THOMAS
COOPER, the illegitimate son of a working dyer,
was born at Leicester on the 20th of March 1805. After his
father's death his mother began business as a dyer and fancy box-maker
at Gainsborough, and Cooper was apprenticed to a shoemaker. Living
with his mother and half-sister Ann, he spent his free time on an
astonishing - 'fanatical' by most standards - programme of
self-education. By the age of twenty Cooper could recite thousands
of lines of poetry (including the first three books of Milton's
"Paradise Lost"), and was conversant with a large number of historical
and theological texts, as well as Latin, Greek, and French.
In 1827 Cooper gave up cobbling to become a schoolmaster, and
later, a Methodist preacher. His affairs did not prosper, and
after going to Lincoln, where he obtained work on a local newspaper, he
went to London in 1839 where he became assistant to a second-hand
bookseller. In 1840 Cooper joined the staff of the
Leicestershire Mercury, but his support of the Chartist movement
obliged him to resign his position. In 1841 he edited The
Midland Counties Illuminator, a Chartist journal, and became a
leading member of the Chartists. For his part in promoting the
riots in the English pottery towns in 1842, Cooper was imprisoned for
two years in Stafford Gaol. It was during this time that he wrote
his epic poem, 'The Purgatory of
Suicides', in ten books - over 900 Spenserian stanzas - which
embodies the radical ideas of his time. In his efforts to publish
this work he came to the notice of Disraeli, Carlyle, Kingsley and
Douglas Jerrold; it was with Jerrold's help that 'Purgatory' was
published in 1845.
More heat
was in impulsive Thomas Cooper, the poor shoe-maker, who beguiled
captivity by writing the "Purgatory of Suicides; a Prison Rhyme," in
ten books, which, with part of an historical romance, a series of
simple tales, and a small Hebrew guide, were the fruits of two years
and eleven weeks' confinement in Stafford Gaol. The author
speaks of himself as one "who bent over the last and wielded the awl
till three-and-twenty, — struggling amidst weak health and
deprivation to acquire a knowledge of languages, — and whose
experience in after life was at first limited to the humble sphere
of a school-master, and never enlarged beyond that of a laborious
worker on a newspaper." His imprisonment was for "seditious
conspiracy"—a speech made by him to some colliers on strike
having been followed, without his purpose or his knowledge, by
riot. He stood two trials—first for taking part in the riot,
when he proved an
alibi; the second for conspiring to produce the riot, for which,
after a ten days' trial, he pleading for himself, he was
convicted. To return to his poem. Noteworthy on account
of the circumstances under which it was produced, it also deserves
credit for itself: a poem well conceived, wrought out with no
ordinary amount of power, and not wanting in poetic imagination.
A few lines may suffice to show its form,—lines of which
Ebenezer Elliott, the "Corn-law
Rhymer," would not have been ashamed. The opening of the third
book:
"Hail, glorious Sun!
Great exorcist, that bringest up the train
Of childhood's joyance and youth's dazzling dreams
From the heart's sepulchre, until again
I live in ecstasy 'mid woods and streams
And golden flowers that laugh while kiss'd
by thy
bright beams.
"Ay! once more, mirror'd in the silver Trent,
Thy noontide majesty I think I view,
With boyish wonder; or, till drowsed and spent
With eagerness, peer up the vaulted blue
With shaded eyes, watching the lark pursue
Her dizzy flight; then on a fragrant bed
Of meadow sweets, still sprent with morning dew,
Dream how the heavenly chambers overhead
With steps of grace and joy the holy angels
tread. |
|
'WHO
WERE THE
CHARTISTS'
by W. J. Linton |
Cooper's collection of short stories, 'Wise Saws and
Modern Instances' (1845—later extended and republished as 'Old
Fashioned Stories') is generally regarded as his best piece of prose
fiction, providing in places a vivid account of the miserable,
impoverished lives of the Leicester stockingers of his age (e.g.
The Minister of Mercy;
Merrie England;
Seth Thompson). Two
volumes on 'self-help'—a theme more generally associated with Cooper's
contemporary, Samuel Smiles—appeared in 1847/8; "Triumphs of
Perseverance" and "Triumphs of Enterprise" [later (ca. 1880) extended
and combined into a single volume] comprise
a collection of "biographical sketches of the achievements of men famous
in many fields of enterprise, and distinguished by the perseverance they
exhibited" which, Cooper hoped, would "stimulate the youthful reader to
attempt to follow in their footsteps". Among Cooper's other titles
is the historical novel 'Captain Cobler' (1850), and the novels
'Alderman Ralph' (1853) and 'The Family Feud' (1855). The 'Bridge
of History over the Gulf of Time' (1871) is a modestly sized and
very readable book on Christian evidences in which Cooper, in a
well-argued low-church manner, answers the question, "if Christianity be
not true, where did it come from?"—and in the process never misses an
opportunity to heap blame at the Vatican's doorway. Cooper's
autobiography, 'The Life of Thomas Cooper,
written by Himself' (1872), is among the best
memoirs of a Victorian artisan. His life as
a preacher is reflected strongly in his 'Thoughts
at Four-Score' (1885), a collection of opinions (including Cooper's
views on
Darwin and 'the fallacies of
evolution') and solid Victorian—at times Puritanical—moralising
aimed principally at 'young working men'.
Cooper has a further niche in English literature, being
the model for the Chartist 'poet of the people', in Charles
Kingsley's popular novel
Alton Locke and the provider of much of Kingsley's background
information on Chartism among working people.
|
Literary Notices, Harper's Magazine, 1851 |
Cooper eventually turned to lecturing upon historical and
educational subjects. In 1856 he suddenly renounced the
free-thinking doctrines which he had held for many years, and became a
lecturer on Christian evidences. In 1867 his friends raised an
annuity of £100 per annum for him, and in the last year of his life he
received, belatedly, a modest government grant.
The First Lord of the Treasury
yesterday sanctioned the contribution, through Mr. Mundella, of a
grant of £200 to Mr. Thomas Cooper, the veteran Chartist leader, and
author of the poem "Purgatory of Suicides," who is now in his 84th
year and infirm in health. The grant is made in recognition of
Mr. Cooper's literary talent and influence as a moral teacher. |
The Times, April 30, 1892.
|
Thomas Cooper died at Lincoln on the 15th of July 1892.
Hard-working and intellectually gifted, with a reputation for honesty
and generosity, Cooper was also capable of being pedantic and was a man
who disliked being challenged. In his "Memoirs of a Social Atom",
W. E. Adams describes him thus—"Thomas
Cooper had the 'defect of his qualities.' I have given one example
of his irritability. Many others were known to his friends....Warm
in his friendships, he was bitter in his animosities.....But
Thomas Cooper had other qualities that redeemed his defects.
Innumerable instances of his kindness and generosity are recorded.
It is a loving trait in his character that he never forgot or neglected
any old friend whom he knew to be living in any of the towns he visited
during his later peregrinations."
Other artisan memoires—See also G. J. Holyoake's "Sixty
Years of an Agitator's Life", Samuel Bamford's two-part
autobiography, "Early Days"
and "Passages in the
Life of a Radical" (to which a biographical supplement,
Reminiscences,
was added in 1864), Hugh Miller's "My
Schools and Schoolmasters,"; "Memoirs
of a Social Atom" by the printer turned newspaper editor,
W. E. Adams and "Recollections
of Fifty Years" by poetess and author Isabella Fyvie Mayo (aka
"Edward Garrett"). |