees, from
which also the sullen alligator plunges into the dismal pool.
The air is pregnant with pestilence, but alive with mosquitoes and
other insects. The croaking of the frogs, joined with the
hoarse cries of the anhingas and the screams of the herons, forms
fit music for such a scene. Standing knee-deep in the mire,
you discharge your gun at one of the numerous birds that are
brooding high overhead, when immediately such a deafening noise
arises, that, if you have a companion with you, it were quite
useless to speak to him. The frightened birds cross each other
in their flight; the young attempting to secure themselves, some of
them lose their hold and fall into the water with a splash; a shower
of leaflets whirls downwards from the tree-tops, and you are glad to
make your retreat from such a place."
Accompanied by his wife, Audubon left New Orleans in January,
1830, proceeded to New York, and from thence again to England, where
he arrived to receive a diploma from the Royal Society, which he
esteemed as a great honour conferred on an American woodsman.
Returning to the States in 1831, he took with him two assistants,
his work assuming an importance not before dreamt of. The
American government now aided him, and he was provided with letters
of protection along the frontiers, which proved valuable helps.
His chief field of investigation this year was Florida,—full of
interest and novelty to the ornithologist. It was,
comparatively, a new field, and Audubon explored it with his usual
enthusiasm. There, along the reef-bound coast about Key West,
and among the islets of coral that everywhere rise from the surface
of the ocean like gigantic water-lilies, he cruised in his bark,
often under a burning sun, pushing for miles over soapy flats,
tormented by myriads of insects, but eager to procure some new
heron, the possession of which would at once compensate him for all
his toils. There, in these native haunts, he studied the
habits of the sandpiper and the cormorant, and scoured the billows
after the fulmar and the frigate-bird. There, along the shore,
among its luxuriant fringe of flowers, plants, and trees, gorgeously
luxuriant, he followed after birds nearly all of which were new to
him, and which filled him with boundless delight.
On the east coast of Florida, he was surprised and delighted
at the wild orange-groves through which his steps often led him; the
rich perfume of the blossoms, the golden hue of the fruits that hung
on every twig and lay scattered on the ground, and the deep green of
the glossy leaves which sometimes half concealed the golden fruit.
Audubon used sometimes to pass through orange-groves of this kind a
full mile in extent, quenching his thirst with the luscious fruit,
and delighted at the rich variety of life with which the woods were
filled.
Having received letters from the Secretaries of the Navy and
Treasury of the United States to the commanding officers of the
vessels of war and of the reserve service, directing them to afford
assistance to Audubon in his labours, he on one occasion embarked at
St. Augustine, in the schooner Spark, for St. John's River, a little
to the north. He now studied, amid their haunts along the
coast, the snowy pelican, cormorants, sea-eagles, and blue herons;
and sailed for one hundred miles up the river, between banks
swarming with alligators, where he landed and made familiar
acquaintance with beautiful humming-birds, and the other frequenters
of the groves and thickets in that tropical region. Here is an ugly
phase of the naturalist's life: —
"Alligators were extremely
abundant, and the heads of the fishes which they had snapped off lay
floating around on the dark waters. A rifle-bullet was now and
then sent through the eye of one of the largest, which, with a
tremendous splash of its tail, expired. One morning we saw a
monstrous fellow lying on the shore. I was desirous of
obtaining him, to make an accurate drawing of his head, and,
accompanied by my assistant and two of the sailors, proceeded
cautiously towards him. When within a few yards, one of us
fired and sent through his side an ounce ball, which tore open a
hole large enough to receive a man's hand. He slowly raised
his head, bent himself upwards, opened his huge jaws, swung his tail
to and fro, rose on his legs, blew in a frightful manner, and fell
to the earth. My assistant leaped on shore, and, contrary to
my injunctions, caught hold of the animal's tail; when the
alligator, awaking from its trance, with a last effort crawled
slowly towards the water, and plunged heavily into it. Had he
once thought of flourishing his tremendous weapon, there might have
been an end of his assailant's life; but he fortunately went in
peace to his grave, where we left him, as the water was too deep.
The same morning another of equal size was observed swimming
directly for the bows of our vessel, attracted by the gentle
rippling of the water there. One of the officers, who had
watched him, fired and scattered his brains through the air, when he
trembled and rolled at a fearful rate, blowing all the while most
furiously. The river was bloody for yards round; but although
the monster passed close by the vessel, we could not secure him, and
after a while he sank to the bottom."
At other times, Audubon was carried out beyond the coral reef
which surrounds the Floridan coast, to the Keys, or islands standing
out a little to sea. These were covered with rich vegetation,
and full of life. The shores were also swarming with crabs and
shell-fish of all kinds. "One of my companions thrust himself
into the tangled groves that covered all but the beautiful coral
beach that in a continued line bordered the island, while others
gazed on the glowing and diversified hues of the curious inhabitants
of the deep. I saw one rush into the limpid element to seize
on a crab, that, with claws extended upwards, awaited his opponent,
as if determined not to give way. A loud voice called him back
to the land, for sharks are as abundant along those shores as
pebbles, and the hungry prowlers could not have got a more dainty
dinner." Flamingos, ibises, pelicans, cormorants, and herons
frequent those islands in vast numbers, and turtles and sea-cows
bask along their shores. The party landed at night on the
Indian Key, where they were kindly welcomed; and while the dance and
the song were going on around him, Audubon, his head filled with his
pursuit, sat sketching the birds that he had seen, and filling up
his notes respecting the objects witnessed in the course of the day.
Thus it is that his descriptions have so strong and fresh a flavour
of nature, and that to read them is like being present at the scenes
he so graphically depicts. After supper, the lights were put
out, the captain returned to his vessel, and the ornithologist, with
his young men, "slept in light swinging hammocks under the leaves of
the piazza." It was the end of April, when the nights are
short there and the days long; so, anxious to turn every moment to
account, they were all on board again at three o'clock next morning,
and proceeded outwards to sea. He thus briefly describes a
sunrise on one of those early April mornings:—
"The gentle sea-breeze glided over
the flowing tide, the horizon was clear, and all was silent save the
long breakers that rushed over the distant reefs. As we were
proceeding towards some Keys seldom visited by man, the sun rose
from the bosom of the waters with a burst of glory that flashed on
my soul the idea of that Power which called into existence so
magnificent an object. The moon, thin and pale, as if ashamed
to show her feeble light, concealed herself in the dim west.
The surface of the waters shone in its tremulous smoothness, and the
deep blue of the clear beams was pure as the world that lies beyond
them. The heron flew heavily towards the land, like the
glutton retiring at daybreak, with well-lined paunch, from the house
of some wealthy patron of good cheer. The night-heron and the
owl, fearful of day, with hurried flight sought safety in the
recesses of the deepest swamps; while the gulls and terns, ever
cheerful, gambolled over the waters, exulting in the prospect of
abundance. I also exulted in hope; my whole frame seemed to
expand; and our sturdy crew showed, by their merry faces, that
nature had charms for them too. How much of beauty and joy is
lost to those who never view the rising of the sun, and of whose
waking existence the best half is nocturnal!"
They landed on Sandy Island, which lies about six miles from
the extreme point of South Florida, stretching away down into the
Gulf of Mexico; they laid themselves down in the sand to sleep, the
waters almost bathing their feet; the boat lay at their side, like a
whale reposing on a mud-bank. Birds in myriads fed around
them,—ibises, godwits, herons, fish-crows, and frigate pelicans.
Having explored the island, and shot a number of birds, they
proceeded back to land through the tortuous channels among the
reefs, and were caught by one of those sudden hurricanes which so
often sweep across the seas. And here is Audubon's picture of
the storm:—
"We were not more than a cable's
length from the shore, when, with imperative voice, the pilot said
to us: 'Sit quite still, gentlemen, for I should not like to lose
you overboard just now; the boat can't upset, my word for that, if
you but sit still. Here we have it!' Persons who
have never witnessed hurricanes such as not infrequently desolate
the sultry climates of the south, can scarcely form an idea of their
terrific grandeur. One would think that, not content with
laying waste all on land, it must needs sweep the waters of the
shallows quite dry to quench its thirst. No respite for an
instant does it afford to the objects within the reach of its
furious current. Like the scythe of the destroying angel, it
cuts everything by the roots, as it were with the careless ease of
the experienced mower. Each of its revolving sweeps collects a
heap that might be likened to the full sheaf which the husbandman
flings by his side. On it goes, with a wildness and fury that
are indescribable; and when at last its frightful blasts have
ceased, Nature, weeping and disconsolate, is left bereaved of her
beauteous offspring. In some instances even a full century is
required before, with all her powerful energies, she can repair her
loss. The planter has not only lost his mansion, his crops,
and his flocks, but he has to clear his lands anew, covered and
entangled as they are with the trunks and branches of trees that are
everywhere strewn. The barque, overtaken by the storm, is cast
on the lee-shore, and, if any are left to witness the fatal results,
they are the 'wreckers' alone, who, with inward delight, gaze upon
the melancholy spectacle. Our light bark shivered like a leaf
the instant the blast reached her sides. We thought she had
gone over, but the next instant she was on the shore. And now,
in contemplation of the sublime and awful storm, I gazed around me.
The waters drifted like snow, the tough mangroves hid their tops
amid their roots, and the loud roaring of the waves driven among
them blended with the howl of the tempest. It was not rain
that fell; the masses of water flew in a horizontal direction, and
when a part of my body was exposed, I felt as if a smart blow had
been given to it. But enough!—in half an hour it was over.
The pure blue sky once more embellished the heavens, and although it
was now quite night, we considered our situation a good one.
The crew and some of the party spent the night in the boat.
The pilot, myself, and one of my assistants, took to the heart of
the mangroves, and having found high land, we made a fire as well as
we could, spread a tarpaulin, and, fixing our insect bars over us,
soon forgot in sleep the horrors that had surrounded us."
Audubon returned to Charleston with a store of rich prizes
for his work, and from thence proceeded to Philadelphia, New York,
and Boston, greatly enjoying the lavish hospitality of the
last-named city. Then he proceeded, still on his industrious
explorations, to Moose Island, in the Bay of Fundy (situated between
Nova Scotia and New Brunswick), where he continued to extend his
observations on altogether different classes of birds from those in
the South. He afterwards explored New Brunswick and Maine,
increasing his collections, and returned to Boston, where he was a
witness to the melancholy death of the great Spurzheim, the
phrenologist. He was himself seized with illness, the result
of close application to his work, but he soon after resolved to set
out again in quest of fresh materials for his pencil and pen.
This time, it was the grand, rocky coasts of Labrador,
haunted by innumerable sea-birds, that attracted him. At
Eastport, in Maine, he chartered a beautiful and fast-sailing
schooner, the "Ripley," and set sail, with several friends, on his
delightful voyage. He passed out of the port under a salute of
honour from the guns of the fort and of the revenue-cutter at anchor
in the bay. Touching islands in the St. Lawrence Gulf, each
haunted by its peculiar tribes of birds, a heavy gale came on, and
the vessel sped away, under reefed sails, to the coast of Labrador.
Masses of drifting ice and snow, filling every nook and cove of the
rugged shores, came in sight; they neared the coast at the place
called the "American Harbour," and there Audubon landed. Large
patches of unmelted snow dappled the face of the wild country;
vegetation had scarcely yet commenced; the chilliness of the air was
still penetrating; the absence of trees, the barren aspect of all
around, the sombre mantle of the mountainous distance that hung
along the horizon, excited melancholy feelings. But hist! what
is that? It is the song of the thrush,—the first sound that
meets Audubon's ear,—and the delightful associations it called up at
once reconciled him to the comparative miseries of the locality, so
different from the glowing luxuriance of Florida, and his favourite
Louisiana. Robins, hopping about amid the blossoms of the
dogwood; black-poll warblers, and numerous other birds, some of them
entirely new, began to appear; and soon Audubon was fully absorbed
in his delightful pursuit. The Ripley sailed further north,
and entered the harbour of Little Macatina, of which this is his
description:—
"It was the middle of July; the
weather was mild, and very pleasant; our vessel made her way, under
a smart breeze, through a very narrow passage, beyond which we found
ourselves in a small, circular basin of water, having an extent of
seven or eight acres. It was so surrounded by high, abrupt,
and rugged rocks, that, as I glanced around, I could find no apter
comparison for our situation than that of a nut-shell at the bottom
of a basin. The dark shadows that overspread the waters, and
the mournful silence of the surrounding desert, sombred our
otherwise glad feelings into a state of awe. The scenery was
grand and melancholy. On one side hung over our heads, in
stupendous masses, a rock several hundred feet high, the fissures of
which might to some have looked like the mouths of a huge, undefined
monster. Here and there a few dwarf pines were stuck, as if by
magic, to this enormous mass of granite; in a gap of the cliff, the
brood of a pair of grim ravens shrunk from our sight, and the gulls,
one after another, began to wend their way overhead towards the
middle of the quiet pool, as the furling of the sails was
accompanied by the glad cries of the sailors. The remarkable
land-beacons erected in that country to guide vessels into the
harbour, looked like so many figures of gigantic stature, formed
from the large blocks that lay on every hill around. A low
valley, in which meandered a rivulet, opened at a distance to the
view. The remains of a deserted camp of seal-catchers was
easily traced from our deck, and as easily could we perceive the
innate tendency of man to mischief, in the charred and crumbling
ruins of the dwarf-pine forests. But the harbour was so safe
and commodious, that, before we left it to find shelter in another,
we had cause to be thankful for its friendly protection."
Thus coasting along Labrador, peeping into its bays and
inlets,—through bogs, and ice, and fishing-smacks, pursuing their
vocations,—landing here and there along the coast, and penetrating
into the interior,—the summer of 1833 passed joyously and
profitably. Audubon enriched his portfolio with drawings of
new birds, and his note-book with numerous fine descriptions of
Labrador coast-life and scenery. He describes cod-fishing in
glowing colours; devotes a chapter each to the "eggers of Labrador,"
and the "squatters of Labrador" and enlivens his details of the
natural history, haunts, and habits of birds by a thousand
interesting adventures and reflections. He makes you feel the
enthusiasm he felt himself, and shares with you the delight he
experienced in the course of his cruisings and journeyings. He
returned to the States in autumn, touching at Newfoundland, Nova
Scotia, and New Brunswick, and thence on to Boston. "One day
only was spent there, when the husband was in the arms of his wife,
who, with equal tenderness, embraced his beloved child." For
Audubon's eldest son had accompanied him in this last-named voyage. |